Silver is a survivor and just because he doesn’t wish to share his past doesn’t make what happened to him any less traumatic. I can’t believe I saw a post that said otherwise. No one is owed someone’s tragedy and saying he doesn’t deserve to rise above it because he doesn’t share his past horrors is ridiculous and tbh insulting. People deal with traumas differently and Silver’s is internalized, which actually is a pretty relatable approach if you ask me.
that meme format with the brains at various stages of enlightenment where the Basic brain is like “john silver is straight” and the brain that’s mildly glowing is like “john silver is bisexual” and the brain that’s a prism with light beaming through it is like “john silver is a complicated figure who is repressing past traumas that are inextricably linked to his ability to form meaningful human connections; he is wary of any form of love due to his deeply rooted subconscious fear of abandonment and these issues blur the line between platonic/romantic/fraternal/etc attachment both for him and for the audience. the question of whatever gender(s) he may be attracted to is besides the point, as ANY relationship we see him develop in canon must be interpreted in context of his emotional baggage and is therefore impossible for us to define” and the fully transcendent brain is like “JOHN SILVER IS A LITTLE BITCH WHO’S IN LOVE WITH JAMES FLINT”
I’m suddenly having horrible parallel feelings about that scene between Flint and Silver on the island, and the scene in season one when Flint killed Gates.
“This is not what i wanted.”
Season one, the captain kills his quartermaster to keep his fight alive. Season four, the quartermaster ‘kills’ his captain, to bring it to an end.
“What did you do?”
“What was necessary.”
Silver paid a heavy price for his betrayals,but with that he purchased these happy endings for all of them-from Flint to Max to Jack and Anne to Maroons and the rest of pirates.He stopped the war and there was an only way to do so-he had to stop Flint.At the beginning of 410 Flint told him and Jack about the unstoppable war he is planning.There was no other way.Silver could have him killed,he could easily arrange it but he chose to ‘retire’ him and reunite with Thomas.End his decade of hell and that nightmare he lived in,drag him in chains to Savannah…but alive and slowly regaining sanity.What Silver did was indeed mercy and I couldn’t agree more with you if I tried.He did that out of love,for both Flint and Madi.War is glorious and his motives were selfish,but choosing life over death of loved ones is not wrong.
‘War is glorious and his motives were selfish,but choosing life over death of loved ones is not wrong.’
So much this. I feel desperately sorry for Madi, and I doubt Silver or I will ever truly understand the scale of the things she was willing to die fighting for, but he did what he did out of love. Whether or not it was his right to make that choice, and whether or not it was selfish or selfless or some tangled mix of the two, his motivations stemmed from a place of goodness. He isn’t a monster. He’s a man who has endured such deep torments and pains that he couldn’t bear to speak of them to his best friend in the entire world. I can’t stand to see him demonised for trying to spare the people he loves painful and tormented ends, even if the cost was great.
All of this is debatable and there is no one answer IMO.Did he made the right choice?Was it his choice to make?Was it selfish or selfless?Both in every case,depends on how one looks at the situation.If you choose to see the bigger picture-Silver made the right choice for everyone around him,but not for himself.We always suspected that Silver will stop Flint because Flint will never give up the fight and won’t be satisfied until everything burns.He was planning to sack Boston a few episodes ago because he had the cache to his disposal!The way he was speaking about his renewed unstoppable war when they get back to Nassau? That was a huge fucking promise of ‘UNENDING HORRORS’.Silver never wanted his war,but he loved the man enough to follow him into every single battle since they became inseparable.Miranda once said ‘this path-it doesn’t lead where you think it does’,but Silver actually saw exactly where it leads.Death.And more death.And after that?MORE DEATH.And this is the time we must remember who John Silver always was-a survivor.He would never sacrifice himself or the two people he loves to something he doesn’t care about.Silver values life over death and no sane person can’t blame him for that.
Like he told Madi-’you can be angry with me,as long as you’re alive to do so’.He did took away her chance to fight for a great and noble cause,for freedom and change,but like I said in my answer to an ask yesterday…he never believed in her war.He never understood her reasons to fight.Silver only wanted her and his love made him completely selfish,but deep down he really never knew her.That betrayal was a slap in a face for Madi because he planned all of this, while pretending to support her. Eventually they ended up together because they do love each other,but love is not enough when your dreams of changing the world and you chance to do so is taken away.And we already know she ends resenting him for it.Silver gets his safe,comfortable life but it’s not the one he desired and Flint’s parting words on the island do become his reality.That was Silver’s punishment for betraying his loved ones and yes he does deserve it.But does he deserves to be demonized for being scared to lose them both and preventing their possible demise? For choosing to end the war before it goes global, powered by the treasure? Hell no.
He gave Flint a chance at life he lost once,he reunited him with Thomas,he made him see beyond war and darkness.And yes I am aware that people are angry at Flint imprisoned on a plantation,but you know what? Plantation is not a death sentence. Flint had to be locked up in order not to mess up the peace Silver and other choose.Or be killed.And ’This is not what I wanted’.I prefer Flint alive and well,getting to know Thomas after 10 years of separation and not dead.And I believe these were Silver’s intentions as well.
I understand this is the place cowards come to beg forgiveness from a king.
