Allow me to tell you that you're the most beautiful ghost that ever walked!
Paulette Goddard in The Ghost Breakers (1940)
Allow me to tell you that you're the most beautiful ghost that ever walked!
Paulette Goddard in The Ghost Breakers (1940)
Jean Paul Gaultier Spring 1999 Runway Museum Hellenic Statue Gown
another festive victorian ensemble, the last one for this year. silk taffeta, cotton, and some very cheap buttons. self drafted/sewn/modeled/etc.
i'm so glad you guys like this costume! it is one of my favorites. but I put my absurd pumpkin pants on one leg at a time just like everyone else.
...literally
anyway, here are some construction/project notes/wip photos in case you don't have 50 minutes to spare for the full video about making it!
inspo wise, The First Book of Fashion: The Book of Clothes of Matthaeus and Veit Konrad Schwarz of Augsburg [this is an affiliate link] served as the major influence for this. the book is basically documentation of what this man and his son wore to major events in his life over a period of decades. he was getting ootd painted before it was cool.
the base pattern for the pantlegs came from another pair of ridiculous pants I made a few months earlier.
the paned portion is made from homemade piping sewn to strips of jacquard that are backed with twill tape to prevent fraying.
I made so much fucking piping for this oh my god. each of these strips was 20"+ long, both sides have piping, and these are the panes for ONE LEG. there were also sleeves. we're talking like 60+ yards of piping.
perhaps unsurprisingly, these strips were too thick to gather. so instead I had to overlap them to create the shaping over the leg. it looks OK but isn't ideal.
after this was done, velvet ribbon was sewn over the marked point to hold them in place.
oh! I also sewed a layer of mesh over the orange base fabric to dull it somewhat and provide contrast before sewing on the bands.
the upper portion of the pants was made from even strips of velvet and jacquard seamed together and fitted over a cotton base. the appliques were added to cover the fact the stripes meet at an angle at the side seam, and I sewed on orange sequins because I like sequins.
the happiness I felt when this fit was immense, I must say.
the bodice is two pieces, one for the front, one for the back. it laces up the sides with hand sewn eyelets. it wasn't very flattering as just an expanse of orange of the chest, so I added appliques to the front and back, too.
the black detailing around the top edge is made from varying widths of velvet ribbon.
the sleeves have similar elements of everything shown above--a paned upper portion, velvet ribbon trim, and a bit of lace at the cuffs.
unlike most of my projects the sleeves have no lining forcing the shaping, what you see beneath/between the panes is the chemise worn beneath this. it's made from the mesh used as an overlay on the pants with a jacquard/velvet ribbon collar which you can see peaking out above the neckline of the bodice.
oh! and then there is the pumpkin hat! there is a video on patreon about making this somewhere, I think.
and it's just that easy to live out your renaissance pumpkin prince/ess dreams!
Agyness Deyn and Amar Akway by Carlijn Jacobs for W Magazine October 2024
New long post! Been a while!
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Halloween 1942
A touch of vintage flair ✨ Dress Lacemade, corset belt Wilde Rose Costumes, shoes American Duchess, lindworm quartz pendant by Naomi Jewelry.
Jami Deadly
Love at first sight for this very goth antique outfit, featuring BEST purple+black kimono with dynamic woven pattern, and nicely matching dark ground nozarashi (weather beaten bones) obi.
Pearl Perry and beautiful shoulder friend. Source.
Vampira in the 1950s
Elvira in the 1980s