there are a lot of things that make the locked tomb series so appealing, like yeah lesbians with swords, bones, deeply fucked up and compelling dynamics etc, but fundamentally possibly the most enticing aspect of it is the sheer amount of pathetic women in it. we are living in an age of DROUGHT of pathetic women in media; the Girlboss trope, in its most stereotypical and mind-numbingly basic interpretation, reigns supreme. the female silly little meow meow is ENDANGERED. but not in the locked tomb series! in fact there are several of them here and they’re all pathetic in different special ways, which doesn’t prevent them from also being badasses and strong, skilled fighters, but CRUCIALLY they are also losers!! and that’s what makes them so great!!!! like we have the self-sacrificing butch lesbian jesus-figure with a hole in her chest and the most pathetic case of Simping in history, canonically known as the ‘saddest girl in the universe’, the evil stick feral kitten lesbian nunlet with a bone fetish that everyone for some reason is obsessed with (no actually it’s understandable), the super tall ghost-looking ‘problematic’ lesbian with a bone arm who loves to cause problems on purpose, her even taller and more insane twin sister and her deeply repressed constantly half-dead crush who’s pretty much always having the worst time out of everyone in a series where everyone is always having the worst time. oh and of course the eldritch horror dressed up as a barbie doll
—Shirley Jackson, from Hangsaman
This house hates/loves you to a destructive degree
john masefield, the haunted / mexican gothic / haunting of hill house / mexican gothic / morris kantor / ash, tracey k. smith / courtney love prays to oregon, cementine von radics / the uninvited (1944) / mexican gothic / haunting of hill house / crimson peak / mabel podcast / house of teeth: on anatomy, dante douglas / introduction to hill house, laura miller / mexican gothic / anatomy, kitty horrorshow / night-time solitude, holly warbuton / john masefield, the haunted
Sometimes, with a vast aching heartbreak, the great, badly contained intentions of creation, the poignant searching longings of adolescence overwhelmed her, and shocked by her own capacity for creation, she held herself tight and unyielding, crying out silently something that might only be phrased as, “Let me take, let me create.”
—Shirley Jackson, from Hangsaman
anatomy of a comet by oscar woodiwiss
Jacques Derrida, from Monolingualism of the Other: or, The Prosthesis of Origin
Jacques Derrida, from Monolingualism of the Other: or, The Prothesis of Origin
Gekijōban Shōjo☆Kageki Revue Starlight Hikari Kagura
Qiu Miaojin, from Notes of a Crocodile (trans. Bonnie Huie)
Qiu Miaojin, from Notes of a Crocodile (trans. Bonnie Huie)
— Edna St. Vincent Millay, from a diary entry written c. August 1911
Meg Wolitzer, from The Interestings
I disapprove of most book changes but making hotd a lesbian divorce drama is the best adaptational change in the history of adaptations. give me all the milf on milf violence
So even if my love for you leads me to ruin, don’t pity me. The Handmaiden (2016) dir. Park Chan Wook