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#broken branches & lifelines – @eyesontheskyline on Tumblr
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But eyes on the skyline.

@eyesontheskyline / eyesontheskyline.tumblr.com

(There's bliss in the kiss of the sunshine.)  I'm Rethaniel trash, Hotchniss trash. I write fic. 32. Gettin bi. She/her.
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Criminal Minds Fic Masterlist.

no such thing as over this. (16/16 chapters, complete. Rated M.)

Hotchniss. A S7 fix-it in which Emily's trauma is acknowledged, her relationships with the team are developed, and Hotch doesn't want to take her for granted again.

someone else's solid ground. (2/2 chapters, complete. Rated E.)

Hotchniss. Post-Scratch, Hotch surprises Emily. Set somewhere during S13E01, after the warehouse and before the funeral.

broken branches & lifelines. (oneshot. Rated T.)

Hotchniss (or Hotch & Emily friendship, really). A deep dive on Hotch and Emily around S3E01 Doubt and S3E02 In Name and Blood.

reckless (just enough). (3/3 chapters, complete. Rated M.)

Emily Prentiss and three pregnancies: at fifteen, thirty-three, and forty. Hotchniss endgame in the last chapter.

you might make sense. (1/2 chapters, WIP. Rated E.)

Jormily. Emily and Jordan meet in a bar before Jordan starts at the BAU.

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Anonymous asked:

I loved broken branches and lifelines and to go off of the anon question you answered earlier, I think I’d literally kill for your insight on a huge ass number of episodes that have relevant moments for Hotchniss. Foyet arc included, but there are a bunch of interactions through the seasons that have moments that could have a back story or a continuation after the episode ending and I for one don’t have the imagination for it, so I’m glad that there are people out there like you who do! One of them is in fact the one you wrote your oneshot about. Others that come to mind rn are Lo-Fi with the explosion and all of that, obviously Minimal Loss, Demonology and defintelyyyy the episode with Viper and Emily going undercover with Jordin. The locker room talk was something else entirely.

Ooh yes a post Mayhem / Angel Maker road trip is definitely on my wishlist / maybe pile 😂 That's probably another one I could've answered that question with actually. It could be so many things from literally just a little post-ep to like... spiralling into a Whole Thing. There are so many moments between them that would be so much fun to jump into / jump off from.

In reckless, my theory is they got serious around Demonology / Omnivore. So I might do that in that universe...

I think part of my problem is I kind of feel like I only get one shot at writing about one specific ep and obviously that's nonsense. I would happily read a hundred versions of them getting together post Demonology lol.

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Anonymous asked:

Unsure if this will make sense, but if you ignored the logistics of writing it (plotholes, time and effort writers block, too close to home trauma…you know, the usual) is there anything you’d like to write/attempt/explore

I appreciate no such thing (love - you are an absolutely incredible writer!!) probably pulls in some of these themes but I was wondering if there is anything else you’d consider??

Ahh this is such an interesting question and very difficult to answer, because I have a bunch of ideas right now that I'm still figuring out the logistics of, so I'm not sure if they fall into 'I will actually write this' or 'if I could ignore the logistics. . .' yet.

Definitely no such thing used to be my answer to this. S7 was a mess with a lot of holes to fill. And now. . . I want to write something set in the in-between of reckless, exploring how Hotch and Emily get together. And I probably will write something, but I'm not sure how deep to go yet - like, a one or two part thing set earlier in their relationship? A multichapter?? Start when I said in that fic their relationship started, or before? Slowburn or not? I genuinely have no idea what I'm going to do with that, and I don't want to get too tied up in it because I'm also kind of aware that it might end up with basically no audience because I feel like things set in established AUs where OC kids are a significant part of it are kind of niche, and I'm not the kind of superhuman who doesn't care about that unfortunately lol.

I want to write something about Emily helping Hotch out after Foyet's attack too - the fact that she's driving him to work and back and walking him up to his apartment suggests she was the one providing practical support while he recovered and I love the idea of that. But it's intimidating - the research for the medical side combined with the way the show glossed over it, plus it's an area where I really notice I don't always know whether the words I would use are the same words they would use. . . That one just freaks me out for a bunch of reasons, but I would like to do it.

Also various Foyet-arc reimaginings have always interested me. It's one of those things that changed everything, and it would take just the tiniest tweak for the whole thing to go a completely different direction. So maybe. But again, a lot of factors, and it scares me.

Basically my brain wiring has gone haywire and I struggle to be like 'I'll write a lil oneshot exploring X', so as soon as I have any sort of normal sized idea, I freak myself out. I just published a oneshot of a normal sized idea to try and solve this problem, and I had to wrestle with myself to just end it there and post it.

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broken branches and lifelines.

Rating: T

Warnings: No Archive Warnings Apply

Relationships: Emily Prentiss & Aaron Hotchner

Summary: A bit of a deep dive on Hotch and Emily around S3E01-02. Character study, pizza eating, late night conversation. . .

Excerpt: “Hotch. . .”

He’s heard that tone before. She uses it with small children, and witnesses so traumatised they’re barely coherent. He should get off the phone.

“Haley’s left.”

“Oh,” she says softly, and there’s a long pause. “I’m sorry.”

“Me too,” he mutters, the lump in his throat making his voice rough and painful. He shuts his eyes tight and presses his palm to his forehead. Get off the phone.

“Come over.”

“I’m sorry?”

“I just ordered way too much pizza for just me,” she says. “You’d be saving me from sad leftovers for lunch tomorrow.”

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