Say, Do You Hear the Distant Drums?

US 3rd National Tour, Los Angeles, February 7, 2000: Part 5 ( “Master of the House,” “Well Scene” and “The Bargain/Waltz of Treachery”)

J.P. Dougherty as Thénardier, Aymee Garcia as Mme. Thénardier, Ivan Rutherford as Jean Valjean, Stephanie Mieko Cohen as Young Cosette.

Now we reach the Thénardiers’ Act I comedy showcase scenes with the first Thénardiers I ever saw.

By this performance, J.P. Dougherty had been playing Thénardier in this tour for over ten years and he would stay another two years before finally leaving. I remember from the reviews I read as a new fan that many tour followers were thoroughly sick of his performance by the end of his run. Fortunately, I only saw him in the role once, so I can still appreciate what he does with the role. I’ll admit that compared to other Thénardiers he’s a bit lacking in energy (maybe back in 1989 and ‘90 he would have had more), but he still manages to be funny and colorful without overacting – at least apart from his goofy high-pitched wail after “Like our own, M’sieur!”

As for another complaint that reviewers sometimes aimed at his Thénardier, that he was too comic and lacking in evil vibes, I don’t think that’s a problem so far. While of course Thénardier needs to become more sinister in the later Paris scenes, I think a genuinely amiable facade is entirely fitting at first. To a lesser extent the same is true for his wife. We should believe that Fantine could have trusted this couple to take care of her precious daughter, even if we can see how slimy they really are.

Aymee’s Mme. Thénardier is excellent. Brash, crude and funny, with a big, rich, attention-grabbing voice.

Ivan’s Valjean continues to make a great impression. He knows full well that the Thénardiers are conning him and offers excellent annoyed expressions and deadpan line delivery, as well as a flash of his temper when he slams the money onto the table after Mme. T.’s verse. Yet he’s so tender and sings so sweetly with little Cosette, and his big, hearty laugh and beaming smile as he spins her around at the end is infectious. He’s truly ecstatic to become her father.

It’s nice to hear the complete preamble to “Master of the House,” especially the subsequently-cut lines about Thénardier at Waterloo.

US 3rd National Tour, Los Angeles, February 7, 2000: Part 4 (“Fantine’s Death,” “Confrontation,” “Castle on a Cloud”)

Joan Almedilla as Fantine, Ivan Rutherford as Jean Valjean, Stephen Bishop as Javert, Stephanie Mieko Cohen as Young Cosette, Aymee Garcia as Mme. Thénardier.

Joan’s Fantine is poignant to the end. I like that she doesn’t lie still at the beginning, but turns feebly yet restlessly from side to side: it enhances our sense of her pain and delirium. Her deathbed desperation to ensure Cosette’s future is vivid and moving.

Ivan and Stephen’s “Confrontation” is very effective, with both initially remaining calm and dignified, but the tension on both sides gradually growing until it literally bursts when Valjean smashes the chair. They both sing outstandingly too. I also like the way Valjean’s threatening Javert with the chair leg is handled – instead of being intimidated, Javert just points his nightstick right back at Valjean, and for a moment they stand frozen in “Who will strike first?” tension. But then Valjean lowers the chair leg as if he suddenly feels ashamed of himself and is now choosing to be the bigger man and avoid needless violence. Unfortunately, though, Javert won’t let him avoid necessary violence.

The video skips ahead to “Castle on a Cloud” just as Valjean and Javert start to fight, so we don’t see Valjean knock Javert out and escape, or the scene change where our last sight of Fantine’s body is juxtaposed with out first sight of Young Cosette. I’m not sure if this is a technological error or if the filmmaker did it on purpose to make the scene change more cinematic. It looks more like the latter, though.

Stephanie’s Young Cosette is an appropriately sweet, delicate waif with an adorable little voice.

Aymee is a physically and vocally imposing Mme. Thénardier whose bullying of Cosette and cooing over Young Éponine are spot-on. I’m glad she was my first. (This is a recurring theme in this performance – by the time I first saw the show in 2001, the tour had a new Valjean, Marius, Éponine, Cosette and Enjolras, but Javert, Fantine and both Thénardiers were the same.)