By Wai Lin Tse
Nike’s new ad is targeted at Latina women and it is phenomenal!!!
This ad got me hyped!
¡Vámonos! 🇲🇽
¡Increible!
YESSSSSSSSSS
There’s too many to count.
I just wanted you all to know that you can totally finish that piece that you’re working on, because you are super talented and wonderful and there are people that love you that would love to read your story, and you should totally do it.
John Freeman (via poetsandwriters)
Note to self
Stop thinking: “I’m not talented enough to execute this concept.” Start thinking: “I’m going to be a stronger artist when I’ve finished this piece.”
6 Writing Tips From John Steinbeck
1. Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.
2. Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.
3. Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.
4. If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.
5. Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.
6. If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.
Never forget his follow-up in 1963:
If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes, but by no means always, find the way to do it. You must perceive the excellence that makes a good story good or the errors that makes a bad story. For a bad story is only an ineffective story.
Saying “Fuck it” actually motivates me more than “You can do this”.
Because saying “fuck it” includes the total acceptance of failure as the outcome, meanwhile “you can do this” focuses only on the hopes of a successful outcome and the lack of acknowledgement of the equally probable failure outcome induces a certain level of unspoken anxiety
“You have to surrender to your mediocrity, and just write. Because it’s hard, really hard, to write even a crappy book. But it’s better to write a book that kind of sucks rather than no book at all, as you wait around to magically become Faulkner. No one is going to write your book for you and you can’t write anybody’s book but your own.”
— Cheryl Strayed (via maxkirin)
i need this tattooed to me
Note to self
Stop thinking: “I’m not talented enough to execute this concept.” Start thinking: “I’m going to be a stronger artist when I’ve finished this piece.”
This is a fixed mindset vs. a growth mindset.
Your abilities are not static, and any challenges you have, anything that turns out different from how you imagined, is not evidence of failure, just a struggle towards improvement.
John Steinbeck
Kurt Vonnegut wrote this letter on November 5th, 2006, to Xavier High School in New York City. The students were given an assignment by their English teacher to write a persuasive letter to their favorite author, and ask him or her to visit the school. Five of the students chose to write to Vonnegut. Although he never made the trip, he wrote a wonderful letter, and was the only author to reply.
Find more letters like this in the book Letters of Note: Volume 2
Erin Bow (via observando)
pick-me-ups for writers
for the self-conscious beginner: No one makes great things until the world intimately knows their mediocrity. Don’t think of your writing as terrible; think of it as preparing to contribute something great.
for the self-conscious late bloomer: Look at old writing as how far you’ve come. You can’t get to where you are today without covering all that past ground. For that, be proud.
for the perfectionist: Think about how much you complain about things you love—the mistakes and retcons in all your favorite series—and how you still love them anyway. Give yourself that same space.
for the realist: There will be people who hate your story even if it’s considered a classic. But there will be people who love your story, even if it is strange and unpopular.
for the fanfic writer: Your work isn’t lesser for not following canon. When you write, you’ve created a new work on its own. It can be, but does not have to be, limited by the source material. Canon is not the end-all, be-all.
for the writer’s blocked: It doesn’t need to be perfect. Sometimes you have to move on and commit a few writing sins if it means you can create better things out of it.
for the lost: You started writing for a reason; remember that reason. It’s ok to move on. You are more than your writing. It will be here if you want to come back.