A scaled down, nightmarish fever dream portrait of the bizarre and surreal things lurking within New York City's streets at night, After Hours is a unique Scorsese venture, not only due to it's black-as-pitch comedy style, but also due to it's uniquely surreal and gonzo nature, following a decidedly normal word processor named Paul Hacket, as he finds himself experiencing the single most bizarre and freakish night of his life. This time, Scorsese takes a deliberately stylish approach, with his camera flying, zooming and spinning through NYC's Soho district, lit only by old street lamps, apartment lights, and neon signs
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