@chocolate-alchemy / chocolate-alchemy.tumblr.com
Okay I’ve made a DW, there may be other future places to reach me online, but at the very least you can always find me there and drop me a line to find out where I’m active currently. Wanted to get this out there before any further nonsense happens (like shadowbans or what-have-you)
I’m expecting this blog to be caught in the snap on the 17th, so if you want or need anything for your own reference you should grab it now.
Prepare yourselves
I was just semi-complaining that I was still looking for a decent way to backup my +6k posts without having to use paid services or even just wordpress (which has an import from tumblr tool that asks for permission to access your blog and also make posts), when I decided to actually put some effort into my google search.
*By which I mean: everything that I have ever posted. Not included: drafts, queue, likes, followers, following, comments, notes, chat.
I followed this method (word by word), and now have a 450 MB folder on my computer with the name of my blog on it containing:
1. Folder “Archive” (contains .html files listed by month) 2. Folder “Media” (contains gifs and images, mine has +1k files in it; might contain also audios but I have no way of confirming that because I’ve never reblogged an audio post from this blog) 3. Folder “Posts” (contains single .html files, each one a post; I have +4k files in it) 4. Folder “Theme” (contains only my avatar, but it might be a matter of if you have personalized themes or not) 5. .html file “Index” (by opening it it will give you the archive of your blog organized by month; clicking on a month will open up the archive for that month, and you’ll be able to read all the posts for that month as if you were on your blog**, except sans your theme graphic, with each page containing 50 posts)
**I can see gifs, links, embedded videos, tags, number of notes (but I can’t open up the notes, clearly), text is also correctly formatted.
So yeah, in case anyone wants a very quick way to back up their blog, it took me less than 10 minutes.
P.S. I didn’t have any issue, but to be on the safe side always check for spyware and virus threats before and after downloading anything.
this is actually really useful if you have an art blog full of years of work that you otherwise no longer have access to the original files. A lot of the art I have in the early days of my art blog are in that boat. I did this process JUST for that reason and I was pretty astonished at just how many pieces of media it backs up! (literally all of it) Drawings I didn’t even realize were sitting in my archive due to having been posted to text posts or undercuts, or untagged for years! It’s worth it if just for that, even if tumblr isn’t shutting down or deleting your blog.
For those of you wondering: This includes your posts in all forms, and your reblogs, as well as the number of notes they got. Furthermore, it’s implemented in a way that archives your posts by month in an index.html file that can be used while offline. You can search your tags per month by simply using ctrl+f. The only thing it doesn’t do is save the images that are in the reblogs, and it cannot save videos.
I just did this and it took less than ten minutes, and while I can say I would not have much difficulty if it had more obtuse instructions, the format of the steps is extremely simple and easy to follow for people who may be intimidated with this method.
honestly supernatural outliving tumblr is the biggest plot twist of this decade
people on tumblr linking all the alternative ways everyone can find them like
why are you here it’s 4pm
the funniest thing in the entire pirates of the caribbean series is definitely that one scene in At World’s End where they have parlay but davy jones is part of it, and rather than have him stand in the shallows or something they get a big bucket of water and have in stand on it on shore
who thought of that idea? who thought “put davy jones in a bucket of water” and had the guts to suggest it aloud? and then who went “hey that sounds like a great idea!”
at some point someone told davy jones their idea was for him to stand in a bucket of water and he agreed to it
*stands majestically in a bucket*
ok but notice the trail of buckets behind him meaning he walked from the ocean through three other buckets of water before he got into the one hes standing in
It’s even funnier when you consider how he must have figured all this out in the first place.
Some folks are asking “well, if he can avoid the no-dry-land curse simply by standing in a bucket, doesn’t that ruin his whole motivation?”, but he’s not on dry land here.
The parley takes place on a sandbar - which, for the unfamiliar, is a temporary “island” of sand deposited by breaking waves, unconnected with the shore, that spends most of its time submerged, being exposed only at low tide.
What Jones is doing here is rules-lawyering his curse. Can you imagine the trial and error he must have gone through in order to determine that this would actually work?
“Okay, do islands count as dry land? How about parts of the shore below the high tide mark? Reefs? Shoals? What if I stand in a pool of water on a shoal? Does it have to be seawater, or will any water do? Does it have to be a natural tidepool, or can it be something artificial, like a bucket?”
What I am saying is that there must have been a process.
Pretty sure that this implies that the reverse - a bucket of sand, floating on the water (big bucket with just a bit of sand), would qualify as dry land. That’s absurd, so I’m pretty sure that his lawyer pulled a fast one over the curse governor.