#I come as his right hand #I come on a mission of mercy #I come on behalf of captain flint #LITERRRRRAAALLLLLLY POETRY!!!! #'not anymore he's not' <--- I LOVE THAT!!! SO ENTIRELY!!! #not 'he was never dead ya ding dong' #but an echo of 'SO I WILL COME BACK FROM THE DEAD AND LAY CLAIM TO WHAT I AM OWED' #it's not just a recognition of the story that has been told about flint's death and an insistence on this new story they're creating #in which captain flint has 'risen from the grave' more powerful than ever #it's also an acknowledgement of flint's change in state of mind/personal growth #he essentially DID consider himself dead; he was on that boat with ghost!miranda ready to walk through her door and join her #he was DONE. he was finished. 'let this be the end of captain flint' #and then he gets a second wind and decides to live. he comes back to silver and his crew. he comes back to the war he's been fighting. #HE REALLY DOES COME BACK TO LIFE #james mcgraw and captain flint both #because (perhaps unfortunately) right now one cannot do what needs to be done without the other #and so flint goes on to do battle as Captain Flint™ and reveal his heart as James McGraw all in one episode #*sighs* THIS SCENE IS SO GOOD 👏🏼 #and ivana's gifs are beautiful and perfect and 10/10 stars as always 💕 (via candlewinds)
I feel like there is character development, and then there’s John Silver . There is backstory, and then there’s Flint’s backstory . There’s character dynamic evolution, and then there’s Flint and Silver .
(another diff anon) SORRY BUT I MUST NOW ASK WHAT ABOUT SILVER???
holy moly, where do I even begin, anon. WHERE!!! DO I EVEN!!! BEGIN!!! how do I even talk about john silver?! the destroyer of pigs! the Flint-Approved Little Shit™! the smol cunning thief! wrangler of sharks and UNEXPECTED FEELINGS!!! machiavellian baby caterpillar turned Big Bad Butterfly!!! my son who delights me, upsets me, and scares me all at the same exact time!!!
GOD DO I EVER LOVE JOHN SILVER :’’’)
*pulls out a chair* take a seat, my friend. I do not have as much control with words as Long John does himself so, we may be here a while >:) (update: um. I wrote a lot. I wrote like a real lot. a whole lot. forgive me for I have sinned.)
The pirates of New Providence Island are about to become more powerful than they have ever been before at a time when they would be less restrained than they have ever been before. And this tavern will still be the crossroads where their world connects to ours. Where their disputes are aired. Where their business is conducted. Where their passions are expressed. Is that truly something you want the responsibility of managing?
#that caption though #yet another reminder of how carefully constructed all the dialogue on this show is #HER DELIVERY IS SO NATURAL #YOU DON'T EVEN NOTICE #I want to do a study of repetition in like...every single episode script of this show :o) #SILVER USES IT A LOT #FLINT USES IT A LOT #('a fucking warship...a fucking warship...a /fucking warship/...') #apparently max does too!!! #I've seen this show a million times and still I read quotes under people's gifsets and I'm like 'wHEN WAS THAT SAID?!' #there's so much to focus on I sometimes just let all the beautiful language pass me by #can someone make a Black Sails Companion Book with all the scripts in it so I can read it before bed time? O:) #THAT'D BE VERY HELPFUL #@ starz I'm sure you'll get right on that for me (via candlewinds)
tbh if the iconic Long John Silver™ is revealed as canonically pan/bi through his love for the canonically gay/bi Captain Flint my faith in television and all humanity will be restored
“Interviewer: How eager or not eager is [John Silver] to take on this mantle at this point?
Luke Arnold: It’s a little bit of both. He’s now very invested in this world. He always used to say he didn’t believe in Flint…He’s now part of it. It’s really the two of them ready to take this war to the world. And I think as well, Madi is really integral to giving him the confidence to take that up. I think everyone around him…he has relationships with Billy, Madi, Flint, all the Walrus Crew. And I think as a guy who never wanted to be a part of anything before, who was not a joiner, because of these relationships he’s starting to feel a part of this war, a part of this group of brothers, and I think is feeling the potential that he could take up that mantle and be the Long John Silver who starts this revolution.
Inteviewer: The relationship between Flint and Silver is very complicated, lots of back and forth…They are allies right now but is there always like, I don’t know if it was a threat or not, but [Silver] said maybe I could be here to succeed you, so is there a strange dynamic still between them?
Luke Arnold: I think there is but I think that, in this world, they’re about as close as two friends can be, and that was the acknowledgment in that scene. I think it was less a threat but the acknowledgment that they’re really close. And also when he finds out about Flint’s backstory, he knows how self-destructive Flint is, but also how destructive as a force he is to those around him. But he’s also aware of the power Silver has now. [Silver]’s managed to very quickly rise up to a high position of power in this world. So…I think it’s less a threat but more just acknowledging where they’re both sitting in the moment. And being such good friends, as honest as they are with each other in that moment, I think it’s kind of a surprise to both of them that they ended up there.”
Mr. Scott Appreciation Week: Favourite Quote
At the moment, he’s using it to help the captain. But God help us if he ever realizes what else he could use it to accomplish.
I was meta-ing with @pirate-nonsense and she told me I should make a post on it so here we go:
Let’s talk about Silver, insecurity, and the reason he used Dufresne’s head as a trampoline. This season we’ve seen him insult himself a number of times, and it’s depressing as hell. A lot of it has seemed to revolve around his leg. Such as calling himself a “one-legged creature.” But it’s not just that. When he was in the boat with Flint, he said without the crew all he was is an “invalid.” I think that goes back to season 2, in that scene where he claimed the gold to be gone, and thus his time with Flint’s crew was finished. Flint needed Silver in that moment. He couldn’t afford to have him leave. So Flint made a point in saying how without the crew; Silver was nothing. That where else would Silver go where he mattered?
