The Optimistic Authour

My @feyspeaker blanket arrived! It’s so big I had to unfold it on the dining room table and stand on my bench to get a photo. I’m in love 😍😍

Valerio Minato's photo that won the Astronomy Picture of the Day Contest by NASA on December 25th, 2023.

In the picture: the moon, the Monviso Mount and the Basilica of Superga (on the Superga hill) outside Turin are all aligned. it took him 6 years to take this shot (and I take it as an example to never give up on your dreams).

some of my favorite woven tapestries, by Cecilia Blomberg:

Point Defiance Steps

Mates

Rising Tides

Vashon Steps

TAPESTRIES????

FUCKING HELL. FUCK. ING. HELL.

Here's her website, cause there's a whole load more to see.

@elodieunderglass !!

Wow!!

Talking about wax pastels and drawing this guy in the Trash Book 2024

the 50$ sword i got from a shady flea market was diagnosed to be a wall-hanger rather than a prop so i spent today making it the prettiest wall-hanger in the land

I'm a Merlin ride or die, so here's a painting of my best girl Gwen!

Sir pentious church window 💫 any wishes who should be next?

A snake damned humanity.

And a snake gave humanity it’s best shot at redemption.

Just remembered how, when I was first levelling up Gale, I thought, 'huh, he's got fairly decent Consitution for a wizard. Useful for gameplay purposes, of course, but I wonder if there's a narrative explanation?'

And not an hour or two of play later, learned that the orb - if left untreated too long - causes him constant pain, muscle spasms and disorientation. Gale and Tara did not immediately figure out how to treat his condition, which meant that he likely spent weeks or months in that state - and of course, whenever the orb acts up, he goes through it again. He probably endures it constantly through the end of act 1, after his treatment stops working.

Constitution, of course, is that the stat that represents ability to focus while being hurt. Endurance even after physical distress. Pain tolerance.

Yeah. I think there's a narrative explanation.

"The Devil's InFearneo"- fake vintage romance novel cover🔥🌸💗 Dani was great for writing this. Whish there was more of it.

Okay and here’s part two of the knives concept art, this time it’s all about the early concepts for Mr. hundreds spoons giant Snuggie

Waki Kiyotaka and Nabe began this segment talking about how they played around with the design of knives clothes for some time to reach something that was still doable for the riggers and modelers but matched the design teams vision for this otherworldly cloak.

Nabe then jumped in to add that one reason for the cloak was actually to emphasize that Tesla a living, conscious part of knives. He went on to clarify that Tesla’s first appearance is actually in episode 3. I have down in my notes that he said specifically “in episode three when you see he strikes with the spears those are Tesla”. I just went back and re-watched episode 3 and maybe it’s that I’m tired and very sleep deprived from the convention but I couldn’t pinpoint what he was referring to, so I may have misheard him. If anyone has any theories or better idea of what he said/was referring to please please please let me know

EDIT: he says makes a sphere of blades that’s teslas eye. So that scene where the huge sea of blades forms over Jeneora Rock is Tesla!!!!

Michelangelo's Moses is a marble sculpture made in 1513–15. One of the many details of this masterpiece is one very small muscle in the forearms that contracts only when lifting the pinky, otherwise it is invisible. Moses is lifting the pinky, therefore that tiny muscle is contracted

Got my Pin from Studio Bad Egg's Possession Collection Collab with Alex Hirsch to mark 10 years of Gravity Falls, today. Ordered it back in Februay. It's even better than I could have imagined. 100% worth the wait and a great way to celebrate a decade of this timeless show.

The blacklight works great too. I love it!!

Watch my Unboxing of it below!

then you never really knew me at all

As Twitter continues going down the drain, it’s time to revive old accounts 😂 here’s a pretty cool photo from a full Bells Hells shoot I was part of recently! Photo by saikotic.exe on IG!

i know it's been said many times before but i will never get over how jacob anderson, a british man with a british accent, not only nailed a louisiana creole accent but also developed a studiously (almost eerily) generic accent that louis uses in the present AND showed the first accent bleeding into the second accent at key moments as a way of aurally externalizing his character's inner journey. what did god put in this man when she created him.

@dedalvs anything to add about jacob anderson's accent/valyrian pronunciation work?

Pardon me, but is someone praising Jacob Anderson without letting me praise him first?!

Backing up. It's October 2009, and my Dothraki is chosen as the official version for HBO's Game of Thrones. Absolutely the job of a lifetime. Conlangers were never hired to create languages for big budget productions, and language was central to A Song of Ice and Fire. The fact that this was on HBO guaranteed that it was going to be huge, and now I was going to get to be on the set of a TV show, work with actors, go to Hollywood parties, and create a language that would be as popular as Klingon.

June 2011, only one of those four things had happened, and of all things, it was going to a Hollywood party—the season 1 premiere event for Game of Thrones. It was very cool! None of the cast attended, but it was cool! But as for the rest, the idea that I would ever actually talk to any of the actors or be on the actual set was, apparently, laughable. And as for Dothraki, it had a very loyal following of about 6 or 7 people, all of whom I came to know personally. Dothraki was discussed in the press, sure, but nobody was going to learn it; there were never going to be any Dothraki conventions. It wasn't the next Klingon.