It may be absurd, but the text of the film bears it out. Davy Jones can sense the presence of his heart while it’s at sea, but not while it’s on land (indeed, that’s why he buried it on land in the first place: to break his connection with it) - yet placing the heart in a simple jar of dirt conceals it from Jones’ awareness just as surely as burial on land does, even if the jar is on a boat at the time. Suitably prepared vessels filled with dirt absolutely count as dry land for the purpose of Jones’ curse.
Then the reverse should also be true. If he buried it in a jar of water, no matter how far inland it is, he would be able to sense it. So by this logic, any container of seawater counts as not dry land, ergo, the bucket is a perfectly viable loophole.
Not necessarily. It’s traditionally a lot easier to accidentally get whammied by a curse than it is to weasel around it - I figure that’s why he’s using multiple layers of indirection here. He’s forbidden to set foot on dry land, but it’s technically not dry land (it’s a sandbar, a non-permanent landform exposed only at low tide) and he technically didn’t set foot on it (he’s standing in a bucket of water). It’s entirely possible that either one of those things alone wouldn’t make the grade.
okay but this all raises one further, very important question: if it’s specifically “dry land” he’s forbidden from, what about wetlands. can Davy Jones fight you in salt marshes? can he throw down in a peat bog?Swamp Battle?
This is the quality content I come to Tumblr for.
could he step on land if his shoes are wet?
No matter how ridiculous PotC gets I will love it. Especially when it results in conversations like this
What if he crawls around on his hands and knees, with his feet raised slightly into the air? Can he walk on his hands? Can he ride around in a litter or a wheelchair?
can he be in a wheelbarrow?
What if he flies over dry land? Like in a hot air balloon, or in the claws of a giant bird?
What if he’s carried by two swallows using a strand of creeper?
European swallows or African swallows?
David Bowie // Space Oddity
For here Am I sitting in a tin can Far above the world Planet Earth is blue And there’s nothing I can do
Writing and reading fanfic is a masterclass in characterisation.
Consider: in order to successfully write two different “versions” of the same character - let alone ten, or fifty, or a hundred - you have to make an informed judgement about their core personality traits, distinguishing between the results of nature and nurture, and decide how best to replicate those conditions in a new narrative context. The character you produce has to be recognisably congruent with the canonical version, yet distinct enough to fit within a different - perhaps wildly so - story. And you physically can’t accomplish this if the character in question is poorly understood, or viewed as a stereotype, or one-dimensional. Yes, you can still produce the fic, but chances are, if your interest in or knowledge of the character(s) is that shallow, you’re not going to bother in the first place.
Because ficwriters care about nuance, and they especially care about continuity - not just literal continuity, in the sense of corroborating established facts, but the far more important (and yet more frequently neglected) emotional continuity. Too often in film and TV canons in particular, emotional continuity is mistakenly viewed as a synonym for static characterisation, and therefore held anathema: if the character(s) don’t change, then where’s the story? But emotional continuity isn’t anti-change; it’s pro-context. It means showing how the character gets from Point A to Point B as an actual journey, not just dumping them in a new location and yelling Because Reasons! while moving on to the next development. Emotional continuity requires a close reading, not just of the letter of the canon, but its spirit - the beats between the dialogue; the implications never overtly stated, but which must logically occur off-screen. As such, emotional continuity is often the first casualty of canonical forward momentum: when each new TV season demands the creation of a new challenge for the protagonists, regardless of where and how we left them last, then dealing with the consequences of what’s already happened is automatically put on the backburner.
Fanfic does not do this.
Fanfic embraces the gaps in the narrative, the gracenotes in characterisation that the original story glosses, forgets or simply doesn’t find time for. That’s not all it does, of course, but in the context of learning how to write characters, it’s vital, because it teaches ficwriters - and fic readers - the difference between rich and cardboard characters. A rich character is one whose original incarnation is detailed enough that, in order to put them in fanfic, the writer has to consider which elements of their personality are integral to their existence, which clash irreparably with the new setting, and which can be modified to fit, to say nothing of how this adapted version works with other similarly adapted characters. A cardboard character, by contrast, boasts so few original or distinct attributes that the ficwriter has to invent them almost out of whole cloth. Note, please, that attributes are not necessarily synonymous with details in this context: we might know a character’s favourite song and their number of siblings, but if this information gives us no actual insight into them as a person, then it’s only window-dressing. By the same token, we might know very few concrete facts about a character, but still have an incredibly well-developed sense of their personhood on the basis of their actions.