Here’s the thing, I think Flint did bring up some insecurities that were probably buried within Silver. While Silver came across confidant, even arrogant, we all know that means jack shit. Silver believed what Flint said, he even said to Flint in season 3 that he was the reason that Silver started to give a shit about the crew.
Then he lost his leg. After that speech from Flint, learning that a crew member would murder another based off of a LOOK that Silver gave him, Silver had his leg cut off. This experience was, obviously, traumatic, and it added more insecurity to him. He wouldn’t use the crutches. He wouldn’t be seen as weak around the men. This, obviously, showed his new insecurity. Because in season 2 he allowed himself to get the living hell beat out of him in an attempt to work his way back into the crew. He wasn’t overly prideful. But he now feels he needs them. He can’t afford to have the crew thing anything less of them, because he needs them. Without them he thinks he’s nothing, because where else would he go? He now has one leg, and I think in a way when he lost his leg, Silver felt like he lost all other options.
Then the scene with that dick known as Dufresne. Now, let’s recall the first two seasons. Silver gets insulted. A lot. Someone should make a gifset of that. I don’t have the talent for it. But he was insulted quite a bit, and while I doubt he LIKED it, it didn’t seem to horribly bother him. He could roll with the punches because, honestly? I don’t think he believed any of it to be true. He was confidant in his abilities (though based off of the season 2 thing not confidant in where they’d take him without the crew) and he knew he was intelligent. That scene with Dufresne, though? He called Silver an invalid. Mirrored Silver’s own words. Called him half of a man. I think the reason Silver lost it in that scene, and used that dick known as Dufresne as a bouncy house, wasn’t because Dufresne was being mean, and it wasn’t calculated at ALL. Think about it, to leave a witness able to identify him after he left would only serve to PROVE that Flint was in fact back. That he himself had survived. Silver’s smart enough to know this. Without any witness to identify him, others were left to question whether or not Silver had really been there at all.
But Silver’s actions weren’t based off of logic, and Dufresne’s words did have an effect on him, because I think Silver thought they were true. Dufresne was quoting exactly what Silver was thinking in his own mind, and that’s why Silver lost it in that moment. He lost it so badly he didn’t even feel the physical pain he caused himself until after he’d calmed down.
Perhaps when Silver killed Dufresne, he also killed some of his own insecurity, and that must have felt pretty damn good.
#there’s little silver hates more than having to depend on people #my independent self-preserving son #so just imagine how comfortable he must be with flint to allow himself to lean on him like this #john silver who literally sat there alone feverish and sick from his wound #who refused medicine and wouldn’t let anyone see him bc he couldn’t ‘be weak’ #basically on the brink of death and he’s just like ‘no it’s fine I’ll just wait it out’ #I think it’s partly bc he trusts flint not to use this against him #and partly bc he knows that /flint/ knows well enough that he’s strong and capable and powerful #there’s no need to prove it to him; it’s already been proven #('you /WILL/ account for me’) #they’re already equals #I’m just really emotional about these two - who are both really concerned with how they’re perceived (though in /very/ different ways) #letting their guards down in front of one another and accepting help even though they’d never admit weakness to someone else #they’ve established this little private world together where they can drop the masks they wear in front of most of the crew #where silver can admit that he’s in pain/not okay and that the descent into darkness feels good #where flint can confess that he’s been fighting a war in the name of love
Black Sails Headcanon // How they hug you and some other comforting things (characterxreader)
Flint It’s not really a hug but he places his hands on both of your shoulders to comfort you as he tries to look into your eyes whether you look at him or not. He tells you it’s going to be fine, how he will fix everything and make you some tea if you’d like. But if you get to give him a hug first he responds to it immediately like he’s been waiting for one for a long time.
Silver He doesn’t really understand hugging and won’t make the first move because he’s afraid he might do something wrong. Even though he could be the one that needs it even more than you, there’s nothing selfish about his hug and he makes sure you are okay by not letting go before you do. After, he asks if he can get you anything or if you need anybody killed.
Billy When he gives you a hug to comfort you, he tries to cover you as much as he possibly can with his embrace. His hands are stretched all across your back and he will place his chin on top of your head if he can. You feel like he would probably wrap his legs around you as well if you let him. To make you really feel safe he will pull in every person passing by to join the hug. Usually it’s Ben Gunn and he’s just being very careful trying not to crowd you overmuch.
Max She cups your face in her hands the second she sees that something is not right and she will pull you into a hug right there and then not caring who is there to see it because in that moment you are all that matters. She calmly explains to you how she will take care of you and how everything will be better tomorrow. She doesn’t let her voice break from the soothing kind tone as she takes you to her room and stays there with you as long as is needed.
Eleanor She is very careful not to say or do anything that might make you feel worse and for that reason she doesn’t really know what to do. But if she ever sees you being sad or hurt she will march over to you and pull you in for a hug without even thinking about it. She clings to your shoulders and lets you bury your face in her neck. If you want to be left alone she will make everybody leave the room and she will bring you as many pillows and blankets as you need. She tells you how she will use her shotgun to blast a hole in the next person who tries to hurt you.
Charles He makes sure nobody will come to disturb you when he’s comforting you by having men outside the door on watch. He sits next to you and makes you lean your back against his chest as he strokes your hand or your hair. Whatever it takes, he tries to make you forget the thing that was making you feel down and he will suggest having a sword fight with him or sailing to a nearby island you’ve not visited before.
