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Katherine. 25. English literature major -> library science graduate student. Extracts from things I've read over the years.
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It took too long for you to get yourself together. Essentially, what's happening here isn't really about time, because true love is beyond time. It can, after all, wait an entire lifetime.... The cause of what's happening here all lies in the absence of an internal fire. Your trouble, if you will, is that reaching final conclusions just isn't your thing. You're afraid the decision you make will deprive you of further choice, so that paralyzes your will. Even now, you don't know why you've come. Meanwhile, you've missed out on the best thing life had arranged for you.

Laurus by Eugene Vodolazkin, 2016. Translated by Lisa C. Hayden.

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You know, O friend, any meeting is surely more than parting. There is emptiness before meeting someone, just nothing, but there is no longer emptiness after parting. After having met someone once, it is impossible to part completely. A person remains in the memory, as a part of the memory. The person created that part and that part lives, sometimes coming into contact with its creator. Otherwise, how would we sense those dear to us from a distance?

Laurus by Eugene Vodolazkin, 2016. Translated by Lisa C. Hayden.

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ravenya003

A friend brought it to my attention late last night that fantasy author Patricia McKillip passed away on May 6th, and though there is an obituary in Locus, the news sadly seems to have been overlooked by other on-line fantasy outlets.

She was one of my favourite writers, having penned well over twenty novels across the course of her career and being the recipient of several awards, including the World Fantasy life achievement award in 2008.

She’s perhaps most famous for her Riddlemaster of Hed trilogy, though for my money her best work was written between 1995 and 2010, decades in which she wrote the likes of Winter Rose, The Book of Atrix Wolfe, Song for the Basilisk, The Tower at Stony Wood, Ombria in Shadow, In The Forests of Serre, Alphabet of Thorn, Od Magic, The Bell at Sealey Head and The Bards of Bone Plain – all standalone fantasy novels that melded her distinctive poetic-prose with stories based on fairy tales, mythology, ballads and other fantasy inspirations.

As a younger reader, there was seriously nothing else like them. The cover art featured above was done by Kinuko Y. Craft, and they’re a perfect visual compliment to McKillip’s dense, ornate prose. Oftentimes reading her books was like trying to unravel a tangled knot – but a lot more fun. No matter how complicated things got, you knew you would eventually land on solid ground.

“Night is not something to endure until dawn. It is an element, like wind or fire. Darkness is its own kingdom; it moves to its own laws, and many living things dwell in it.”

― Patricia A. McKillip, Harpist in the Wind

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What is it, what nameless, inscrutable, unearthly thing is it, what cozzening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural lovings and longings, I so keep pushing, and crowding, and jamming myself on all the time; recklessly making me ready to do what in my own proper, natural heart, I durst not so much as dare. Is Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is as an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I.

Moby Dick by Herman Melville, 1851

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