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#due south – @crowfoot on Tumblr
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flapping blackly down

@crowfoot / crowfoot.tumblr.com

[header by dippy-ecks.tumblr.com, icon by Shad Andrews (This You Protect)] Feminist, Whovian, knitter, dork. Bisexual. Doctor Who, Marvel (an embarrassing amount of Steve & Bucky really), Star Trek, Star Wars, history, archaeology, a little bit of everything.
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sineala

I have just discovered that there are 341 works in the ao3 tag “Canadian Shack”….. as a Canadian idek what to say. I can’t believe that’s like…. a trope

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Oh! Oh! I know all about this!

As a Canadian, you are presumably familiar with the1990s buddy-cop TV show Due South, about a RCMP constable named Benton Fraser, who has come to Chicago on the trail of the killers of his father and for reasons that do not need exploring at this juncture has remained, attached as liaison with the Canadian consulate. Anyway, it's a buddy cop show about Fraser the Mountie and his Chicago cop partner Ray, who is a different person depending on which season of the show you are watching.

So dS fandom shipped Fraser/Ray, Fraser/Ray (the other Ray) -- and, yes, the ship wars were legendary -- and, for the truly daring, Ray/Ray. The series finale "The Call of the Wild" ended with Fraser and one of the Rays in the Northwest Territories, sledding off into the sunset together on an adventure. So naturally fandom wrote a lot of fic about what this adventure consisted of and how it very possibly involved Fraser and Ray together in a shack, in Canada. (Fraser does actually at one point have a cabin somewhere around there in canon, IIRC, so the fanon that he might at some point once again end up in a cabin somewhere in the Canadian north isn't actually coming out of nowhere.)

Anyway, so fic about Fraser and one of the Rays in a Canadian shack became a popular premise for a whole lot of post-series fic, and then the thing that happened was that a bunch of Due South authors looked around at the massive amounts of Canadian Shack stories in their fandom and thought, "Hey! What if we had a multi-fandom challenge where all of our other fandoms ended up in a Canadian shack too?" and that led to 101 Ways To End Up In A Canadian Shack, which as the name suggests is 101 ficlets by various writers in various fandoms (many of which are not set in Canada, or in North America, or even on Earth) all running with the Canadian Shack trope from Due South.

And then, as happens with fanon, other fans who might not have even been familiar with the Due South origin picked up the trope and ran with it because who doesn't want to stick their OTP in a shack together because hooray forced-proximity tropes, and it became a thing that took on a life of its own, and that's where we are today.

So, yeah. It's one of those tropes that maybe makes a little more sense in its originating fandom but that everyone else has subsequently adopted in their own fandoms -- like the daemons from His Dark Materials or the psychic wolves from the Iskryne series, or, for a certain value of "making sense in its original fandom," Sentinel/Guide tropes (which are based on a popular genre of very intricate AUs in Sentinel fandom and doesn't really have much basis in canon).

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dduane

...I was wondering about this. :)

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trying to explain due South to people is weird because they’re always like “hmm, haven’t heard of it, must be a niche little fandom” and like. Yes but also Very Much No.

all I know about the canon of Due South is that it expected me to believe that a series of red and white purebred huskies were a) the same dog and b) an actual, legitimate, no-fucking-around Canadian wolf living in Chicago, and also there were two guys who were both named Ray for some reason and one of them was pretending to be the other one for a while??

but like… yeah, between this and The Sentinel, these are just pure fossilized 90s megafandom. 

(It’s especially interesting reading the back archives because the takes on sexuality and sex and how it works and how affection works and how characters respond to homophobia and what people expect characters to encounter and familiarity with queer culture is just–

in some ways it’s like peering back in time in a way I find really, really interesting, with a very different lens than you’ll find in traditionally published mainstream fiction outside of the queer presses. Like, don’t get me wrong, there’s stuff in there that’s just a damn Mess, but imagine the perspectives of the best writing you can find in modern fandom, from writers who are using slash fic to tell stories that incorporate a queer experience and point of view…

…and now think about the best of that, and pull it back twenty years in the past, and think about how you can use that to learn things about how people thought and acted and expected other people to think and act thirty or forty years ago.  

The past is another country. They do things differently there. And you can get a surprisingly good sense for that from old Due South and Sentinel fics. 

y’all if we’re fossils then I call dibs on being stegosaurus

I call dibs on the Caudipteryx!