Anne Even though she doesn’t get to your personal space, she lets you know she’s there for you with compassionate looks. She will also let you hold her hand and she will sit next to you until you feel better. If anybody is trying to approach you with anything but love, she jumps up in front of you to be your bodyguard. If you ask for a drink she will get somebody else to fetch it for you so she doesn’t have to leave your side.
Jack Jack hugs you casually whether you’re feeling down or not. Sometimes it’s a pat on the back and other times he pulls you so close he can rest his head on your shoulder. He’s overall very touchy in the most purest way - like he will tap you on your shoulder or pull your sleeve to get your attention, or when he’s handing you a bottle or a glass he places his hand over yours to make sure you won’t drop it.
With what happened in the episode 3x09, I saw a real hatred toward Eleanor Guthrie rise everywhere. “Bitch,” “Kill her,” “I hate her” all the time. This is an understandable reaction. But personally, I do not hate Eleanor Guthrie. And yet I LOVED Charles Vane. Over all. Here’s a little personal analysis on Eleanor Guthrie, on Vane also a little, and her relationship with him and Richard Guthrie. This is only an analysis and a personal opinion that I want to share to see if I find people who will agree with me that maybe this point of view it please someone. You are perfectly right not to agree with me, that’s only a personal opinion :) I apologize in advance for my bad English, I recall that I am French but I hope it’s still understanding.
Personally, I understand completely and totally Eleanor. Yet God knows I loved Charles … I loved her beyond the possible. Worse than that, I loved to madness - and I still love - the Vane / Eleanor couple. In addition to seeing my favorite character, a character that has helped me tremendously emotionally for a long time, I also saw a couple that I revere end abruptly. It is a double agony. Yet even as I came out broken that famous episode 9, at no time ANY TIME, I have thought ‘I hate Eleanor. “. Not one second. Just because I end this Assembly beautifully written … and finally, a logical, or even expected, to Charles Vane’s relationship and Eleanor Guthrie. And also because I find it too easy to put everything on the back of Eleanor. In Black Sails, nobody is a saint. Already, I wish to emphasized that NO ONE has killed Charles Vane. He could survive. But he refused to survive. He CHOSE to die. Billy could have saved him, but Charles would not. Why ? Is it only because he knew that thus, the revolt really begin? Yes in the party, but I do not think that’s the only reason. Since the beginning of season 3, I saw a … Charles Vane lost. I saw that he was suffering, he did not know which road to follow. At no time I have seen have these little smiles players he had early in the season where 1 2, I saw happy not seen at any moment. I saw him lost a little more with each episode. I think in the end … it was definitely more to live. All he liked to where almost taken away from him. He in turn his back on his adopted father, Teach, because life wanted that Teach for Charles did not suit him and even if Charles does not seem to regret his choice, we clearly saw that it weighed on him and that he once again someone he loved. Jack. Anne and also a little, but especially Jack. His best friend, his brother. He saved the life to him and he knows that Jack is now smart enough to continue without him, especially Anne. I think it’s somewhat soothed knowing that he is safe. Eleanor. She, more than any other. Whenever we saw in Charles Vane happy in the show was when she was with him in a way where another. Off after the events of the end of season 2, his betrayal was a terrible blow to him and the murder of Richard Guthrie, he knew there would be no future possibility between them. And even if somewhere he wanted, he does that it makes him suffer. And their stage in the cell of the fort confirmed to him that. They were too strong love to finish on too much hatred. He lost to Eleanor, he lost to Teach, and Jack would not have been enough to make him happy. I think all these things, in addition to the knowledge that his death would help Flint, Jack and the others to win this battle, led him to choose death. It is not Eleanor who killed him. If he had wanted, he could have come off, as it did in Charles Town, and blend into the crowd to get the piercing of a sword. It has always been a struggle between them, a struggle where love and hatred are mixed so incredible. He could win this war between the two. But he refused to. Strangely, one could almost say he left her win. Eleanor … I honestly do not think we realize how much she suffers. She always had a mask, it is obliged to have this mask, Black Sails in the universe, seem weak, dying and she knows it better than anyone. But be aware to look behind that mask. Eleanor lost to his mother, who died when she was a child in a violent attack in Spain that looks to have genuinely traumatized Eleanor. At the same time, so she had more need than ever of his father, the latter brutally rejected and abandoned. It to the have a very lonely childhood, totally private parental love. And the consequences of a lack of love of parents for children are always terrible and have consequences that persist into adulthood. For Eleanor, it’s his fear to love to be where love, his inability to trust and its violent determination to prove to her father that she was worthy to be his daughter, worthy of being loved him. There is a saying that every girl looking her father in the man with whom she shares her life. Do I believe in this saying? Not entirely, but I still think there is truth in it, in many cases, and this is particularly the case for Eleanor. I look again and again and again the series right now, and I feel like I understand things every revisionnage. There I clearly feel they have even underestimated the brands Richard Guthrie left on Eleanor. Such deep marks that I clearly felt, lately, in fact Eleanor projects a little of his father in all the men she has known. Whether with Flint, Hornigold, Charles Scott when his dear father, she always adopt the same behavior: a violent rejection of authority, and especially an absolute revolt against the fact that we can consider it as a child incapable to make choices by itself. She can not stand the idea that we can to dictate his life, it shows on several occasions, including during a scene with Mr. Scott in Season 1 when she almost shouts "The decision does not belong to you! It’s not you, where my father where to Hornigold, where Charles Vane to choose for me! I take only my decisions. ” Charles in particular understood this as saying that “I believe in you enough to these fathers who dictate your behavior.” This is the case, but this reflex with each man in front of her and one might think that this is just a huge female pride and an iron will to impose itself as a power in women this world ruled by men, but it also adopts another disturbing behavior vis-à-vis all his men, it’s almost if to urge that all his men to be proud of her that impressed by it. Clearly, when one of these men is a little impressed because it in fact, even if it is a man she hates Hornigold as we see very clearly that this is what she seeks, both we left alone but that one is impressed by it. Whether we are proud of them. It shows with Mr Scott when he welcomed the end of season 1, it shows with Hornigold when it also welcomes the end