The Odyssey Exhibition

The complete set of illustrations that I drew to Drawkill’s Goretober prompts. Had several ideas that didn’t make it through where they could be done on time, but was able to finish more of these than I initially expected (especially with all the film production antics going on, both on my original projects and work for hire type stuff). Got a bit quirky with these in a way (especially with Christmas Over Tokyo), but happy with how they came out. Figure At The Base Of A Crucifixion: Prompt 01. (Pins And Needles) Senseless Fixation: Prompt 02. (Sensory Loss) Weaponized Dreams: Prompt 04. (Flesh And The Machine) The Colony: Prompt 08. (Infection). Christmas Over Tokyo: Prompt 14. (Blood Blood Blood). Man Bites Dog: Prompt 15. (Animal Instinct). Frankenstein’s Nightmare: Prompt 19. (Dismantle Instructions. Reconstruction Of A Fallen Angel (Frankenstein Version 2): Prompt 31. (Scientific Diagram).

Bob And The Flattened Muse: October 2nd - 2018

Clay Man: September 20th - 2018

Studies Of A Nude Model No. 3 & 4: September 11th - 2018

Ugh: June 22nd - 2018

We Know How To Fix All Our Inconveniences: July 1st - 2018

Tribute for the ferryman, who guides the prisoners to the underworld: June 11th - 2018

The catacombs before abandonment. The nameless prisoners are all tied with their hands behind their backs, forced to both look at one another and to face the abusive guardsman: June 11th - 2018

Alone, Incomplete And Leaving Only What You Don't Want Them To See: May 16th - 2018

In The Penal Colony: May 9th - 2018

Cataclysm and Contact: April 9th - 2018

Industrial Playground or The Mechanical Sandbox: March 30th - 2018

To Extinguish Every Last Light In The World: March 17 - 2018 A Man Without A Face Is Only Free When Darkness Rules The World: March 17 - 2018

Pieced Together To Stockhausen #1:  January 30th - 2018

Ecce Homo and Wood-Sprite: January 29th - 2018 The basic outlines for these two drawings were done in the same session, an early morning not long after I woke from a violent nightmare. I found that while scanning the drawings, I was hyperventilating and in a tense state. As it turned out, I wasn’t breathing through the whole inking process. I was instead stressing my pens over a sheet of printer copy paper, running a brush tipped marker raw while scrawling out random lines with an arm that was forcing a cramp onto itself. There was a third piece in the set titled Pummel, but I decided to not include it in this post. Wood-Sprite was drawn as a purposeful clashing between the modern conception of the nymph with the sinister things sprites were described as doing in certain bits of folk mythology.