At the Louvre: The Etruscan Sarcophagus by Edgar Degas
French, c. 1879
graphite and gray wash on blued white wove paper
Clark Art Institute
@didoofcarthage / didoofcarthage.tumblr.com
At the Louvre: The Etruscan Sarcophagus by Edgar Degas
French, c. 1879
graphite and gray wash on blued white wove paper
Clark Art Institute
Detail of relief with Prometheus modeling the first man, accompanied by Athena bringing it to life, from a fragment of a Roman sarcophagus
Roman, Imperial Period, c. 185 A.D.
white marble
Museo del Prado
New Kingdom, early 19th Dynasty, reign of Ramesses II, c. 1300-1230 BC, wood with painted stucco
Marble sarcophagus depicting a cortege in honor of Dionysus including Maenads, Satyrs and Cupids riding on panthers. Vatican Museums at Vatican City.
Limestone sarcophagus
It shows chariots and attendants on horses. This probably belonged to one of the Amathus kings and shows signs of multiple cultures. On the sides there are Bes figures (Egyptian god).
It is 1m57cm by 2m36.6cm by 97.8cm (62 x 93 1/8 x 38 1/2 inch.)
Cypriot, Archaic Period, 5th century BC.
Source: Metropolitan Museum
The abduction of Persephone by Hades depicted on an Hellenistic sarcophagus.
"Spend five minutes with this sarcophagus and you’ll witness a whole night—and a passionate one at that. Zeus, somewhat put out because Selene (goddess of the moon) had fallen in love with the mortal Endymion, cast the beautiful young man into an eternal sleep. But that didn’t stop Selene from visiting her beloved every night. You can see her at the center of this sarcophagus as darkness falls, stepping off from her chariot. But as you look to the right, beyond the slumbering Endymion, the next day begins to dawn (too soon!), and the horses must rush the goddess of the moon away, until the next evening’s amorous encounter."
Recommended viewing for slowartday from our antiquities curator, David Saunders.
To zoom in and let your “eyes” wander, click here.
Sarcophagus panel (detail), about A.D. 210, Roman. Marble, 84 1/4 in. long x 21 3/8 in. high. The J. Paul Getty Museum,
Achilles and Penthesilea (sarcophagus detail) Marble. Ca. 180 CE. Paris, Louvre Museum.
Achilles at the court of king Lycomedes (detail of a sarcophagus). Marble. Ca 240 CE. Paris, Louvre Museum.
Achilles and Penthesilea (sarcophagus detail) Marble. Ca. 180 CE. Paris, Louvre Museum.
Sarcophagus and lid with husband and wife, Etruscan, 350–300 B.C. Made of marble, found Vulci, Lazio, Italy.
The top of the cover takes the form of a bed with pillows, and a man and his wife embrace under a large sheet. She wears a complex earring and he a bracelet of twisted strands. There is no costume visible. On the long side below the man is a frieze with four pairs of Greeks and Amazons in combat. A bead-and-reel molding appears above, and simple pilasters frame the scenes on the corners. The other side, the long panel below the woman, has only a plain fillet molding above, suggesting it was the back of the sarcophagus proper. The frieze features two pairs of horsemen and foot soldiers in combat, with a warrior in fighting pose on foot in the center. On the left end (facing the frieze with Greeks and Amazons), two lions bring down a bull. The bead-and-reel molding is seen above. On the right end, two griffins are tearing into a fallen horse.
The sarcophagus is inscribed for Thanchvil Tarnai and her husband Larth Tetnies, son of Arnth Tetnies and Ramtha Vishnai. (MFA)
Courtesy & currently located at the Museum of Fine Arts, Boston. Photo taken by Sebastià Giralt.