of season 1, this is clearly a sense in which it needs. A feeling that she never had from his father. She wanted her father to recognize worthy of his daughter and heiress, that he deems as a potential ally in their family business and not like a little girl cumbersome, it has persisted in to adulthood. She wanted the pride of his father, that he looks and he tells him that he is proud of it, we feel it in each of their scenes that, but he had never done before season 2. This is what every child search, after all. Acceptance of its parent that it is adult and pride. Eleanor suffers from this lack. She suffered terribly, it’s a vacuum in it, such a void she tries, without even realizing it, fill it with any substitute and therefore she put all men over where less in the same position. Finally, the end of season 2, Richard Guthrie finally made him this gift with his long speech leaves Eleanor totally silent upheaval. He gave her what she always expected and very clearly, I can not even imagine the good it’s to make it, as she believed in it, as it has even hooked because even if Charles loved her beyond the imaginable, he certainly would not ever fill that void father she had in her. Only Richard Guthrie could do and he finally did. I think after that Eleanor clearly felt more at peace, it shows the way, certainly everything was far from settled between Richard and her and it will remain poor as shit forever, but he had to fill a vacuum tortured for nearly 24 years. Ca to the be a godsend for her. Charles withdrew the gift to him, unfortunately, even though it was right in the physical act itself beyond the emotional.I think of the change Eleanor is due to this, too. Is that it seems very much more receptive blow to male authority, notably where Rogers simply English. Richard Guthrie punched the hole he had dug in it, the hole grew to rebel against all men that revolved around her, who refused this authority and which made her an important ally for hackers . But once filled this void, that of being much easier for her to accept the authority of Woodes Rogers and English, much simpler because it does not feel as much as before the need to fight for it, though old habits die hard, and we see it out the feisty Eleanor of his youth. Besides Rogers in the English own profile right on him and his father. Somewhere, Eleanor is perhaps really party girls looking a little their father in their companion. I always thought that was why she had this attraction to Flint, because he had this good English and erect something that was reassuring, no less. And I think this is true given the Eleanor shocked when she learns that Flint killed Mr Gates does not expect this from Flint. And the shock was born a small period of lucidity about it all: that the upright image she had of Flint, like that of his father, broke, I think that the clearly frightened and unprepared, which led him instinctively to approach Charles because with this vis-à-vis breaking Flint, Eleanor to understand subconsciously that what she wanted, what she wanted n ’ was not what she needed to move forward. And men like Charles are not necessarily more dangerous just because they hide their less violence. In this short period, I really think it is. This English image, that image of her father she is looking around and it comes to projecting even on those who do not, this is bad for her, destructive but no one makes no account, I think she does not even realize that’s what it seeks. What she needed was a man like Charles Vane, and the bottom of herself as she knows it, just … all from a complex and a childhood trauma. And this stuff does not go away easily, if ever. And the moment of clarity to it had in mid season 2 is closed again when Richard told him she expected those words have always heard it in the mouth of other men but not that of her father which she aspired, in the background, to be worthy of his legacy. She knew she had lost Charles in season 2. And we could see that this choice of it to make her suffer. I remember perfectly that scene where she looks at the fort, looking lost, before snuggling against his father, certainly crying saw the movement of his shoulders. She lost to Charles, but she is comforted in this father she thought she had finally found and earn respect. Charles to betray surely the most difficult she had to do, when it speaks seen in Flint just after, when it speaks of “The things I have destroyed to reach this moment and everything … Anything That strood in ict way. And for All That effort for All That sacrifice … ”. A friend made me realize everything a con trick on Eleanor with a sentence every beast. I am the first to say that Charles Eleanor loved but somehow I had never seen it that way. He just said “his father killed by the man she loved.” Said like that, it takes a different extent I think because so far, I said that I had underestimated me the love that Eleanor had for his father, and I am totally focused me on it to explain his actions and his way of being in season 3, but maybe that’s just half the problem, actually. Maybe this virulent hatred towards it to Charles comes not so much the fact that he killed his father in … but either to HIM who killed his father. The only man she loved. If it was Hornigold where an unknown who killed Richard Guthrie, would she have been such hatred? Such anger? Such determination? Strangely, I do not think. The fact that this is the only man she loved, she still loved him when to turn away saw the condition of his betrayal was diving - serious depression she made on site in his office sitting to fix the floor, completely cut off the air in the world - that that this is the same man she loved that killed his father … to all this love she had for Charles, this love already so skilfully battle related to turned to pure hate hard suddenly. Because clearly, I have never seen Eleanor also in love with Charles that at the end of season 2, after he killed Ned Low, risking his life to protect her. She had given him his confidence completely, to the point of turning against Flint for him. Besides, if it had not been Flint nor Abigail Ashe, is more than certain that at this moment in history, they would have stayed together. But his domestic problems, her love for her father but also his belief that the choice of Charles was too dangerous to Nassau for her, drove him to betray him but this betrayal ripped her heart and it definitely does not that she no longer loved him saw his despair when the survival of facing Charles Flint and depression. Then see the first man she loved killed the second man she loved most … knowing the extreme side of the relationship and feelings of Charles and Eleanor, it’s more logical that this has turned to icy hatred. It became cold and totally for England from the next episode, I realize that. From that moment, she has lost this ability to have this player and provocative. She lost to sincerely I think his ability to love this day because in his mind, the two men she loved died the same day, and one of them had become something to be done. She left overwhelmed by a cold anger. I only share an idea that is now fully acquired me. Hate so cold Eleanor descended directly from a love too strong for someone committed to the only act to never do it against, killing the other man she loved more than anything, the same syndrome all she had, strangely. Throughout season 3, at no time I have seen have this provocative, playful and arrogant she had in the first two seasons, I first thought it was prudent