The fact that ficwriters en masse - or even the same ficwriter in different AUs - can produce multiple contradictory yet still fundamentally believable incarnations of the same person is a testament to their understanding of characterisation, emotional continuity and narrative.
So I was reading this rumination on fanfic and I was thinking about something @involuntaryorange once talked to me about, about fanfic being its own genre, and something about this way of thinking really rocked my world? Because for a long time I have thought like a lawyer, and I have defined fanfiction as “fiction using characters that originated elsewhere,” or something like that. And now I feel like…fanfiction has nothing to do with using other people’s characters, it’s just a character-driven *genre* that is so character-driven that it can be more effective to use other people’s characters because then we can really get the impact of the storyteller’s message but I feel like it could also be not using other people’s characters, just a more character-driven story. Like, I feel like my original stuff–the novellas I have up on AO3, the draft I just finished–are probably really fanfiction, even though they’re original, because they’re hitting fanfic beats. And my frustration with getting original stuff published has been, all along, that I’m calling it a genre it really isn’t.
And this is why many people who discover fic stop reading other stuff. Once you find the genre you prefer, you tend to read a lot in that genre. Some people love mysteries, some people love high-fantasy. Saying you love “fic” really means you love this character-driven genre.
So when I hear people be dismissive of fic I used to think, Are they just not reading the good fic? Maybe I need to put the good fic in front of them? But I think it turns out that fanfiction is a genre that is so entirely character-focused that it actually feels weird and different, because most of our fiction is not that character-focused.
It turns out, when I think about it, I am simply a character-based consumer of pop culture. I will read and watch almost anything but the stuff that’s going to stick with me is because I fall for a particular character. This is why once a show falters and disagrees with my view of the character, I can’t just, like, push past it, because the show *was* the character for me.
Right now my big thing is the Juno Steel stories, and I know that they’re doing all this genre stuff and they have mysteries and there’s sci-fi and meanwhile I’m just like, “Okay, whatever, I don’t care about that, JUNO STEEL IS THE BEST AND I WANT TO JUST ROLL AROUND IN HIS SARCASTIC, HILARIOUS, EMOTIONALLY PINING HEAD.” That is the fanfiction-genre fan in me coming out. Someone looking for sci-fi might not care about that, but I’m the type of consumer (and I think most fic-people are) who will spend a week focusing on what one throwaway line might reveal about a character’s state of mind. That’s why so many fics *focus* on those one throwaway lines. That’s what we’re thinking about.
And this is what makes coffee shop AUs so amazing. Like, you take some characters and you stick them in a coffee shop. That’s it. And yet I love every single one of them. Because the focus is entirely on the characters. There is no plot. The plot is they get coffee every day and fall in love. That’s the entire plot. And that’s the perfect fanfic plot. Fanfic plots are almost always like that. Almost always references to other things that clue you in to where the story is going. Think of “friends to lovers” or “enemies to lovers” or “fake relationship,” and you’re like, “Yes. I love those. Give me those,” and you know it’s going to be the same plot, but that’s okay, you’re not reading for the plot. It’s like that Tumblr post that goes around that’s like, “Me starting a fake relationship fic: Ooooh, do you think they’ll fall in love for real????” But you’re not reading for the suspense. Fic frees you up from having to spend effort thinking about the plot. Fic gives your brain space to focus entirely on the characters. And, especially in an age of plot-twist-heavy pop culture, that almost feels like a luxury. “Come in. Spend a little time in this character’s head. SPEND HOURS OF YOUR LIFE READING SO MANY STORIES ABOUT THIS CHARACTER’S HEAD. Until you know them like a friend. Until you know them so well that you miss them when you’re not hanging out with them.”
When that is your story, when the characters become like your friends, it makes sense that you’re freed from plot. It’s like how many people don’t really have a “plot” to hanging out with their friends. There’s this huge obsession with plot, but lives don’t have plots. Lives just happen. We try to shape them into plots later, but that’s just this organizational fiction we’re imposing. Plot doesn’t have to be the raison d’etre of all story-telling, and fic reminds us of that.
Idk, this was a lot of random rambling but I’ve been thinking about it a lot lately.
