mouthporn.net
@conscydraws on Tumblr
Avatar

Here, take a seat and drink some tea 🍵

@conscydraws / conscydraws.tumblr.com

I draw danmei and video games fanart 🎮🖌️ I craft jewellery for a living and teach others my ways 💍🔨 He/she/them, RUS/ENG. https://linktr.ee/Conscy
Avatar
Avatar
ingridverse

Do not punish the behaviour you want to see

I mean, it seems pretty obvious when you put it like that, right?

But how many families, when an introvert sibling or child makes an effort to socialize,  snarkily say, “So, you’ve decided to join us”?

Or when someone does something they’ve had trouble doing, say, “Why can’t you do that all the time?” (Happened to me, too often.)

Or any sentence containing the word “finally”. 

If someone makes a step, a small step, in a direction you want to encourage, encourage it. Don’t complain about how it’s not enough. Don’t bring up previous stuff. Encourage it.

Because I swear to fucking god there is nothing more soul-killing, more motivation-crushing, than struggling to succeed and finding out that success and failure are both punished.

Encouragement and acknowledgment are so much more effective than punishment.

Avatar
jabbage

One of the moments that I think about a lot when I think about how much I love my Dad, is that once when I was a teenager prone to spending long hours alone in my room I emerged to spend time with the family, he joked “Oh look, it’s the lodger!”

And before I’d even processed what he meant (that I was behaving more like a tenant than a family member), he went on some kind of internal flashback journey, and said “My father used to say that to me and I hated it, I don’t know why I said it to you,” and he apologised, and never made a joke like that again.

It’s like he did a speedrun on overcoming generational trauma.

Avatar
reblogged

Uncaring

Avatar
bogleech

I had a pet house centipede for a few years in Durango. By which I mean, there was a large house centipede in my apartment that I named and would sometimes make direct eye contact with and point at the silverfish and yell "GET HIS ASS!" because the total ineffectiveness of that was amusing.

...until one day, she started approaching me while I was pointing out a silverfish, and found it. After a few weeks, she would come out from behind the cabinet and stare at me until I pointed out a silverfish. I don't think she understood the pointing because she was just sort of orbit me until she found it, but she definitely understood that that pose meant "there are snacks about".

We were friends for both years I lived there, and I made sure to take her to the apartment of a bug-loving friend before I left because I was worried the next occupant might kill her for being friendly.

Avatar
Avatar
gatoiberico

Twilight Princess is living rent-free in my head after I recently got to play it for the first time, so ofc I had to make something instead of just gushing and screaming about it into the abyss

Prints of this piece are available in my shop! There's also a video that took me way too long to make about how I drew this in which I also rant about cheese and socks... hope y'all enjoy it if u give it a watch!!

Avatar
Anonymous asked:

hi just wanted to say i absolutely am in love with your jusant artwork. i played the game because of your piece and loved playing it so much!! thank you! also wanted to let you know that dontnod (the publishers) are holding an art comp for its 1 year anniversary to win really cute jusant merch! (if you enter i hope you win!)

Oh. I have no idea when I received that ask, but must be quite a while. Thank you! And sorry for such a long wait.

The highest praise my art can get is when it inspires someone to do something nice. Including playing the game I painted fan art of! :D I hope you enjoyed Jusant.

It's great that Don't Nod hosted that contest! I don't think I would've participated anyways. Would be a bit unfair, cause I drew that piece a while ago. Just knowing that the devs have seen my fan art and felt my love and gratitude is more than enough.

Avatar
Avatar
prokopetz

How to plan a long-term creative project for serial publication:

1. Make a firm decision about how big a single update is going to be, and estimate your sustainable update frequency based on that. This estimate should be based solely on your own demonstrated performance; you may anticipate that future productivity will exceed past productivity, but never make long-range plans on the assumption that future productivity will exceed past productivity. That is called the Planning Fallacy, and it will eat you alive.

