Of strings and cooler climes
Everyone has heard of the fabled tones of the musical instruments created in the late 17th and early 18th century CE by Antonius Stradivarius, and many attempts have been made over the centuries since to build instruments that replicate his sound and find the fabled 'secret ingredient' of the Cremona instrument makers, whether in the wood curing or the varnish. The task may well be impossible; it turns out that his 600 or so surviving instruments (violins, guitars, violas, and cellos) are unique because of the climate of that terrible century, that fell in the middle of the period known as the little ice age (see Little ice age http://on.fb.me/1j3khlF).
While the cause is still being debated (options include fluctuations in solar output, characterised by a period with few or no sunspots known as the Maunder Minimum and reductions in atmospheric CO2 due to the depopulation of the Americas by disease in the previous century), the tree rings in the wood he used to build his instruments show a characteristic pattern due to the unique climatic conditions of the time.
Trees produce narrower annual growth rings in these cooler conditions. They usually vary in width along with the annual climate variations, and have been used as proxies in many climate studies, recording everything from drought cycles in the American west to the Warm medieval Period in Europe. The prolonged cold during the 17th century resulted in a long succession of narrow dense rings with little variation due to the poor growing conditions (with long winters and cool summers), making for unusually dense wood with exceptional acoustic qualities, resulting in the deep resonances in his unique sound. Such conditions have not recurred since, making these pieces irreproducible.
Loz
Image credit, a violin at the Royal Palace, Madrid: Σπάρτακος, frost fair on the Thames: Thomas Wyke http://bit.ly/1NERBeZ http://bit.ly/1jMV2UW http://spaceplace.nasa.gov/violins/en/ http://bbc.in/1QdLEbo