June 2012, and by this point I'd gotten used to seeing my work on screen—and by that I mean I'd gotten used to seeing it performed…so-so. Every so often it was really good, but for the most part, I got used to hearing jumbled consonants, dropped syllables, missed words… I've always been a perfectionist, so this was difficult, but I didn't have much choice. I had absolutely no control over it. I never got to work with any of the actors, so all they had were my recordings, and a series of dialect coaches who had absolutely no idea what they were doing with my stuff. (And, as I would learn later, just because an actor nails 9 out of 10 takes doesn't mean the editor won't like the one take they screwed up. Sometimes that's the take that makes it to the screen.) Basically, if someone has an English line on a TV show that goes "It looks like the mechanism got screwed up somehow", and what they say is "It locks like a manism got scroot up someho", they're going to reshoot the scene until the actor says it right. If that happens with a conlang, no one will notice or care. This was now my life.

July 2012, I get the opportunity to create High Valyrian (yay!), and then a "dialect" of High Valyrian to be spoken in Slaver's Bay. Knowing the history from GRRM's books, I knew this "dialect" was actually a full daughter language with lexical/phonological material from an extinct language (Ghiscari) that I wasn't being asked to create, so I was going to have to create two languages at once, and at least have an idea for a third one—and, in fact, there was going to be a lot of dialogue in this new daughter language. Consequently my focus was split. I can honestly barely remember creating Astapori Valyrian, because I wanted to be sure that High Valyrian was right (I knew book fans didn't care about Dothraki, but did care about HV). Despite the lack of attention, I did realize that Astapori Valyrian had a cool sound and a great flow (it really does!). I wish I'd had more time to appreciate creating it as a daughter language (I wish High Valyrian had been as complete as Dothraki was at that point), but I was pleased with the result. I was curious to see how the actors would handle it.

April 21, 2013. I am absolutely over the moon. I'd just for the first time saw a scene that I loved in the books because, for once, I predicted what was going to happen (as a reader, I'm sitting here thinking, "How do you trade your entire army to someone and not wonder if they're going to use it on you after they get it?!"), and it actually plays better in the show than the books, and it all hinges on a language I created. I still get chills watching that scene: Episode 304, Daenerys revealing she speaks Valyrian. To this day that's still the best thing I've done. The same issues I mentioned above were present, as always (watching thinking, "Did she say mebatas instead of memēbātās…?"), but they're minor. The scene is outstanding. I realized that whatever was going to happen after this, I would always have this scene. That was a good night.

April 28, 2013. After last week's episode, I wasn't really waiting for anything. In episode 305 there's only one scene with any conlang work in it—nothing really major. Introducing Grey Worm, characterization, etc. Everything in this episode is about what's going on in Westeros. At this point I'd heard a fair amount of Astapori Valyrian in Slaver's Bay. It was good! Definitely good enough. Did the trick. The prosody wasn't quite what I did with it, but it was good. I was somewhat interested in this introduction in 305. Grey Worm only speaks Astapori Valyrian at this point, so this actor wouldn't have had had any other speaking lines, and aside from one short line and saying his name at the beginning, his next line is a huuuuuge speech, comparatively speaking. I was curious to see how he would do.

Critters and gentlefolk, that night I witnessed a miracle.

NEVER had I heard ANYONE speak one of my languages better than me until that night.

Every word, every syllable, EVERY SOUND OF EVERY CLAUSE Jacob "You Heard My Name" Anderson uttered was ABSOLUTELY FLAWLESS.

I was stunned. My mouth literally hung open—probably for the rest of the damn episode, at which point I went back and watched that scene—again, and again, and again.

And so you don't have to go searching, this is Grey Worm's line (not the first two short ones—the big one [note: j is [ʒ], except in Daenery's High Valyrian name, where it's [dʒ], dh is [ð], q is [q], r is [ɾ] and y is [y], in IPA]):

That was my translation of this English line:

That is a LOOOOOOOOOONG ass line. And go watch that scene. There is nothing on the screen but his face. It's a closeup the entire time. Any slight deviation would be visible as well as audible. Take a look:

This...KING just casually dropped the greatest performance I have ever witnessed on screen at a time when I had already given up on ever seeing a truly great conlang performance on screen.

And then he proceeded to do it again and again and again and again and again for the rest of the entire show. I don't think it's a coincidence that the very last conlang line of Game of Thrones is his. They knew how much I loved him—I told them. I told anyone who would listen and twelve people who wouldn't, along with their next of kin. He didn't take my language and make it his own—no, no. He is graciously allowing me to claim that I created his native tongue—the one he's been speaking since birth. THAT'S how good he is.

So yeah, accent work? In English? I guess I'm not surprised he's pretty good at that. Something like that to this…adonis, this living, breathing Master Class™ in perfection is like yawning to an ordinary human. Jacob Anderson can walk into my house in the dead of night, take anything out of my refrigerator, and then leave the door to the fridge and the house open when he leaves. He has earned no less.

To sum up: