♪ I’m the villain in my own story. The bad guy in my TV show. ♪
#this scene though #first let's talk about flint #he is slipping into flirt mode here #he wants to know what silver thinks about him #cause he has come to appreciate his insights (and he pretty as hell) #he wanted to be reassured that someone didn't see him as the villain #but what does silver say? #he gives him a non-answer #that he doesn't really care - as long as he has the gold he doesn't give a crap #now; if we look at s3 this has turned to it's head #silver doesn't think him as the villain #silver doesn't want the gold #and he still isn't bothered by labels #silver saw him here #but now he /understands/ him as well #fucking beautiful
Without Lord Hamilton’s efforts, your efforts, it’s likely I wouldn’t have been successful in my efforts to finally secure the pardon. All I have done here is finish what you began. I am now what you were then. And without you, there would be no me.
What Woodes Rogers represents is a very dangerous thing. It’s different from what it was when he and Hamilton had come up with this idea of the pardons. It’s now something that’s different. England is using it as a tool to control. So, Woodes Rogers is almost like this warped version of James McGraw. - Toby Stephens
Best villian ever.
“I have this feeling of protectiveness over characters I want to play. I worry about them—if someone else gets the part, I’m afraid they won’t do it right; they’ll make the character a victim or they’ll make her a villain or they’ll just get it wrong somehow. When I get like that, anything’s possible.”