it rly is weird how theres this culture in progressive spaces where like you can be as mean, as CRUEL even, as you want as long as youre not being explicitly bigoted towards any marginalized group of people and still be seen as a really good person with good morals who nobody is allowed to have beef with bc theyve never done anything racist or homophobic
if i had to summarize my issues with tumblr as a community it would probably be this
Some monster designs!
How many y’all got?
Calling vegetarian/veganism a “white people thing” as some fucking racist bullshit lmao
I am Afro-caribbean and Indian. Firstly India has the highest vegetarian population in the world, and in the Caribbean the rastafari have their whole ital movement/diet - which my Jamaican father is a massive believer in.
Y’know what other countries have massive populations of vegetarians and vegans? Mexico. Taiwan. Ethiopia. The fuck do you mean it’s a “white thing”?
“The count” & “The souls I shelter” INSTAGRAM
Imagine how much better the world would be if the harry potter books were never written
This is one of my favorite crappy edits, and I think what makes it so good is that it would still have been funny 10, 15, 20 years ago.
The Very Hungry Rust Monster is a mini-comic I made a few years back. I’ve seen it floating around Tumblr without attribution recently, so I’ve uploaded a higher-resolution version, properly credited.
There was girls in the comments saying she saved their lives with this video
this should be the most reblogged post on tumblr before it dies
Begging people to stop reblogging this AI trash from “The Phantom Painter” on Instagram (instagram.com/phantom.painting). I’ve been seeing it on my dash more and more often from people who are otherwise anti-AI and either can’t tell it’s AI or don’t care because it looks cool.
This is the kind of shit that is VERY CLEARLY trained on the works of existing talented artists’ with distinct styles and this asshole is selling prints and making a profit off of stealing other people’s hard work.
Don’t give people like this money or attention and they will go away.
Please, if you’re going to buy art prints, buy them from an actual artist.
@thegnat That’s the problem, it’s getting really hard to tell what’s AI and what isn’t. This phantom painter person at least says on each post on Instagram that it was created with AI, but when people re-post it on tumblr, it isn’t specified, and people end up reblogging it.
It’s not reasonable to think everyone should be vetting every single art they reblog to make sure it isn’t AI, which is why I made this post to let people know this artist specifically is AI, and I see it reblogged a ton.
While we’re at it
and so is everything by that person, xis.lanyx on Instagram. They also sell prints of their “original images”
That last one is for the people saying “you can always tell by the hands.” You cannot. The whole point is that it’s getting better and better at it. That’s what it does.
As an art curator on tumblr I now have to spend a considerable amount of time trying to decipher whether or not the art I want to share is AI or not and I still sometimes get it wrong.
To actually answer the question of how one can determine something is AI, particularly as it grows more sophisticated with anatomy: you have to train yourself to recognize artifacts.
There is no one single unifying giveaway beyond a strange sense of uncanny that you will eventually begin to recognize the better you attune yourself, and certain models have their own unique “styles” you can begin to recognize (midjourney and stablediffusion produce very different looks, for example). There are however a few things on which one can tend to focus.
- Edges: AI, as of this post, still struggles with distinct edges of objects and figures and has a tendency to blend details together. Look for hair, ribbons, and other flowy details if present. Do they fade into other details? Look at how the hair fuses with the smoke:
- Edges 2: Sometimes they will also have the edges completely avoid each other, with a foreground figure slightly warping along the edges in a way that matches the background edges, like repelling magnets:
- Patterns: AI, as of this post, still struggles with patterns. Filigrees, mandalas, brickwork, scales, anything that involves a high level of intricate detail tends to get blurred together. This can be a tricky one, because a lot of artists will also fudge pattern details in looser renders, but usually in a way that makes sense as an impression and not…. this:
- Architecture: Are there buildings present in the image? AI has a tendency to make Escher-esque nonsense structures, with pillars in places they don’t belong, arches that go nowhere, bricks that don’t align, and support beams that start on one plane and connect to another. It also struggles with perspective, but, so do many humans so I would not consider it evidence alone. Check out the placement of this pillar, and also the detail on the… window? Candle cage?? Thing?