to face English … but actually, no. It’s just that she is no longer able. She totally lost it to seeing the body of his father and knowing that this is Charles Vane which to do that. That explains a lot, I think. Too violent hatred that came out of too violent love. She lost in the image she had of Charles in the last moment, an image that was brighter than ever, because certainly recognize that the man she loved was the murderer of his father was too painful for her. Insupportable. Charles Vane make a stupid thing to shoot was probably the only way it felt to not go crazy. mad grief, hatred and anger but mostly pain. She was already haunted all season 3. Haunted by conflicting feelings, used to love Charles as evidenced by his haggard and lost when Rogers told him that Charles Vane will never return to Nassau, and torn by this icy hatred who invaded kill the animal to murder his father, a pet she can not associate with the man she loved. When Charles speaks to him in the cell, when she finds herself face to face, she tries to see the animal that she has created but there is also the flash, human traits to it once loved. Only Charles condemns himself without express by saying that his father was a shit, because it adds a layer on that which is unbearable to recognize for Eleanor. That is why it so crazy to look half before hitting him, this rage that rises upwards that grows to almost strangle well and screaming lungs full, it is this unbearable pain that it felt, not only of the death of Richard Guthrie, but the fact that this is the man she loved and in which she placed her trust in who killed him. It comes back to the fact I find that Richard Guthrie and Charles Vane are the two men she loved most in. And it explains better if it is determined. That explains the haggard look lost and I perceived it at the hanging, look both tough and determined, determined to kill the animal she saw in him, but with that vague impression of not not knowing what she did because it all leads to a lie it creates is not to sink into madness. Madness and rage that was expressed time that scream, but she managed to control a time and she sank back into his lie to protect themselves, and she whispers his words against him, his words that compared to just a beast. She talks about the image it to him now. In this story, it certainly forgotten in all that Charles once did for her. But compared to the pain she feels, I think that for him it does not weight. And to combat this pain, the only way to find it is to get the image of him and cut of any emotion, except this wave of doubt echo of his inner madness, who invaded in the hanging and that to me says this look haggard she had to for a long time, that look at it continued to have once he was dead and she has observed. In truth, it is a struggle inside her. Memories of the past who want to resurface at any price, make him feel this pain and this wall it is put inside of herself. As long as she stays on this lie, it can keep moving, to keep a cool head and clear mind because it protects the lie of his inner feelings. Sometimes, this wall, this lie will crack and pain bursts seen and bewilderment in it, as I saw the death of Charles, and the largest crack comes from its howling face Charles. It can hardly lie in front of him at a time she could never have. But it has hardened (besides the producers specified that the death of Richard Guthrie killed Charles had hardened, but I had not really understood what that meant until now). Just one day the wall is broken and that’s the end of it. Not only this pain she pushed to invade will suddenly break and because it will realize in the end that she lost any. Not just where his father Charles. Just everything. This is not one where the other is a huge and everything she protects this huge while sticking this animal picture on Charles to succeed in combat, otherwise what she did succeed not. That explains the sudden reversal of his emotions in Season 2. Episode 7, she is feverish, desperate for betraying Charles. Episode 8, it is in total depression, silent, low, single cloistered in his office with barely the strength to talk to others. And in the evening when she discovers the body of his father, the pain we see in it, we see that something break in his eyes, and we see this huge shell it is necessary to protect her -even will immediately put in place. The next day, facing Max, it is marble. Icy. Indifferent to everything that happens around her, except his new determination to stop hackers and establish a legal trade in Nassau and as she said, to be at war against Charles Vane. That day, Eleanor has lost its ability to feel true positive emotions. She has in fact lost its innocence, oddly. Since they are only chimeras. She clings to the idea of redemption without really can get involved if it can not really feel anything. I think somewhere in her consciousness of this loss of feeling inside and it scared him, too. That would explain a little better his approach facing Rogers. She wanted to, I think, to find this capacity she had loved and that is what she tries with Rogers. To regain a sense lost but I see force, trying again and again, without really succeeding. I now think that Rogers is more to her. He represents his last chance to regain lost that feeling, that feeling without which it must feel very empty inside. It is a desperate fight with Rogers. Especially that in the hand of a layer that face Charles not to sink. She at times flashes of his brutal feelings she had before. With Max, for example, with whom she had a strong relationship with. It’s still not enough, not at all, and I doubt that this is enough to wake up one day completely. She begins to slowly see Max as a real ally when she arrived in the idea that this would be a potential enemy for it and I think it’s quite nice for her to see that she can see a friend in her, a friend who knows her well. But for now, it has been totally inadequate for this wall Eleanor continues. Can cure it? I do not know. I doubt she has the time, anyway. My conclusion ? Eleanor is a character who suffers internally, and fights as it can to survive. Eleanor with immense strength in it and why it is used. Specifically, given the evolution of the relationship of Charles and Eleanor, it was expected that in the end, one is trying to kill each other and will succeed in half … and I do not think Charles would ever be able to kill Eleanor. Otherwise, he would have done that night, instead of killing Richard Guthrie. Eleanor is a complex character that Flint where John sentimentally, as fascinating as they. She just developed differently. It’s a strong woman in the end, a woman who refuses to be submitted in a world dominated by men who struggle as she can. This is a woman who has always fascinated me personally. This is a woman I understand. I expect a lot of season 4 for it, I expect to see his mental evolution, see if my theories are good, and just continue to see this great female character. There is a HUGE risk that it ends up dying by Teach where Jack … where else it will bury them all, who knows. What the show has taught me is that it is better to never underestimate Eleanor Guthrie. Of all the enemies that Flint and the others have to face, she is by far the most dangerous. All this, I recall, is only an analysis and personal opinion :) In my eyes, either in where pirates in English, Eleanor Guthrie will forever be the one and only Queen of Nassau. And the female character most amazing and fascinating of the series.
