Con O’Neill, MCM Comic Con panel with Nathan Foad and Kristian Nairn, London May 27, 2023
Q: As someone who was a teenager for Section 28 Part 1, I just want to […] say a massive thank you for speaking up about Section 28 Part 2. What’s it been like at the moment, working on a show that has got such cool and interesting things to say about gender broadly and masculinity more specifically?
GO Team Love Project
I went ahead and started a project for the Good Omens team to send 'em a little love! I think it would be cute to compile a bunch of written Thank Yous, put them together in a gallery, and show them to the folks who've been working on getting a Good Omens finale going.
Most of the information is in this Google document. The TL;DR of it is that everyone writes a short personalized message and takes a photo or screenshot of it, then sends it to me through email so I can put everything together in a gallery. I'm collecting images from now until November 3.
Oooh, what a brilliant idea! :) (in short - make a photo of a handwritten thank you for the GO team and send to [email protected] who will compile them to show the GO team ❤)
In these two seconds, your mind was blown away. You have plenty of seconds in 90 minutes, love.
Lovely new article about Michael in Paste magazine. Article is behind a paywall, so here is a transcription (with thanks to the person on FB who transcribed it, and the parts in bold are my own emphasis).
There’s so much to love about Prime Video’s Good Omens. A delightful adaptation of the popular Neil Gaiman and Terry Pratchett novel of the same name, the series is romantic, thoughtful, hilarious, and heartfelt by turns. The story of the almost-apocalypse and what comes afterward, it wrestles with big concepts like destiny, free will, and forgiveness, all framed through the lens of an unorthodox relationship between an angel and a demon whose love for one another is a key to saving the world.
As anyone who has watched Good Omens already knows, nothing about this series works without the pair of lead performances at its center. Stars David Tennant and Michael Sheen—who play the demon Crowley and the angel Aziraphale, respectively—have the kind of lighting-in-a-bottle chemistry that’s the stuff of legend, and their characters’ every interaction conveys both their deep affection for one another and the Earth they’ve made their home. Their romance is the emotional linchpin around which most of the series turns, and their heartbreaking separation in the Season 2 finale is so devastating precisely because we’ve seen how necessary the two are to each other’s lives.
But it’s Sheen’s performance in that final scene that really twists the knife. As Aziraphale’s face crumples following his and Crowley’s long-awaited kiss, the actor manages to convey what feels like every possible human emotion in the span of less than thirty seconds as the angel realizes what he has both had and just lost. The moment is emotionally brutal to watch, particularly after sitting through five and a half episodes of Aziraphale looking as lovestruck as the lead in any rom-com. Sheen makes it all look effortless, shifting from giddy joy to devastated longing and everything in between, and we really don’t talk enough about how powerful and underrated his work in this series truly is.
Though he’s half of the central duo that makes Good Omens tick, Sheen’s role often tends to get overshadowed by his co-star’s. It’s not difficult to see why, given that Tennant gets to spend most of the show swanning around in tight trousers looking like the Platonic ideal of the charming bad boy, complete with flaming red hair and dramatic eyewear. Tennant also benefits from Crowley’s much more sympathetic emotional arc. I mean, it’s hard not to love a cynical demon with a heart of gold who’s been pining after his angelic best friend for literal millennia even after being cast out from Heaven. Of course, viewers are drawn to that—likely a lot more easily than the story of an angel who’s simply trying the best he can to do the right thing as he wrestles with his role in God’s Ineffable Plan. Plus, let’s be real, Tennant’s sizeable Doctor Who fanbase certainly doesn’t hurt his character’s popularity.
As a performer, Sheen has a long history of playing both real people (Tony Blair, David Frost, Brian Clough) and offbeat villains (Prodigal Son’s Martin Whitly, Underworld’s Lucian, the Twilight Saga’s Aro). In some ways, the role of a fussy, bookish angel is playing more than a bit against type for him—Gaiman himself has said he originally intended for Sheen to be Crowley—but in his capable hands, Aziraphale becomes something much more than a simple avatar for the forces of Good (or even of God, for that matter). With a soft demeanor and a positively blinding smile, Sheen’s take on the character consistently radiates warmth and goodness, even as it contains surprisingly hidden depths. The former guardian of the Eastern Gate of Eden who gifted a fleeing Adam and Eve his flaming sword and befriended the Serpent who caused their Fall, Azirphale isn’t a particularly conventional angel. He enjoys all-too-human indulgences like food and wine, runs a Hoarders-esque bookshop that never seems to sell anything, and spends most of his time making heart eyes at the being that’s meant to be his hereditary adversary.
