Because they make the things that other people wouldn't make. Dirk Maggs and I had been trying to get the Sandman audio to happen since 1991 with the BBC and nobody was even a little bit interested. We were both convinced it would be wonderful, and we wanted someone to share our vision and pay for it. Audible did.
It was important to us that they released it in physical form, to allow people who couldn't use Audible, and library users, to access it and they did.
Terry and I had been trying to get Good Omens onto the screen since 1990 and nobody had been willing to make it, not even when Terry Gilliam wanted to make a movie of it.
With Good Omens, the deal was with the BBC who then went out and looked for a partner to pay for it, as what I'd written was way beyond what the BBC could afford. They found Amazon, so we found ourselves making it with Amazon and the BBC, and Amazon were terrific: supportive and honest and helpful and smart. I've worked with companies and Networks who were not these things.
Red and Endor had been trying to get Anansi Boys made since 2011. They are two of the top production companies in the UK. Nobody was prepared to make it until Amazon understood what we were trying to do, to embrace the idea of diversity in front of an behind the camera, and took it on.
I'm very happy to be working with them on Good Omens 2 (with the BBC), Anansi Boys and the Sandman Audible series, just as I'm very happy to be working with Netflix and WB TV on Sandman for TV.
They were willing to step up when nobody else was on all of these projects. It's fine to grumble about, for example, Sandman Acts 1 & 2 being on Audible, but if it wasn't on Audible it wouldn't exist. Same for Good Omens. Same for Anansi Boys.