OH ANTONI 🥺🥺🥺 my poor baby. I hope he will find it within himself to come clean to Jake or SOMEONE about this :((((
(((ALSO CANT WAIT FOR MORR))))
CW: Wound cleaning, burns, touch aversion, aftermath of torture, BBU, conditioned fucky headspace
"Lift your chin for me," she commands, and he doesn't really remember that he could choose not to obey.
Antoni dutifully shifts, his eyes moving to roam over a line of framed photographs along the wall behind her. A wedding photo, faded with time, a much, much younger version of the woman currently dabbing a cotton ball dipped in something cold and stinging to the fresh burn on his throat with a man he's never seen. The two of them are smiling, holding hands, looking right into the camera.
Bright white wedding dress turned cream with yellowing paper, with time, covered in lace. Powder-blue tuxedo. Brilliant smiles.
She touches the cotton ball to his skin and he hisses, hands tightening where they grip the edges of the chair he's sitting on. The sting rockets through him, only a pale echo of the original pain, but it's enough.
It's enough.
Fuck, that's hot.
He catches the sob before it can leave his throat, forces the burn behind his eyes to stay there and not turn into tears. He will not cry over this again.
Not now.
"There we go, just a bit more," She says, her voice gruffly compassionate. She presses a small rounded bandage against his throat, her fingertips are warm against his neck.
His skin crawls at even this slight, indirect touch, but he doesn't protest.
He wouldn't dare.
"All done. That's not s'bad, I think with a good bandaging it won't scar half so bad as all its little friends down south," She mutters, more to herself than him, really.
Where her fingers touch, he feels the echoes of other hands around his throat. Thicker fingers, heavy with rings. Smiling down at him.
Beg for me, love.
"Please-" It's automatic. He's drifting, in and out of this old kitchen that still looks like it must have looked thirty years ago, when the man in the wedding photo would still be here maybe cooking or cleaning or chatting up a storm to anyone who popped by for a visit.
"Hm? You say something, sweetheart?" Miss Ruth looks at him, and those dark eyes are shrewd. They know more than anyone is supposed to, they know things Nat hasn't told her. Hasn't had to.
"Ah, no," He whispers. "Just. I am very tired."
"No doubt. I'll finish these up and you can get back to your own bed and no doubt you'll be glad to get there." She looks him over, and his eyes dance to hers and away again. Back to the photos.
He sees a family photo, the two people from before and a daughter and son. Everyone is smiling, looking carefully just off to the side. They wear matching outfits.
"Get a look at 'em?"
There's a 35th wedding anniversary picture with a big banner behind the happy couple. The two people, much older, stand in front a cake nearly as tall as they are, surrounded by others. Everyone in the photo smiles in sort of the same way.
The next photo is a birthday, he thinks. There's a boy and a young baby in the photo, and the man from wedding and anniversary photo isn't there. Miss Ruth, holding her grandbaby he thinks, is wearing all black. The photo was taken in a church, and there's a spray of white lilies just visible at the edge of the picture.
Another, with Jaden, who Chris plays basketball with. The kid who more or less effortlessly opened his life for Chris when Chris badly needed a friend his own age, or closer to it, to remember what being a kid was like.
He is reading, in images, the story of this woman's adult life. Marriage, and death, and birth. Children. Life going on.
A life he won't have, that he gave up every possibility of having, because of... of whatever is inside him that Mr. Davies knew about, that the people who just hurt him could see in him even though he cannot see it himself.
He must look like someone who deserves to be hurt.
"Young man." She taps on the back of his hand and he flinches, blinking at her, struggling to pull himself out of his reverie. Her words filter through his mind, shift into the language all his thoughts are moving in, come back out in hers. He swallows, feeling a lump in his throat that refuses to move.
"I'm... sorry," He says softly, with difficulty. "I did not hear."
"I can tell. I asked did you get a good look at whoever did this to you." Her eyes roam over his chest, his stomach. The circle of new burns, placed so carefully compared to the haphazard placement Mr. Davies had favored, no pattern at all. "Looks like they took their damn time, anyway, to get you so much."
"N-... no." Antoni's eyebrows furrow, and he tries to think, but all he can remember is their hands holding the lit cigarettes, the quiet one touching his face, ruffling his hair. He can't... he can't remember their faces at all. "I am sorry."
You're fucking gorgeous, buddy, you know that?
"Hm." If she's disappointed in him, nothing changes about her expression, still held in a kind of skeptical compassion as she wets a new cotton ball in liquid from a small frosted plastic bottle and touches it to each burn, one by one, in the circle. It's like a ritual, the sting, washing away a bit of sin with each hint of pain. He clothes his eyes and breathes carefully through it.
