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#quote – @figuring-it-all-out on Tumblr
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Figuring It All Out: My Genderfluid Life

@figuring-it-all-out / figuring-it-all-out.tumblr.com

Cinders | Genderfluid / Nonbinary / Transwoman | Prefer they/them as a default | Just here figuring out my gender.
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cparti-mkiki

"goddess" "matriarchy" "female wisdom" girl your civic rights

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tauindi

“But I didn’t and still don’t like making a cult of women’s knowledge, preening ourselves on knowing things men don’t know, women’s deep irrational wisdom, women’s instinctive knowledge of Nature, and so on. All that all too often merely reinforces the masculinist idea of women as primitive and inferior – women’s knowledge as elementary, primitive, always down below at the dark roots, while men get to cultivate and own the flowers and crops that come up into the light. But why should women keep talking baby talk while men get to grow up? Why should women feel blindly while men get to think?”

— Ursula K. Le Guin

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yahoonews

“Commander Vimes didn’t like the phrase ‘The innocent have nothing to fear’, believing the innocent had everything to fear, mostly from the guilty but in the longer term even more from those who say things like ‘The innocent have nothing to fear’.”

–Terry Pratchett, Snuff

That was explained beautifully

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witchaj

“Arguing that you don’t care about privacy because you have nothing to hide is no different than saying you don’t care about free speech because you have nothing to say.”

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remulsupin

Gwendoline Christie is the actress for Brienne of Tarth in Game of Thrones. She stands at 6 feet 3 inches tall and took swordfighting, horseriding, and stagefighting lessons for her part, as well as gaining 14 pounds of muscle, to accurately portray Brienne. (x)

She was also terrified of cutting her hair because she’d spent her life believing it was one of the only things that would make people see her as feminine despite her height. In an interview with TV Guide she said:

I struggled for a long time with [cutting] my hair, but then I’m grateful for the opportunity to realize that femininity doesn’t have to come from hair or any of those traditional female archetypes of appearance, So, that’s been exciting actually. I can’t speak with any kind of authority whatsoever because I’m just an actor and I only have my opinions, but I do think it’s really refreshing to have a woman depicted on a mainstream TV show that doesn’t obey typical aesthetics of females and the way they have been portrayed in the past. And I’m really excited to be portraying one of those women. And I hope that her popularity signals a greater expansion of people’s views about men and women and that gender types can be more flexible.

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shmemson

She’s so so so so great. I think she’s just incredible.

Characters like Brienne of Tarth, and actresses like Gwendoline Christie, are important to see. It is easier when we can see ourselves in those who are praised and admired by society. 

-FemaleWarrior, She/They 

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Many of the political attacks on trans people—whether it is a mandate that bathroom use be determined by birth sex, a blanket ban on medical interventions for trans kids or the suggestion that trans men are simply wayward women beguiled by male privilege—carry the same subtext: that trans people are mistaken about who they are. “We know who we are,” Page says. “People cling to these firm ideas [about gender] because it makes people feel safe. But if we could just celebrate all the wonderful complexities of people, the world would be such a better place.”

Page was attracted to the role of Vanya in The Umbrella Academy because—in the first season, released in 2019—Vanya is crushed by self-loathing, believing herself to be the only ordinary sibling in an extraordinary family. The character can barely summon the courage to move through the world. “I related to how much Vanya was closed off,” Page says. Now on set filming the third season, co-workers have seen a change in the actor. “It seems like there’s a tremendous weight off his shoulders, a feeling of comfort,” says showrunner Steve Blackman. “There’s a lightness, a lot more smiling.” For Page, returning to set has been validating, if awkward at times. Yes, people accidentally use the wrong pronouns—“It’s going to be an adjustment,” Page says—but co-workers also see and acknowledge him.

Whatever challenges might lie ahead, Page seems exuberant about playing a new spectrum of roles. “I’m really excited to act, now that I’m fully who I am, in this body,” Page says. “No matter the challenges and difficult moments of this, nothing amounts to getting to feel how I feel now.” This includes having short hair again. During the interview, Page keeps rearranging strands on his forehead. It took a long time for him to return to the barber’s chair and ask to cut it short, but he got there. And how did that haircut feel?

Page tears up again, then smiles. “I just could not have enjoyed it more,” he says.

ELLIOT PAGE for TIME Magazine › 2021 interview by Katy Steinmetz, photography by Wynne Neilly

GOOD FOR HIM

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homaresawa
Endings are tricky because we expect answers. Fifteen years ago, with my first film Saving Face, I got one recurring question: “Is this ending… too happy?” At the time, as much as I saw the truth in it for my characters, I confessed to not knowing if that happy ending could be expected in real life; but as a queer woman, I wanted - needed - to see it in order to believe it could happen for me. Now with The Half Of It I’m regularly peppered with questions over whether certain characters end up together in an ever-pointed crescendo toward “But is the ending happy?” (Ha!) My honest answer is that the point of the film isn’t about who ends up with whom. It’s about three people who collide in a moment-in-time before going their separate ways, each now holding the piece of themselves that allows them to become the person they are meant to be. The end of the film is each of their beginnings. And for my characters, I can think of no happier ending. - Alice Wu
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(Image description: a square image with a trans flag on the left hand side and black text over a white background on the right hand side, the two sides are divided by a black border; the text on the right side is a quote by trans pride flag creator Monica Helms that reads: “The stripes at the top and bottom are light blue, the traditional color for baby boys. The stripes next to them are pink, the traditional color for baby girls. The stripe in the middle is white, for those who are intersex, transitioning or consider themselves having a neutral or undefined gender. The pattern is such that no matter which way you fly it, it is always correct, signifying us finding correctness in our lives.”)

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now lets admire one of my favorite quotes about TRANSNESS

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septicstank

this ^^^ my problem isn't that I don't have "an agender body". my problem is that I'm agender and people refuse to see my body -- exactly how it is right now -- as an "agender body". but then I'm the bad guy for not wanting to change it to meet their expectation of what they think an agender body should look like.

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