Scandinavian Mid-Century Modernist Ceramic Vase.
(via ebay - mrgreatjones)
Mid Century Modern Solid Brass Tape Dispenser.
(via eBay)
German Art Deco Vases, 1930s.
(via eBay)
Italian Modernist Hammered Bronze Twist Three-Footed Centre Bowl by Egidio Casagrande, between 1936 -1950.
Casagrande is renown for his work as a master craftsman who worked on the metal designs and armours for classic Hollywood movies like 'Ben Hur' and 'The Ten Commandments'.
(via eBay)
‘Unterweissbach’ Colbalt Blue Porcelain Vase, 1960s - Manufactured in the GDR (former East Germany.)
(via eBay)
1930s Art Deco ‘Solo’ Brand Cigarette Lighter.
(via eBay)
1930s Art Deco Typewriter Ribbon Tin.
(via eBay)
1960s Vintage Pinback Button Pins.
(via worthpoint.com)
Japanese Art Deco Matchbox Label from the late Taisho - early Showa periods (1920-1940.)
(via eBay)
Vintage Retro Brass Pineapple Ice Bucket, 1950s.
(via eBay)
1920s Art Deco Bridge Score Pad.
(via eBay)
Art Deco Metal Letter Holder, 1920s.
(via eBay)
1930s Vintage Austrian Luggage Label ‘Hotel Arlberger Hof’ - Innsbruck.
(via eBay)
‘Adrian’ Costume Design Sketch for Natacha Rambova’s film ‘What Price Beauty’ in 1925.
Pencil and gouache on illustration board, signed at lower right, ("Adrian"), and inscribed on lower left: "Birthday Greeting / Myrna Loy." The drawing, which depicts a blonde Myrna Loy in a sleek black gown with low gold sash, was executed for the Natacha Rambova-written and produced silent. This was one of the earliest film appearances of Myrna Loy, who played an exotic vamp, and among the earlier films for which Adrian designed costumes. The two would work together again more than a decade later on Wife Vs. Secretary (1936).
(Source: bonhams.com)
Natacha Rambova Costume Designs.
1. 1922, the design for ‘Salome’ of a female servant wearing distinctive headdress which extends down over the shoulders, signed and dated in black pen N. Rambova,
2. A watercolour, ink and pencil concept costume sketch for ‘Salome’ - the design of a blackamoor servant wearing distinctive headdress and cape, signed and dated in black pen N. Rambova, 1921.
Natacha Rambova took inspiration for the costume and set designs for the film from Aubrey Beardsley, which is prevalent throughout.
(Source: bonhams.com)