Given the much more difficult task of playing the literal angel to Tennant’s charming devil, Sheen must find a way to make ideas like goodness and forgiveness as interesting and fun to watch as their darker counterparts. It’s a generally thankless task, but one that Sheen tackles with gusto, particularly in the series’ second season, as Good Omens explores Aziraphale’s slowly evolving idea of what he can and cannot accept in terms of being a soldier of Heaven. His growing understanding that the truth of creation is colored in shades of grey and compromise is often conveyed through little more than Sheen’s deftly shifting expressions and body language.
Our pop culture consistently struggles to portray the idea of goodness as something compelling or worth watching. Explicitly “good” characters, particularly those who are religiously coded, are frequently treated as the butt of some sort of unspoken joke they aren’t in on, used to underline the idea that faith is a form of naivety or that kindness is somehow a weakness. For a lot of people, the entire concept of turning the other cheek is a sucker’s bet, and believing in something greater than oneself, be it a higher power or a sense of purpose, is a waste of time. But Good Omens is a story grounded in the idea that faith, hope, and love—for one another, God, and the entire world—are active verbs. And nowhere is that more apparent than in Sheen’s characterization of the soft angel whose old-fashioned waistcoats mask a spine of steel and who refuses to give up—on Crowley, on humanity, or on the idea that Heaven is still something that can be saved.
Though he and Tennant have pretty much become a matched set at this point (both on and off-screen), Sheen’s performance has rarely gotten the critical accolades it deserves. (Tennant alone was nominated for a BAFTA for Season 2, and Sheen was categorized as a supporting actor when the series’ competed in the 2019 Saturn Awards.) But it is his quiet strength that holds up so much of the rest of the show around him, and Sheen deserves to be more frequently recognized for it. That he makes it look so easy is just another sign of how good his performance really is.
I love this so much. The thoroughly well-deserved praise for Michael's incredible performance as Aziraphale, but also that Aziraphale and Crowley's relationship is specifically described as a "romance." And of course, the first sentence of the last paragraph that acknowledges how much Michael and David are indeed a "matched set" that cannot (and should not) be separated...
My god this article is incredible
Oh he NEVER does that! 🧐 he must be trying to make up for...season't 3 🥹💕💕💔💔💔
"season't 3"
😂😂😂
Halloween Omens
Every year, my wife and I use skeletons for a spooky themed display in our tiny front yard. Past years have seen Game of Thrones, pirates, a wedding, Jurassic Park, and several more.
This year, my wife suggested leaning into my brainrot and doing Good Omens.
I’m fairly certain none of the neighbors will recognize it (thus the signs with QR codes to the S1 trailer and various clips), but I’m so happy with how it turned out.
Sending a hug, Shems ❤
rereading my own writing is just a constant fluctuation between "damn, girl, you wrote this? (affectionate)" and "damn, girl, you wrote this? (derogatory)"
I am also “damn, girl, you wrote this? (forgetful)”
I don’t think I’ve ever felt anything more in my life.
Reblog if you’re 30 or older
This is an experiment to see if there really are as few of us as people think.You can also use this to freak out your followers who think you’re 25 or something. Yay!
People who try to copy historical writing styles don't say enough weird stuff in them. I'm listening to a 1909 story about a ghost car right now, and the narrator just said he honked the car horn a bunch of times, but the way he phrased it was "I wrought a wild concerto on the hooter".
Reblog to wreak a wild concerto on a hooter
There's a line between being angry with each other and wanting to rip each other's clothes off and these two use it like a freaking jumprope.
Just on time!
Today is my one year GO anniversary! One year ago, I posted my first Good Omens fanart, and it was a portrait of Crowley!
I decided to do another one this year!
I hope you like it! ❤️
I'm sorry, Aziraphale's face just got me here
I'm having one of those reading experiences where the fic i'm reading is so perfectly crafted, well paced, with rounded characterisation and full of prose you can just sigh at - and I think, this is better than a lot most of the published guff that's on the shelves right now, that people expect me to actually pay for.
I've said it before - this fandom has some of the most talented bloody writers i've ever come across in my long (i'm pretty old) life. I can't believe I wasted so much time reading such sub-par literature when this was out there. I have a lot to be thankful for, getting into the GO fandom, but one of the biggest gifts it's given me is the endless source of fabulous reading material on AO3.
You are all bloody brilliant, honestly.
James Bond isn't the only spy inspiring Crowley
David's panel, longer clips:
Part 1
Part 2