“fanfiction has nothing to do with using other people’s characters, it’s just a character-driven *genre* that is so character-driven that it can be more effective to use other people’s characters”
yes!!!! I feel like I knew this on some level but I’ve never explicitly thought about it that way. this feels right, yep. Mainstream fiction often seems very dry to me and I think this is why - it tends to skip right over stuff that would be a huge plot arc in a fanfic, if not an entire fanfic in itself. And I’m like, “hey, wait, go back to that. Why are you skipping that? Where’s the story?” But now I think maybe people who don’t like fanfiction are going like, “why is there an entire fanfic about something that could have happened offscreen? Is anything interesting ever going to happen here? Where’s the story?”
Yes! Exactly! This!!!
This crystallized for me when I taught my first class of fanfiction to non-fic-readers and they just kept being like, “But nothing happens. What’s the plot?” and I was so confused, like, “What are you talking about? They fall in love. That’s the plot.” But we were, I think, talking past each other. They kept waiting for some big moment to happen, but for me the point was that the little moments were the big moments.
This is such an awesome conversation, but I think there’s even another layer here that makes ‘fic’ its own genre. And it is the plot.
Everyone who’s experienced in reading fic has their little ‘trope plots’ we are willing to read or even prefer in order to spend time with our favorite characters. We know how it’s gonna end and we genuinely don’t care, because the character is the whole point of why we’re reading. And that is unique. That’s just not how mainstream media publication does things.
But there are also hundreds of thousands of fics people might call ‘plot driven’ and they have wonderful, intricate plots that thrill their readers.
But they’re not at all ‘plot driven’ in the same way as other mainstream genres.
The thing about ‘plot’ in fic is that it tends to ebb and flow naturally. There’s not the same high speed, race to the finish you’d get from a good action movie. There’s no stop and start of side plots you get in TV genre shows. The best fic plot slides from big event to restful evening to frantic activity to shared meals and squabbles and back, and it gives equal time and attention and detail to each of these things.
Like @earlgreytea68 said, “There’s this huge obsession with plot, but lives don’t have plots. Lives just happen. We try to shape them into plots later, but that’s just this organizational fiction we’re imposing. Plot doesn’t have to be the raison d’etre of all story-telling, and fic reminds us of that.”
Fic plot moves at a pace similar to the life of whatever character it’s about. Not the other way around. There’s a fundamental difference in prioritization in fic.
I think this only adds to the case of ‘fic’ as its own, distinctive genre. Stylistic choices of writing that would never work in traditional, mainstream fiction novels work for novel-length fic. Fic adventures spend as much time fleshing out the little moments between romances and friendships as they do on that plot twist. The sleepy campground conversations are as important to the plot as the kidnapped princess, because that’s how the characters are going to grow together by the end of the story. It’s not a grace note, it’s not a side episode or an addition or a mention - it’s integral and equal.
That’s just accepted as fact by fic writers and readers. It’s expected without any particular mention. And it gives a very unique flavor and pace to fic that makes a lot of mainstream stories feel like stale, off-brand wonderbread. They are missing something regular fic readers take for granted (and it isn’t just the representational differences, because we all know that’s a whole different conversation). There’s a fundamental difference in how ‘fic’ is written, detailed, and paced that is built on its foundations as a ‘character driven’ genre.
And it isn’t only action/adventure/mystery plots that have this difference in fic. Those ‘everybody’s human in today’s world’ AUs, those ‘friends to lovers’ slow burn stories have it too. They have a plot, but it’s the life - the grocery shopping, the dumb fights and sudden inescapable emotional blows, those moments of joy with that person you click with, managing work and family and seasons - that’s the whole plot on its own.
And that’s almost impossible to explain to someone who hasn’t really experienced fic as a genre, who’s used to traditional person A and person B work together/overcome differences/bond to accomplish X. In fic accomplishing X might be the beginning or the middle, not the end result of the story, and A & B continue to exist separate from X entirely. X is only relevant because of how it relates to A & B, not the other way around.
Fic is absolutely its own genre and it has a lot to do with plot. I’ve been calling this ‘organic plot’ in my head for months, because I knew something felt different about writing this way, how long fic plot ebbs and grows seemingly on its own sometimes. ‘Dual plot’ could be another option, maybe, though the character plot and life experience plots aren’t really separate. Inverted plot? Hm. I’m sure a good term will develop over time.
OH MY GOODNESS I LOVE THIS.
I was always fond of saying, about my own fics, that my plots show up about two-thirds of the way through, because it takes me that long to figure out where I’m going, and then I would lol about it, because, ha, wouldn’t it be great if I organized it better.
And now I read this and I’m like, WAIT. YES. THAT’S WHAT’S HAPPENING. IT’S BEEN HAPPENING ALL ALONG. I NEVER REALIZED IT. The idea that the primary importance is the throughline of the characters, and that’s what we’re following, and the plot is what’s dangling off the side of their story, that is SO IMPORTANT. You’re right, that usually we’re told as writers to construct stories from the plot outward. “Here are the beats your plot needs to hit, here’s the rising action to the climax to the falling action, now make sure your Character A makes this realization by Point X in order to get your plot into shape for Point Y to click in.” It’s *such* a plot-centric way to write and I am *terrible* at it. And I’ve always said, whenever I sit down to “outline” a story, like, How do you this? How do you know where the characters are going until they tell you where they’re going???
But it’s not that I’m “bad” at this, which is what I’ve always thought, it’s just that I’m coming at it from the opposite angle. I can’t plan the plot before the characters because I’m sticking close to the characters, and the traditional “plot” is secondary to whatever’s going to happen to them. And that’s not a wrong way of writing, it’s just a different way of writing. And it’s wrong of me to be thinking that my stories don’t get a “point” until they’re almost over. THEY’VE HAD THE POINT ALL ALONG. What happens when they’re almost over is that the characters come to where they’ve been going, and then the traditional “plot” is what helps shape the ending. The traditional “plot” becomes, to me, like that epilogue scene after the biggest explosion in an action movie, where you’re told the characters are going to be okay. I spend the entire movie telling you the characters are going to be okay, and then my epilogue scene is tacked on “oh, p.s., also they saved the day.”
There is so much here that I want to say I don’t even know where to begin. @earlgreytea68 you’re not alone. Hit me up. I’ve studied plot and structure forever. Fics are pure, uncut, internal-motivation-drives-everything storytelling and they are so very different from the monomyth that drives most commercial fiction these days that they almost have to exist in a liminal space like fan fiction. I could go on…
LET’S BE FRIENDS.
Hahaha, this is my week to just want to be Tumblr friends with everyone, all the FOB people, all the fluff people, all the fandom anthropology people, LET’S ALL BE FRIENDS.
<3 <3 <3
@earlgreytea68 and @glitterandrocketfuel and OP and everyone else who contributed - this is beautiful, and I’m saving it to read and consider again later. probably with a glass of wine or something. <3
Smart idea. ;-)
Everyone is panicking over TOS-es right now as they find a new home as Tumblr gets flushed down the toilet. I don’t like those random TOS breakdowns because the analysis is always wrong.
Anyway this is what people pay me to do and I will now do it for $0 because I’m tired of everyone spreading misinformation. This post is not a substitute for legal advice etc. Reblogs are appreciated because I literally see TOS nonsense on my dash every day.
Any more experienced copyright lawyers please feel free to weigh in - it’s part of my field yes, but my wheelhouse is more film production COT rather than derivative works.
Google Drive (TOS)
deviantART (Submission Policy) (TOS)
AO3 (TOS)
Wordpress (TOS)
Dreamwidth (TOS)
Hope this helps. Feel free to force me to read and explain any other site TOS documents. Again, more experienced copyright lawyers, feel free to correct me if I clowned up somewhere.
hi! do you mind explaining the tradition behind Mari Lywd?
I love this ask because it’s such a polite way of going EXPLAIN THAT POST ELANOR
EXPLAIN YOURSELF
EXPLAIN YOUR PEOPLE
I’m not sure if you’re after the history of the thing, or the actual practice of it, since ‘tradition’ could cover either - so, I’ll give you both, and hopefully your answer will be in here somewhere. I will also include more Frightening Images of the Mari Lwyd because you can never have too many horrifying photos of ornery skull-masked winter horse demons to scare the tits off you.
Okay, so. The Mari Lwyd.
Now, the first concrete recorded incidences of the Mari are from the late 1700s/early 1800s, but as with a lot of Welsh history, that’s misleading. We didn’t write a lot of our own shit like this down for much the same reason that Egypt never mentioned where to find Punt, and the English didn’t generally travel into Wales much if they could help it. Given that it seems to fold into a lot of other older traditions, though (the Hooded Animal, the Mast Beast, etc), and those have pre-Christian roots, I believe there’s a theory that it might have its roots in worshipping Rhiannon, the Welsh version of Epona, the pan-Celtic horse goddess. But there’s no way to be sure.
