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The concept promised great things but, almost paradoxically, the animation looked a wee bit lacking. As it happened, despite those visual imperfections, Inside Out is a triumph. A terribly clever and funny film that boasts a real touch of the sublime. It isn’t simply a step in the right direction for the studio, or merely a return to form, it’s arguably one of the smartest and most heart wrenching films the studio has ever made.
For those who don’t know: the story plays out largely inside in the brain control room of a young girl named Riley. Here we meet her five key emotions: Joy, Sadness, Disgust, Fear and Anger. A control desk in the middle allows them to control her emotional responses, each reaction based on whichever emotion is at the dials. And for the most part for Riley it's Joy, a blue haired being of resolute happiness (played by Amy Poehler, of course). That setup alone is enough to set the imagination running, but the levels of intricacy that the film reaches from here are astonishing. You might even say profound.
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