DKJVKADCJSNLX thank you so much for this post!!!! XD <3 I’ll get straight in!
Such a great point about Charles not being happy. I’ve only watched S3 once so far so this is just from what I remember but I think Charles realises that his way of life, of violence, piracy, of literally fighting every day to stay free, is becoming obsolete and everyone else is moving on. At the beginning of S3 he is part of Team Protect Nassau with Flint, Jack et al but when Teach comes back he realises he’s bored, he doesn’t fit in. But when Flint then comes and asks him who he is, he knows he’s outgrown who he was with Teach, and he sacrifices himself for the cause, for his friends, because he sees his place is not in the world any longer, it’s for those who can find a place in it like his brother and sister Jack and Anne. He does it for them. He hates Eleanor and all she stands for in that moment, but actually he’s finally sacrificing himself for what she fought for: peace and equality for everyone. He could not live in this world but he died for it.
I didn’t know/remember Eleanor’s mother died in the Spanish attack omg, this makes her protection of the fort so that can never happen again all the more moving.
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Love what you said about Eleanor’s rejection of male authority figures because she’s had to look after herself when her father left.
I think she saw Flint as someone more civilised too, someone she could relate to in wanting to help the people of Nassau stop being the “animals” they are forced to be.
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Because she felt this connection with Flint it shocked her when he killed Gates as you said, and it is easier for her to go against him and all pirates now because she can put him in the monster/animal group that she put Vane in by 3x9.
Her feelings for her father translated into her feelings towards all men. Firstly hatred: resentment for being abandoned, having to fend for herself, disempowered, and secondly longing: for approval, validation that yes, she has done all this alone, she is their equal. Now that her father is dead these two states have separated into how she feels about brutal pirates vs civilised English.
I think Charles did understand Eleanor a lot better than most people, and believe they had real feelings for each other, being very similar in their aggressive need to show that no-one owns them, but he didn’t understand her love for Nassau and acted very entitled towards her a lot of the time so I think the relationship wouldn’t have worked out. He had too much Teach in him. However YES I really like this:
Men like Charles are not necessarily more dangerous just because they hide their less violence.
I think she liked that Charles was straightforward, there were no games - until he killed her father to spite her, which was “cowardly”, not his style at all. What he said to her in 2x6 is “all bullshit.”
Eleanor, when I take something from a man, his ship, his money, his life, I don't hide behind a clerk. I don't hide behind the law. I don't hide behind anything. I look him in his eye and I give him every chance to deny me. That is legitimate.
I think in that moment he must realise that his way of life, piracy, isn’t legitimate. He’s betrayed himself as much as her when he killed her father. But he knows Flint’s vision, he knows there is a future, he just knows it isn’t England’s, and Eleanor is too blinded - and forced into working with England - to see. (Side note, I hope Eleanor sees that England and Woodes aren’t what she needs, so her and Max can manipulate from inside the system!)
I think you’re right that Charles being the one to kill her father hurt most because she felt he understood her a little, understood her relationship with her father. So it is easier then for her to see him, Hornigold (who sold her out) and all pirates, as animals, the enemy, with no empathy or humanity. Because they are uncivilised and her father was civilised, so she is with England. She needs to find order in this chaos.
She begins to slowly see Max as a real ally when she arrived in the idea that this would be a potential enemy for it and I think it’s quite nice for her to see that she can see a friend in her, a friend who knows her well.
Yess I love this. I hadn’t thought of her seeing her as a rival before but that’s a good point. Hardening herself has taken its toll and she reaches out for her old friend, even if she may also be her rival. I love the parallels between Eleanor and Max vs Flint and Silver. I think/hope that both will follow the same way, in that Max will take over from Eleanor, just as Silver will take over from Flint. But both willingly, knowing they’re not alone and have people taking care of things if they step down, and even if they didn’t complete all they set out to do, they are *allowed* to find peace and love themselves (and their partners), finally be content. Both Flint and Eleanor hate who they’ve had to become, the sacrifices they’ve made (as you said) in their quest to make Nassau better.
