Girl, Interrupted (1999)
— dir. James Mangold
— I love you so much, but I've spent so much of me life just watching the world out the shop window. I thought that was all we both wanted, but now I'm seeing the world from this end, and I want to keep going. I don't want to stop, I don't want to go back to the shop, to the pub. — To me.
HEARTLANDS (2002) dir. Damien O'Donnell.
MICHAEL SHEEN as ROBBIE ROSS in WILDE (1997) — dir. Brian Gilbert
MICHAEL SHEEN as MILES MAITLAND in BRIGHT YOUNG THINGS (2003)
— dir. Stephen Fry
The Red Shoes (1948) — dir. Emeric Pressburger, Michael Powell
This last dream—showing children playing on the beach, among shiny splatters of water, and the mother, who smiles and walks away into the distance—is permeated with splendor and innocence. The final shot is of Ivan, running through shallow water and nearly colliding with a menacing dry tree, a forbidding encounter that puts a sudden end to a truly tranquil bliss.
IVAN'S CHILDHOOD (1962) — dir. Andrei Tarkovsky
— Shall we just have a cigarette on it? — Yes.
#oldfanny how dare you assume that i'm older than my daughter
After all, what can we ever gain in forever looking back and blaming ourselves if our lives have not turned out quite as we might have wished?
THE REMAINS OF THE DAY — dir. James Ivory (1993)
A most gratifying day. For the first time in sixteen years, I shall sleep well.
SLEEPING BEAUTY (1959)
#sleeping beauty#maleficent#1950s#disneyedit#thedisneyhub#disneyfilms#disneydaily#filmedit#filmgifs#moviegifs#fyeahmovies#usermulder#classicfilmblr#dailyflicks#uservillains#classicfilmsource#uservintage#*gifs#tw flashing#the one and ONLY maleficent#also crying at the way these look like shit on desktop :)
List of my favorite Bette Davis characters, in no particular order [1/?] ↳ Kit Marlowe, Old Acquaintance (1943) dir. Vincent Sherman.
—It's late, and I'm very, very tired of youth and love and self-sacrifice.
MEET ME IN ST. LOUIS — dir. Vincente Minnelli (1944)
MILDRED ROGERS: girlboss, gaslight, wipe-my-mouth.
— OF HUMAN BONDAGE (1934)
— How's your spanish? — What? — There's a poem I wanted you to translate. I read it. There's a bit that I wanted to tell you... I wanted you to hear. — Ok. — Perdóname... — Forgive me... —Si tú no vives... — If you are not living...I know this poem. — Si tú, querida, amor mío, si tú te has muerto... — If you, beloved, my love, If you have died... — Todas las hojas caerán en mi pecho... — All the leaves will fall on my breast... — Lloverá sobre mi alma noche y día... — It will rain on my soul all night, all day... — Mis pies querrán marchar hacia donde tú duermes... —My feet will want to march to where you are sleeping...Your accent's terrible. — Pero seguiré vivo. — But I shall go on living.
ALAN RICKMAN and JULIET STEVENSON in TRULY, MADLY, DEEPLY (1990)
BETTE DAVIS as Julie Marsden in JEZEBEL — dir. William Wyler (1938)
"¿Quieres que te ayude a morir?"
CRÍA CUERVOS — dir. Carlos Saura (1976)
# he’s so relatable
Leslie Howard as Atterbury Dodd in —Stand-In dir. Tay Garnett (1937)
+ bonus:
#leslie howard#joan blondell#humphrey bogart#stand in#classicfilmsource#uservintage#filmgifs#usertimeless#moviegifs#oldhollywoodedit#oldhollywoodfilmedit#classicfilmblr#classicfilmcentral#cinemapast#dailyflicks#old hollywood#classic hollywood#usermulder#*gifs#i'm in this photo and i don't like it#he's so neurodivergent i love him