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#lion – @didoofcarthage on Tumblr
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Dido, Queen of Carthage

@didoofcarthage / didoofcarthage.tumblr.com

Art, History, Literature, and the Ancient World
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“Excavation of Persepolis (Iran): Tachara Palace (Palace of Darius), North Wall of Main Hall, East Jamb of Western Doorway: Detail View of Relief with Design of Lions on Hem of King's Gown”

1923-1934

glass negative from the Ernst Herzfeld Papers

Freer and Sackler Archives

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“Excavation of Persepolis (Iran): Tachara Palace (Palace of Darius), Central Facade of Southern Stairway: Detail View of Relief Picturing a Lion Attacking”

1923-1928

glass negative from the Ernst Herzfeld Papers

Freer and Sackler Archives

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ancientart

An Egyptian artist’s sketch of pharaoh spearing a lion.

New Kingdom, Dynasty 20, ca. 1186–1070 B.C.E.

In this lively hunting scene, an unidentified Ramesside pharaoh is represented symbolically slaying the enemies of Egypt in the form of a lion.
The hieratic text reads: “The slaughter of every foreign land, the Pharaoh—may he live, prosper, and be healthy.”
This ostracon, a limestone chip used for sketching, was found in the Valley of the Kings during excavations conducted by Howard Carter on behalf of the Earl of Carnarvon, who received the piece in the division of finds. Although many of the figured ostraca discovered in this royal cemetery were clearly trial sketches made to facilitate an artist’s work, this scene is not found in royal tombs, nor do the figures conform to the strict proportions of a formal rendering.
The scene was drawn with great economy of line by the confident hand of a skilled artist who required no grid lines as a guide. It may have been done for the amusement of the maker, or it may graphically represent the artist’s hope that the ruler should be a strong protector of Egypt.

Courtesy & currently located at the Metropolitan Museum of Art, New York, via their online collections.

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Lion Head Bracelet

late 6th Century BC

Etruscan

The blue glass hoop of the bracelet terminates at each end with a lion head made of sheet gold. Behind the base of each lion head is a collar decorated with two spirals and a palmette in filigree. The four loosely fitted gold bands on the hoop slide back and forth. This is a very rare piece; one other complete example that has survived is a bracelet found in a tomb in Monte Autò, now in the Museo di Villa Giulia in Rome. Fragments of glass hoops have been found in Italy, indicating Etruscan workmanship, though the style of these lion heads appears to be Greek. The Benaki Museum in Athens has a pair of animal finials in the form of rams from a necklace of the same type, but the hoop is missing. Depictions of lions were common in art all over the ancient world, from Egypt and the Near East westward. They had a range of meanings: royal power, fertility, guardian spirits, warlike prowess and triumph, and in some cases perhaps triumph over death.

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