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Also, Max and Silver are better leaders than Eleanor and Flint. Eleanor started out with power, money, a business; Flint had power physically, mentally and skills from his training. In their respective roles they were able to rule through fear, threat, aggression etc. which, as I was saying before re Teach and Vane, are tactics from the simpler, ‘old’ ways of doing things. Max and Silver are both lower class, in the beginning out for themselves by necessity, having to learn fast the ways of the world through hard work and subtlety, having to read people and be liked in order to get by as they don’t have brute strength or power on their side. People trust and like them because they’ve both at one time been in the positions of those they’re commanding, so there’s an understanding, and they can manipulate without people even realising they’ve done anything. They are “both feared and liked” as Silver said. A hard-won respect through years of not having much and working up through the ranks as it were.
I know Eleanor and Flint have both had a lot against them (of course!) and are less privileged than say Woodes Rogers, but compared to Max and Silver they’ve had a lot on their side re more traditional power dynamics. And it helps (ruling-wise) that Max and Silver started out just surviving, not aspiring towards any sort of power, whereas Eleanor and Flint had help with surviving (from father/father figure - however much of an asshole each turned out to be), so focussed on helping others, which means a LOT of responsibility and the weight of the world on their shoulders. That gets really tough, so I’m excited for them both to get love and support from Max and Silver as they take over the reigns. (Get it? Reins to reign? Puns :’))
I don’t really know how to finish this now lol but great post! So many points I hadn’t thought about so thank you, thank you! <3
What the show has taught me is that it is better to never underestimate Eleanor Guthrie.
I’m sorry, I’m… I’m having a hard time…
#OKAY I HAVE TO ADD THESE TAGS BECAUSE #FUUUUCKKKK #I’M NOT OKAY #NOTHING IS OKAY #I ALWAYS THOUGHT THAT BOTH LUKE AND TOBY PLAYED THIS LIKE THEY KNEW SILVER WAS LYING #BECAUSE FLINT SHOULD BE RAGE-Y AND VENGEFUL BUT HE SEEMS MORE /HURT/ THAN ANYTHING #AND SILVER LOOKS LIKE HE FEELS SO GUILTY AND SAD #LIKE LEGIT FLINT WAS THE THE FIRST PERSON TO NEED SILVER AND RELY ON HIS HELP #HIS INFLUENCE IS WHAT BROUGHT SILVER THROUGH HIS ARC OF LEARNING THAT HE WANTED SOMEONE TO CARE ABOUT HIM #AND THAT HE CARED ABOUT OTHER PEOPLE #THE WHOLE REASON SILVER COMES TO CARE ABOUT THE CREW IS BECAUSE HE CARED ABOUT FLINT #AND HE’S HURT WHEN FLINT LIES TO HIM AND BREAKS THAT TRUST AND THAT PARTNERSHIP #SO WHEN YOU GET TO THE FINALE OF THEM CONFRONTING THE AFTERMATH OF LYING TO EACH OTHER AND HURTING EACH OTHER #THEY ARE BOTH WRECKED BY IT #BECAUSE FLINT WAS SMILING AND TALKING ABOUT THINGS THAT COULD BE COUNTED ON BEFORE SILVER CONFESSES (EVEN AFTER HE’D LOST MIRANDA) #HE THOUGHT SILVER COULD BE COUNTED ON #AND THEN SILVER CAN’T LIVE WITH THE LIE ANYMORE BUT HE CAN’T BEAR TO ACTUALLY OWN UP TO THE FACT THAT HE STOLE THAT TREASURE FROM FLINT #THEY ARE BOTH SO HURT AND NOW I’M HURT. #WHY DID YOU DO THIS #WHY BOYS [via @elvensorceress]
So, you think that they see me as the villain in this particular story?
#I rewatched this ep today and listen…this scene is so good…#the way the music grows desperate and shaky and a bit dark at the end to mirror flint’s sudden panic#he went from entirely lighthearted and open to BARRICADES UP while his inner self raged like a storm#because no one (other than miranda) has ever noticed - let alone acknowledged - that he’s in pain like this#and suddenly this curly-haired little shit walks into his life and sees through every layer he’s constructed to create captain flint#and recognizes that flint lives a life of suffering#‘it must be awful being you’ sounds so rude omgdslfjasdlfkjds like…/SILVER/…u insensitive piece of poo…#(this is why it took u like a decade to make a single friend my kid…honestly)#but silver doesn’t actually mean to be rude when he says things like this; he really is just being honest#flint is a puzzle to him and he’s merely putting the pieces together out loud#and the thing is that even though it takes flint off guard and /terrifies/ him…he NEEDED someone to recognize this. recognize his pain.#and LOOK HOW FAR WE’VE COME SINCE THIS MOMENT#knowing that silver could see through to his core became a welcome thing#and by the season three finale flint was willingly handing over the things he’d kept locked up tight…without fear and without hesitation#literally the BIGGEST secret he had…the one with the potential to ruin him…the one that already had#and all silver has to do is ask ‘will you tell me?’ and flint just DOES#I’M DYING :o) (via candlewinds)
Told you I was certain about my information regarding the Urca. Unfortunately, you and I failed to take into account the weather.
#i made this thing out of two reasons #one is so i can call out toby stephens on his ridiculously attractive face #fuck u sir #the second one is bc i need to yell about the fact that someone #(looks pointedly at silver) #literally tore flint's shirt when he was unconscious #all the way down to his navel #the image of someone (still looking at silver) frantically tearing that shirt #and then manhandling flint out of it so they can take care of the wound #makes me want to weep #ppl have a thing for undressing flint when he's unconscious #i mean when else will they get a chance to touch that chest without losing a hand #i get it