dewitty1 reblogged
Can’t let my drarry moots get hungry. 🤤
Hair related headcanon! Amirite?
AP News: James Rado, who co-created groundbreaking ‘Hair,’ dies at 90
James Rado, co-creator of the groundbreaking hippie musical “Hair,” which celebrated protest, pot and free love and paved the way for the sound of rock on Broadway, has died. He was 90.
Rado died Tuesday night in New York City of cardio respiratory arrest, according to friend and publicist Merle Frimark.
“Hair,” which has a story and lyrics by Rado and Gerome Ragni and music by Galt MacDermot, was the first rock musical on Broadway, the first Broadway show to feature full nudity and the first to feature a same-sex kiss.
“Hair” made possible other rock musicals like “Jesus Christ Superstar” and “Rent.” Like “Hamilton,” it was one of only a handful of Broadway shows in the past few decades to find its songs on the pop charts.
The so-called “American tribal love-rock musical,” had its world premiere at the Public Theater in New York City’s East Village in 1967 and transferred the following year to Broadway, where the musical ran more than 1,800 performances. Rado played Claude, a young man about to be drafted and sent to the war in Vietnam.
Clive Barnes, theater critic for The New York Times, called the show “the first Broadway musical in some time to have the authentic voice of today rather than the day before yesterday.” The New York Post said it had “unintentional charm,” contagious high spirits and a “young zestfulness” that “make it difficult to resist.” Variety, however, called it “loony.
It lost the Tony in 1969 to the more traditional “1776” but won a Grammy Award. The 2009 revival won the best revival Tony. The show was revived on Broadway in 1977 and again in 2009. It was made into a movie directed by Milos Forman in 1979 starring Treat Williams and Beverly D’Angelo.
“Hair” spawned four top four singles on the American pop charts, including the No. 1 hit “Aquarius/Let the Sunshine In” by the Fifth Dimension, which won the Grammy Award for record of the year and best pop vocal performance by a group in 1970. Others included “Hair” by the Cowsills, “Good Morning, Starshine” by the singer Oliver and “Easy to Be Hard” by Three Dog Night. The cast album itself stayed at No. 1 on the Billboard 200 for 13 weeks
“Hair” tells the story of Claude and Berger, best buddies who find freedom in the late 1960s. Between draft-card burnings, love-ins, bad LSD trips and a parade of protest marches, the two wander through a New York filled with flower children, drugged-out hippies and outraged tourists who don’t approve of the wild goings-on. In one song, Claude poignantly sings, “Why do I live, why do I die, tell me where do I go, tell me why.”
The show is playful and chaotic, but there’s also a sense of outrage in its protests against war, racism, sexism, pollution and the general hypocrisy of an era dominated by the American involvement in Vietnam.
“I’d still like ‘Hair’ to be about what it was about then,” Rado told The Associated Press in 1993. “‘Hair’ had a spiritual message, and it has a mystical message I hope is coming through — there’s more to life than the way it’s been devised for us, explained to us, taught to us.”
The songs of “Hair” have been used in everything from the films “Forrest Gump,” “Minions” and “The 40-Year-Old Virgin” to TV shows like “Glee,” “So You Think You Can Dance” and “My Name Is Earl.” Billboard magazine lists “Aquarius/Let the Sunshine In” at No. 66 of all-time top 100 songs.
dewitty1 reblogged
In many cultures, ethnic groups, and nations around the world, hair is considered a source of power and prestige. African people brought these traditions and beliefs to the Americas and passed them down through the generations.
In my mother’s family (Black Americans from rural South Carolina) the women don’t cut their hair off unless absolutely necessary (i.e damage or routine trimming). Long hair is considered a symbol of beauty and power; my mother often told me that our hair holds our strength and power. Though my mother’s family has been American born for several generations, it is fascinating to see the beliefs and traditions of our African ancestors passed down. We are emotionally and spiritually attached to our hair, cutting it only with the knowledge that we are starting completely clean and removing stagnant energy.
Couple this with the forced removal and covering of our hair from the times of slavery and onward, and you can see why so many Black women and men alike take such pride and care in their natural hair and love to adorn our heads with wigs, weaves, braids, twists, accessories, and sharp designs.
Hair is not just hair in African diaspora cultures, and this is why the appropriation and stigma surrounding our hair is so harmful.