When he is done, each circle covered with a bandage that is shades darker than his skin, she steps back to look him over, critically. She steps away and he takes in deep breaths free of her air, the powdery scent of her. He breathes in her absence, no one nearby.
She returns with a washcloth and he takes it, scrubs at his face until his cheeks are red but clean, until you can't tell anymore that he cried while they burned him.
Good boy.
"You can stay here," She says, voice low now. "Sleep it off for a while. I've got a guest room."
"No. No, I will go home. Thank you. I will... I want to go home." He looks out the kitchen window right at Nat's house next door. No lights are on... yet. But there isn't much time before they will be.
"Fair enough. You plan to tell 'em what happened to you?"
He looks back at her, searches for the judgement, finds none.
"No," He says. Confesses, really, his sin. "I will not."
I will lie to them.
"That's your choice to make, I suppose." She lays a hand on his arm. He doesn't pull away from her. He wants to unzip himself from his skin and step out of it, let them all have what they seem to want to touch so much.
Instead, he holds himself perfectly still, until she pats him a few times and steps away again.
"I've done what I can do. You come back over here tomorrow or the day after and we'll look 'em over again and make sure they're healing up nice, you got me?"
"Yes," He says. He is good. He can be good.
"Right. Off you go, then, before your people wake up and you get to come up with a story about why you're in an old widow's house at 4:30 in the morning, hm? You're pretty enough, but you're no Wilbur." She laughs to herself, a dry and crackly sound, and he thinks that her laugh was the sort that could set a whole crowd to laughing, when she was young.
It still is.
The corners of his mouth twitch in an answering smile.
"Yes, ma'am," he says, and pushes himself off the edge, standing up again. No one has seen his scars, no one but this old neighbor woman who looks at them like they are simply part of living, not something to be pitied. "I go. S-... thank you."
"Paugh." She scoffs, waves a hand in dismissal. "Go on, now. You've thrown off my morning coffee time. Tell your young man that Jaden will be over this afternoon."
She all but shoos him out the door, and the air is clear and clean and quiet. The only dirty thing is Antoni himself, smudged and mussed, still feeling in his scalp the prickles of Quiet One's hands, still feeling on his arms the sharp pressure of the shirt tied around his wrists.
Still aware of every single burn under the slight pull of the bandages pressed over them, the gentle sting that feels like a return to how he was always meant to be.
Even the walk from one yard to another feels like too much. Antoni's eyes move over the empty darkened windows of the houses all around him. How obvious he must be, if three people saw him in the darkness and knew him for a pet pretending to be human.
He shouldn't have left, shouldn't have gone on those walks. He'd left himself open and vulnerable, hadn't he? His scars are deeper than skin, and they must shine like the streetlights to anyone who knows what to look for.
Antoni stops at the porch, where he carefully lifts a loose bit of board from the porch railing, finds the small box hidden inside. The slightest scrape of metal on metal as he pulls off the lid makes him freeze, but no one is awake to hear it. He takes the contents of the box, moves it quickly back to its hiding place, replaces the board.
Like nothing ever happened.
Everything can be made as good as new, as long as it isn't him.
He slips inside the safehouse, where everything is still quiet, in the silent inhale that comes before the exhalation of morning. The clock in the kitchen reads 4:45, fifteen minutes until Jake's alarm will go off, until he - and likely Chris - will stir.
Fifteen minutes for Antoni get upstairs and look so deeply asleep that no one will realize he was ever gone.
No time to shower.
He will have to sleep with the grime of their hands still ground deep into every single pore. He will sleep with Deep Voice's we know what you are in his ears, with Quiet One's fingers tangled in his hair, running over his skin. He will sleep with Lookout's eyes locked on his chest as he presses the cigarette in.
Antoni hasn't worn a collar in years now, but he buckles it on, just one notch too tight like Mr. Davies would have, and climbs under the covers, pulling them over his head.
He breathes in as deep as he can, to feel the constriction. Breathes out, and runs his hand up over his chest, over the bandages that cover his burns.
They knew what he was.
Everyone always will.
Good boy.
The ashtray falls asleep humming a lullaby, afraid that if he pulls the blankets back down he will see bars on the windows.
Reblogging this one because it had the links to all the other ones but holy shit hhhhhhhhhhhhh I have not had whumperflies in a really long time but this series of drabbles did it for me. I love seeing a hurt Antoni.
It’s fun to see the usually more quiet and controlled whumpees get knocked down and roughed up good. I like seeing them slowly (or quickly) be broken down even as they actively fight it before giving in and being that person they still think they are deep down.