- Resolution and quality: AI cannot make high-resolution images. It just cannot. While most artists aren’t posting their full resolutions, generative images can’t be enhanced, and the “artist” will not be able to provide proof of work. You should be able to zoom into work by an artist and admire their strokes, relate to their errors, and appreciate their process at every skill level– zooming into generative images somehow makes them even less clear, a mess of pixels that are somehow both blurry and also look like they have been run through a sharpen filter:
- Text and signatures: AI struggles with legible characters in any language, and the result is a simlish-looking approximation of characters at worst, and hilariously misspelled words at best. Since these models are trained off real artists, they will also often have artifacts of a signature that oopsed its way into the image. These signatures are always illegible or, if “legible”, are not actually the names of real accounts.
Things like this can be tough to spot at a glance if you’re not actively keyed into looking for them, but they’re the type of uncanny stuff that once you see it will start gnawing at the back of your mind. You’ll be scrolling your feed and suddenly take -1 psychic damage and you have to scroll back up to see why. Stuff that goes beyond inconsistent lightsources and bad anatomy.
We celebrate David Bowie, Freddie Mercury and Prince for their gender-nonconforming amazingness as we should, but let us not forget
Annie Lennox
Grace Jones
Sinead O‘Connor
Dolores O‘Riordan
Patti Smith
Tracy Chapman
Please add if you like, i do not own the photos
Big Mama Thornton (photo credit unknown)
Joan Jett (photo credited to Brad Elterman)
Pauline Black (photo credited to Ebet Roberts)
Meshell Ndegeocello (photo credited to Raymond Boyd)
Tanita Tikaram (photo credited to Bernard Weil)
Gladys Bentley (early 1930s, photo credited to Sterling Paige)
Jackie Shane (1967, photo credited to Jeff Goode)
Nina Hagen (1983)
Phranc (1985, photo credited to Frank Gargani)
k.d. lang (1993, photo credited to Richard Young)
TERFs on trans men having parties to celebrate getting top surgery:
Their entitlement to our bodies truly knows no bounds.
Weren’t people criticizing this exact sentiment with the “I <3 Boobies” bracelets for breast cancer? Where they care more about the boobs than the person they’re attached to?
Are TERFs actively admitting that they view our tits and our wombs as more deserving of respect and humanity than us? Our thoughts are irrelevant. Our feelings mean nothing. Our voices might as well be hot air flowing through the room. Only our tits and ability to function as baby factories. But now instead of misogyny, it’s transphobia! Or perhaps a mix of both, seeing as this obsession with our bodies is based on the false idea that these body parts make us women and that’s exactly where their entitlement comes in.
elon musk told jkr to calm down help fkfbkr
imagine being such a shit person that elon musk tells you to get a hobby
Analysis of data from dozens of foraging societies around the world shows that women hunt in at least 79% of these societies, opposing the widespread belief that men exclusively hunt and women exclusively gather. Abigail Anderson of Seattle Pacific University, US, and colleagues presented these findings in the open-access journal PLOS ONE on June 28, 2023. A common belief holds that, among foraging populations, men have typically hunted animals while women gathered plant products for food. However, mounting archaeological evidence from across human history and prehistory is challenging this paradigm; for instance, women in many societies have been found buried alongside big-game hunting tools. Some researchers have suggested that women's role as hunters was confined to the past, with more recent foraging societies following the paradigm of men as hunters and women as gatherers. To investigate that possibility, Anderson and colleagues analyzed data from the past 100 years on 63 foraging societies around the world, including societies in North and South America, Africa, Australia, Asia, and the Oceanic region. They found that women hunt in 79% of the analyzed societies, regardless of their status as mothers. More than 70% of female hunting appears to be intentional—as opposed to opportunistic killing of animals encountered while performing other activities, and intentional hunting by women appears to target game of all sizes, most often large game. The analysis also revealed that women are actively involved in teaching hunting practices and that they often employ a greater variety of weapon choice and hunting strategies than men.
These findings suggest that, in many foraging societies, women are skilled hunters and play an instrumental role in the practice, adding to the evidence opposing long-held perceptions about gender roles in foraging societies. The authors note that these stereotypes have influenced previous archaeological studies, with, for instance, some researchers reluctant to interpret objects buried with women as hunting tools. They call for reevaluation of such evidence and caution against misapplying the idea of men as hunters and women as gatherers in future research. The authors add, "Evidence from around the world shows that women participate in subsistence hunting in the majority of cultures."