[ID: nine square images explaining the importance of Black hair. All but the first image have a plain light cream background, a title and text with a picture and are credited to @vibesofablackgirl.
Image 1: a picture of a dark-skinned Black woman wearing makeup with their hair styled in an Afro. A search bar across their face reads “Reasons why Black hair is not just hair”.
Image 2: Title is “The Pencil Test”. Text reads “Between 1948 and 1994, the pencil test was a method used to assess whether a person was White or Black. A pencil was slid into the hair of someone being assessed. If the pencil fell out you were White and if it stayed in you were Black. This was a tool used to segregate Black people and stop them attending functions, schools and events. Not only did this cause racial division it also tore families apart”. A sketch of a Black woman undergoing the pencil test is shown beside the text.
Image 3: Title is “Map to Freedom”. Text reads “Cornrows have a rich history in the Black community. Slaves would braid escape routes into their hair. They were used as a way for slaves to communicate with with one another without their slave owners knowing. Some of the cornrows and the number of plaits worn would let them know how far they needed to travel or how many roads they needed to walk til they would be able to meet one another to escape the plantation”. A photo of seven people with different cornrows.
Image 4: Title is “Means of Survival”. Text reads “The Black women who came before us were innovative and showed that the thickens and texture of Black hair was so valuable and had a purpose. This was because slaves would braid rice and seeds in their cornrows before journeying the Middle Passage. Enslaved mothers would also braid seeds in their children's hair so they could eat in case they were separated due to slave auctions”. A photo of a Black woman having her hair braided with food.
Image 5: Titled “Cultural Representation”. Text reads “Before colonisation in the 15th century, Black hair could tell you everything you needed to know about a person just by looking at the style alone. Hairstyles were able to indicate things like wealth, religion, culture, tribe, marital status, social status, age and plenty more. You were even able to know a person's last name just by looking at their hairstyle. This is because each tribe had their own unique hairstyle”. A photo of a Black person with a tribal hairstyle.
Image 6: Titled “The Tignon Law”. Text reads “Late 18th century in Louisiana, Black women were banned from wearing it in public and were ordered to cover it up at all times. This was because they wanted to curb the growing influence of the free Black population and keep the social order. It was also believed Black women's hairstyles would draw the attention of white men, and this increased the jealousy of white women”. A photo of a Black woman with her hair covered.
Image 7: Titled “Stripped of Identity”. Text reads “When the slave trade started and the slaves were captured, Black women were forced to shave all their hair off. This was the beginning process of eradicating the Black identity and culture. It was also a tool to minimise Black beauty and dehumanise Black women, as slave owners knew their hair was something they valued enormously, was part of their identity and it also held so much significance”. A photo of a Black woman with a fully shaved head.
Image 8: Titled “Cultural Appropriation”. Text reads “Black hairstyles are an outward expression of self-acceptance and self-love. However, the anti-Black hair sentiment has existed in society for centuries. Black hair has been compared to wool and often described as ‘wild’, ‘nappy’ or ‘ghetto’. Yet non-Black people are praised, credited and even profit from styles and trends that Black women have been ridiculed for. Cultural appreciation is about recognising the history and where it came from, which includes learning about and giving credit to what you're borrowing, instead of saying ‘it’s just hair’”. A photo of three white women wearing thick dreadlocks.
Image 9: Titled “The Corporate World”. Text reads “In 2010, Chastity Jones accepted a job offer from Catastrophe Management Solutions. However, the offer came with one caveat – she had to cut off her locks. Jones refused, and the company rescinded its job offer. Chastity’s case is not unique. Cases filed by Black working women alleging discrimination against their natural hair in the workplace have filled courthouses for more than forty years”. A photo of a Black woman on TV in court.
End descriptions.]
It is NEVER "just hair"
dewitty1 reblogged
Iconic seafarer beards became a trend to scare away pesky mermaids.
Mermaid, seeing a bald pirate: Zero threat…! Mermaid, seeing a hairy, bearded pirate: If I get too close their face tentacles will eat me…!
Most mermaids only grow short beards as not to scare baby mermaids (longer beards look like the tentacled mouths of hungry squids and octopuses).
Pirates use this innate fear to their advantage to protect themselves from mermaids, hence the iconic beards and hat:
This is amazing