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ilexa

I’m a Kowalskisaurus.

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solarcat

*unfossilizes long enough to point out that Diefenbaker is a half-wolf at best* *refossilizes, laughing about the DS Anon Troll being added to the second graphic*

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dsudis

I call Loch Ness Monster, somehow still surviving as a dinosaur even now!

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fremedon

I think I am some sort of cycad or fern. Never actually in DS fandom, but part of the ecosystem.

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nonasuch

I have also read an absolutely ridiculous amount of due South fic, and to this day the only episodes I have ever seen are the ones @brofisting made me watch when I visited. They were very good!

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honestly has someone written an essay on due south and the figure of the closet because

LOOK i am just saying that people spend a lot of time… physically… in closets in this show. want to have a clandestine conversation about like, anything? closet. want to find out why your best friend has been replaced by a really really inaccurate pod person? talk to your not-boss in the closet. the closet is a fraught, fruitful space. it’s where secrets are exchanged. it’s where information is hidden. it’s where people talk when they do not want to be heard.

let’s add to that, the fact that fraser’s father… HAS A WHOLE ENTIRE CABIN… in fraser’s closet. he builds it. he sets up shop there. the closet is where he lives. which adds an extra frisson to all of his stories about buck frobisher, eh?

and look, i am just saying that bob fraser exists at least in part as a cautionary tale for fraser. don’t be like your dad: don’t spend your life running away from and ignoring the people you care about. or you’ll be dead and you still won’t be able to get out of the fucking closet.

anyway if you take all of this into account, the brief use of the word “closet” in fraser’s merry little word-association game is even funnier. because ray reacts like he’s been bitten. or like dief has stuck his tongue on his ear or something. “what kind of question’s that?”

fraser is blithe, unwilling to recognise that he knows that ray means… what does ray mean? ray means that he has the exact same association with the figure of the closet that i do: queerness. and it’s suddenly been sprung on him.

fraser, as ever, demurs. plays the naïf. he assures ray that he meant “nothing untoward.” but in that case, why does he say the word closet? is he asking a question? is he baiting ray? is this a first step out?

of course, it can be all or some or nothing of those things, as you choose. it’s just a throwaway joke. but… in the context of the show it tickles me. the closet is, to steal a phrase from sarah monette’s readings of due south, an over-determined space. it’s a real space for exchanging real information; it’s a real space for fraught, secret conversation. it’s a magical space where fraser can encounter his father. and it’s a figure that we understand implicitly — it’s a euphemism, a commonly understood code. “what kind of question’s that?”

and think back to the scene where fraser is physically inside his closet, talking to his father. it appears to him as a spacious, full cabin. it’s lifelike. he can move around.

thatcher hears fraser talking from the closet. intrigued, or just nosy, she opens the door.

suddenly, as soon as she opens the door, the space closes. suddenly, fraser is just alone, in a too-empty space. the closet is an odd space that can crush people if they stay in it; the closet also offers safety and space that other people crush.

closets. who’d have them? for much of due south, his father’s closet cabin is the closest fraser gets to home — the closest he gets to the truth of what he wants to be doing. and in some ways, the show ends with this closet being exploded. his father has gone; and there he and ray are, in actual canada. partners; even if they‘re not working together anymore, they’re partners. isn’t that a lot of what call of the wild works to establish?

“what kind of question’s that?” maybe, ray, you should have have taken the leap of faith sooner, and answered it. but you weren’t there yet.

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reblogged
For years, Canadians have been able to watch episodes of iconic American classics such as “The Mary Tyler Moore Show,” “Batman” or “I Love Lucy.” But where was Canada’s TV heritage? Why was our homegrown fare always, after its initial run, locked away in a vault?
Well, “The Littlest Hobo” has finally been let out of his kennel. After years of development, the Canada Media Fund and Google Canada have teamed to launch encore+, a new YouTube channel giving viewers here and around the world access to decades of Canadian film and TV gold.

ooohhhhhhh my goodness they’d got Mr. Dressup and Little Mosque on the Prairie and Degrassi and Are You Afraid of the Dark? and DUE FUCKING SOUTH

this is………….. wonderful. Maybe someday they’ll get Corner Gas and life will be complete.

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