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Comets Ov Cupid

@cometsovcupid / cometsovcupid.tumblr.com

* Kosmische Musik / Faustian Kultur
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Nice Review of Comets Ov Cupid “Vril Kosmische Urkraft” CD on Dark Holler Arts Site

Comets Ov Cupid’s third full-length, Vril Kosmiche Urkraft, hitches a broken krautrock space capsule to a black metal horse and drives it through the astral plane. At the reigns is none other than Jason Kesselring (see also: Skye KladThe Satyrswitch) – whose guitar skills remain as impressive as ever. Alternately atmospheric and spacious; heavy and labyrinthine – Vril Kosmiche Urkraft – journeys across the Nine Worlds with skill and ease and we lucky listeners get to experience the ride. ( Comets Ov Cupid )

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Seasons They Change By Jeannette Leech (new book mentions Skye Klad, Satyrswitch, Vortex Navigation Co.

Hey this is a great new book covering the history of psyche folk from the 60’s to now. ISB, Comus, and Current 93 are all covered as well as current acts. Nice mention of Skye Klad, The Satyrswitch, and Vortex Navigation Co. with some quotes by yours truly.  Check it out!

In the late ‘60s and early ‘70s, the inherent weirdness of folk met switched-on psychedelic rock and gave birth to new, strange forms of acoustic-based avant-garde music. Artists on both sides of the Atlantic, including The Incredible String Band, Vashti Bunyan, Pearls Before Swine and Comus, combined sweet melancholy and modal melody with shape-shifting experimentation to create sounds of unsettling oddness categorized as acid or psych folk. In the mid-2000s, a new generation of artists collectively tagged New Weird America and spearheaded by Devendra Banhart, Espers, and Joanna Newsom rediscovered and renewed acid and psych folk Seasons They Change tells the story of the birth, death, and resurrection of this genre. It explores the careers of the original wave of artists and their contemporary equivalents, finding connections between the generations and uncovering a previously hidden narrative of musical adventure.

About the Author

Jeanette Leech is a writer, researcher, DJ and music historian.She writes regularly for Shindig! magazine, and as part of the B-Music collective she has DJ’d throughout the UK, including at the female acid folk events known as ‘Bearded Ladies’ and the Green Man Festival.

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