Paul Reubens, the actor and comedian whose character Pee-wee Herman became a cultural phenomenon through films and TV shows, has died.

Reubens died Sunday night after a six-year struggle with cancer that he did not make public, his publicist said in a statement.

“Please accept my apology for not going public with what I’ve been facing the last six years,” Reubens said in a statement released with the announcement of his death. “I have always felt a huge amount of love and respect from my friends, fans and supporters. I have loved you all so much and enjoyed making art for you.”

Chaim Topol, the actor best known for playing Tevye in ''Fiddler on the Roof,'' has died, Israeli Prime Minister Benjamin Netanyahu has announced. He was 87.

Netanyahu paid tribute to Topol on Thursday and conveyed his condolences, calling him a ''multi-faceted artist, with great charisma and energy.''

''Sadly, the Fiddler on the roof is no longer with us. The strings of the Fiddle have fallen silent. The story of Chaim Topol's life has been sealed but I am certain that his contribution to Israeli culture will live on for generations, " Netanyahu said in a statement. ''He greatly loved the land of Israel, and the people of Israel loved him in return.''

James Caan, the curly-haired tough guy known to movie fans as the hotheaded Sonny Corleone of “The Godfather” and to television audiences as both the dying football player in the classic weeper “Brian’s Song” and the casino boss in “Las Vegas,” has died. He was 82.

His manager Matt DelPiano said he died on Wednesday. No cause was given and Caan's family, who requests privacy, said that no further details would be released at this time.

“Jimmy was one of the greatest. Not only was he one of the best actors our business has ever seen, he was funny, loyal, caring and beloved,” DelPiano said. “Our relationship was always friendship before business. I will miss him dearly and am proud to have worked with him all these years."

Rob Reiner, who directed Caan in “Misery” tweeted, “I loved working with him. And the only Jew I knew who could calf rope with the best of them.”

Ivan Reitman, Filmmaker Behind 'Ghostbusters,' Has Died At 75, Family Says

Ivan Reitman, Filmmaker Behind 'Ghostbusters,' Has Died At 75, Family Says

Ivan Reitman, the influential filmmaker and producer behind beloved comedies from “Animal House” to “Ghostbusters,” has died. He was 75.

Reitman passed away peacefully in his sleep Saturday night at his home in Montecito, Calif., his family told The Associated Press.

“Our family is grieving the unexpected loss of a husband, father, and grandfather who taught us to always seek the magic in life,” children Jason Reitman, Catherine Reitman and Caroline Reitman said in a joint statement. “We take comfort that his work as a filmmaker brought laughter and happiness to countless others around the world. While we mourn privately, we hope those who knew him through his films will remember him always.”

Known for big, bawdy comedies that caught the spirit of their time, Reitman’s big break came with the raucous, college fraternity sendup “National Lampoon’s Animal House,” which he produced. He directed Bill Murray in his first starring role in “Meatballs” and then again in “Stripes,” but his most significant success came with 1984’s “Ghostbusters.”

Howard Hesseman, Star Of ‘WKRP In Cincinnati,’ Dies At 81

Howard Hesseman, Star Of ‘WKRP In Cincinnati,’ Dies At 81

Howard Hesseman, who played the radio disc jockey Johnny Fever on the sitcom “WKRP in Cincinnati” and the actor-turned-history teacher Charlie Moore on “Head of the Class,” has died. He was 81.

Hesseman died Saturday in Los Angeles due to complications from colon surgery, his manager Robbie Kass said Sunday.

Hesseman, who had himself been a radio DJ in the ‘60s, earned two Emmy nominations for playing Johnny Fever on CBS’ “WKRP in Cincinnati,” which ran for four seasons from 1978-1982. The role made Hesseman a counterculture icon at a time when few hippie characters made it onto network television.

“Impossible to overstate Howard Hesseman’s influence on his and subsequent generations of improvisors,” said the actor and comedian Michael McKean on Twitter. He recalled first seeing Hesseman in 1971 with The Committee. “I saw that he was the real deal.”

Stephen Sondheim, Musical Theater Giant, Dies at 91 | Vanity Fair

Sondheim was the elder statesman of American theater, but he always stood outside of its trends. An iconoclast whose vital music tested preconceived notions about what belonged on stage, he created songs for a murderous barber, a neurotic neo-Impressionist, and a vengeful witch. His work always teemed with moral ambiguity, never providing the easy answers some looked for in musicals.

The irascible Mason was known for his sharp wit and piercing social commentary, often about being Jewish, men and women and his own inadequacies. His typical style was amused outrage.

“Eighty percent of married men cheat in America. The rest cheat in Europe,” he once joked. Another Mason line was: “Politics doesn’t make strange bedfellows, marriage does.” About himself, he once said: “I was so self-conscious, every time football players went into a huddle; I thought they were talking about me.”

“A person has to feel emotionally barren or empty or frustrated in order to become a comedian,” he told The Associated Press in 1987. “I don’t think people who feel comfortable or happy are motivated to become comedians. You’re searching for something and you’re willing to pay a high price to get that attention.”

“Nobody else knew me, but in the mountains, I was a hit,” Mason recalled.

Mason called himself an observer who watched people and learned. From those observations he said he got his jokes and then tried them out on friends. “I’d rather make a fool of myself in front of two people for nothing than a thousand people who paid for a ticket,” he told the AP.

“I very rarely write anything down. I just think about life a lot and try to put it into phrases that will get a joke,” he said. “I never do a joke that has a point that I don’t believe in. To me, the message and the joke is the same.”

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