[There's stuff in there, too. A plague on both your houses. Wait a second! I know what the plates are for!]
[I'VE BEEN WORKING IN HERE SINCE I WAS FIVE. THOUGH ONE WAY OR ANOTHER, ALL OUR HOUSES ARE GLASS. THIS WAS ACTUALLY WHERE YOU LIVED? THAT'S RIGHT, YEAH.]
[There's stuff in there, too. A plague on both your houses. Wait a second! I know what the plates are for!]
[Inside the houses it is worse.]
[SAME AS ALWAYS FOR TWO DECADES. IT'S LIKE ONE OF OUR FAMILY MEMBER'S HOUSES]
[I'll listen to you. And then case it off? though lungs as black as the houses. So, I link them about five, six inches.]
[This is an onion-based puree. So, I'm going to put a little bit of that. Plus inside the houses it is worse. And I'm going to cover it. And how long does that go?]
[Hold on to your socks. You're not gonna expect it. Really awesome. It is awesome. You can't wait to dig in because it's just so interesting. These are my buddies the Morrises and the Houses.]
[A close up of a sign. Caption: And if we go to the top of the scale, we find this, which houses the nineteen forbidden notes.]
[3 images. A man looking at the camera. A close up of a fire. A close up of a person. Captions: And if we go to the top of the scale, we find this, which houses the nineteen forbidden notes. The box is kept locked, and for good reason.]