2. Estimate how often you’re likely to miss updates. As a rough guideline, if you’re physically and mentally healthy and have no major commitments that would interfere with your ability to work on the project, figure that you’ll miss about 10% of your updates for various reasons. If you have health issues or frequent Real Life commitments, make it 20%. If 20% sounds low to you, you weren’t being honest with yourself about your sustainable update frequency; return to step 1 and re-assess.

3. Figure that you’ve got about two years before you lose interest in the project, gain some new commitment that will preclude continuing to work on it, or your art style evolves enough to make creative continuity impractical. If there’s some upcoming major life change that you’re able to anticipate – like, say, graduating from school – use either two years or that event as your soft deadline, whichever is less.

4. Use the figures from steps 1-3 to estimate how many updates you’re likely to be able to squeeze into this project, and write your outline/script based on that. You don’t need to wrap up every tiny little loose thread by that point, but ideally it needs to reach a point where you could stop and be satisfied with whatever conclusion has been reached. If you get there and you’re still enthusiastic about continuing, fantastic – return to step 1 and re-assess.

So, as a simple example: if you’re planning a webcomic, you figure you can reasonably manage about 1 page a week, and you’ve got a lot going on that’s likely to get in your way, that’s (2 years * 52 weeks/year * 1 update/week * 80% success rate on updates) = around 83 pages to work with, or about the length of a four-issue miniseries. What kind of story can you tell in 80-odd pages?

(Hint: it’s not a story that involves fifty-page combat scenes!)

Avatar
kagcomix

This is great advice.

When I was making Lunar Maladies (my 464 page webcomic–I will never make a comic that long ever again, it truly could have been a tight 250 if I’d know anything about editing at the time… but what can I say I started it when I was 19) I knew I could reliably take 3 pages from thumbnails to final art every week. So I only updated the comic with 1 page a week. I had over a year of buffer at one point. Because I had built in that security for myself. I know I’m a fallible human & I try to set up my workflow in such a way that I don’t feel bad/guilty/beat myself up about being a normal person with normal obligations that sometimes eclipse drawing comics.

Anyways, working within your limitations is great & allows you to create for longer without having a disastrous level of burnout.

Avatar

And here's the whole series. I'm kinda proud of myself - when they all put together I can see the amount of work - and I love my characters a lot. :) Now, I wonder, which one is your favorite? My personal favorite is 2nd - I think I did Lyra justice with those wings. Since this is gonna be a long post anyway, I'm gonna add a few sketches for some of them below.

Avatar
reblogged
Avatar
gvalesdraws
Anonymous asked:

Hey!!! I was wondering, how do you work? I mean your art looks very scratchy and I love how do you show depth! Your art really inspires me.

I'm really curious what brushes do you use and how do you achieve this effect on your art?

thank you for the answer and your stunning work! love you and your art

Hello, im so sorry that it took me so long to answer - i was extremely busy with two of my universities this autumn :(

Firstly, thank you very much for your words; they really help me to get through a difficult period of life and knowing that i inspire someone really motivates me 🤍

I generally use the first brush for everything - scetching, lining and rendering; if i understand you correctly, this is the scratchy feeling on my art, and i make it by using thin strokes on the form - imitating a pencil work with forms in traditional art in the points of attention + on the light, and do more generalized situation in the shadow. i also use second brush in certain points sometimes

in my recent works i also began using some textured brushes 3 and 4 more intensely; here they are:

(upd: i noticed that i used the wrong pictures for brushes 3 and 4. in your mind just just swap them)

And a bit of how my kitchen looks like on the exemple of grandpa: i start from depicting the idea in general forms to capture colors and composition, then i do lineart (unfortunately, i do not have a picture of just lineart), then i begin rendering.

I hope i answered your question! If not, then do not hesitate to ask, i will try to answer it sooner.

Avatar
You are using an unsupported browser and things might not work as intended. Please make sure you're using the latest version of Chrome, Firefox, Safari, or Edge.
mouthporn.net