#cute #too pure for this world

#19. 1x18 - “Providence” [tie!]

‘S.H.I.E.L.D. attacking, you getting shot, me fighting May. The threat of more people dying. This is way up there on one of the worst days ever.’

I’m not a woman. I’m a force of nature.

The whole drive of Daisy’s character arc was, she was in search for her identity. She was in search for her family and where she came from. And what she stumbled upon was new one, and so at the end, it’s very clear that she is actually starting her own little family in space, with the man she loves and her actual sister.

“That scene was very difficult to shoot because we would have to shoot everyone leaving their chairs, and it literally was me just sitting there alone in a circle of empty chairs when just moments before I was looking at the faces of these people I’ve spent time with. That was the scene I lost it on set. I think we only got two takes before I was pretty hysterical. When I looked around for my close-up shot of all of the chairs, it really f**ked me up. So shooting that was very, very difficult. They probably only got one take where I wasn’t just hysterically crying. It’s such an image to be sitting there and all of a sudden they blink out and you’re the last one.” - Chloe Bennet on the Emotional Finale of Agents of SHIELD

Daisy Johnson likes dorky squares.