The meaning of the name is disputed. It’s generally accepted to mean “Grey Mare”. For a while some people thought it meant “Holy/Blessed Mary”, as in, y’know, the Virgin Mary, but this is no longer accepted because
So, it’s generally accepted now that the connotations with Christian Marian symbolism are part coincidence and part encouraged among the clergy post-Reformation so that everyone could keep getting blind drunk with a horse’s skull and calling each other a willy. Plus, both Ireland and the Isle of Mann have very old hooded horse traditions too, called the Láir Bhán and the Laare Vane in Irish and Manx respectively. Both meaning, surprise surprise, the “white/grey mare”. Given that Wales and Ireland had a lot of historical interaction, this seems like more than coincidence.
Plus, you know, it is kind of a grey mare. Bones are white.
It did have other names in some places, mind - I think Carmarthenshire had some weird name for it, like Y March or y Gynfas-Farch, but you mustn’t ever listen to people from West Wales because then there would we be? Calling woodlice ‘pennysawls’ and claiming the word “Wi’n” is an acceptable variation of the verb “to be”, that’s where.
Anyway. Once upon a time, this was seemingly a mid-winter celebration in Wales, which then became a Christmas celebration until the Church went “You’re doing WHAT” and it became New Year instead. But, it did vary when different villages would do it. Some would do it on New Year, some at Christmas, some in that weird week in between when you don’t know if the bins are going out or not… You get the idea. These days, it’s New Year, as a rule.
Now, Europe does have a lot of varying traditions of doing this shit - google ‘mast beast’ for exciting photos. But usually, the beast is made by someone bending over beneath the sheet to make it look, you know, like the beast they’re mimicking. The Mari Lwyd stands out because, alone of all of them, she stands up straight, and is seven feet tall. She is the tallest of all the mast beasts. In a country where the average female height is 5'4", and men not much taller, that makes her fuck-damned enormous.
So, with that out of the way, let me tell you how it goes!
Traditionally, making the Mari is an important part of the whole thing - most villages would have a set skull they’d use, like, but the decoration was a week-long community affair, because as we all know, it would be creepy if you just stuck a skull on a pole oh my god. You have to put ribbons and glass eyes on it! That stops it being creepy! Obviously!
(Also, as a side note, battery-powered fairy lights have been a gift to the Mari Lwyd.)
The skulls, incidentally, were almost always from a beloved village horse who had at some point died at a ripe old age, and then whose skull was taken to live on as the Mari. Most villages knew their names, decades later. Down the Gower peninsula I think there was one account, mind, that they used to bury the skull for the rest of the year, and just dig it up in time for the Mari. But most kept it in a cupboard, like. Next to the sugar. I dunno. An important point, though - the skulls are also rigged so the person inside can snap the jaw, and incidentally, few things in this infinite and wondrous existence are as creepy and low-key primally unnerving as hearing ten of these things around you snapping in the dark, just btw, just fyi.
Anyway; you’ve spent a week decorating! (Although these days they’re kept pre-decorated.) What now?
The Mari party gathers at about midday. That’s the Mari herself, plus others - it varies who, but classically, I think they dressed up as Punch and Judy characters, those being the mischievous comedy extravaganza of the day. Then they start at one end of the village and go to the first house, where they sing Cân y Fari. That’s a bit like yelling ‘Trick or treat’, except rather than asking for sweets, they’re after delicious alcohol and cheese (side note: Wales’ relationship with cheese goes beyond Peak White Person and out the other side into What Is Wrong With You People. We have myths and folklore about it. It is Very Important.)
Now, the house holders do not want to give away their delicious alcohol and cheese, and so at this point, they begin something called the Pwnco (the ‘w’ is pronounced like the ‘oo’ in ‘book’, while the 'o’ is short like in 'hot’.) The Pwnco is, like… sort of like a rap battle? But sung. But that’s the idea. It’s beautifully poetic, and almost always opens with the same very nice verse, to whit:
Wel dyma ni'n diwad (Well here we come)Gyfeillion diniwad (Innocent friends)I ofyn am gennad (To ask leave)I ofyn am gennad (To ask leave)I ofyn am gennad i ganu (To ask leave to sing)
which you can hear a bit of here; I filmed that in Llangynnwyd. But, it’s very much a “So’s your FACE” type of thing. The householders tell the Mari to get straight to fuck, and then the Mari responds in kind. And they go back and forth until one side loses.
Now, if the Mari loses, she goes to the next house. But if the householders lose, they have to let her in and give her their delicious alcohol and cheese. IMPORTANT STEP, HOWEVER: if they have a bare ounce of sense between them, they first make her promise to behave before letting her past the door. Because if they don’t, HA HA all hell breaks loose, and the party do as much mischief as they can, like smearing ash on your walls and stealing your goats and mixing your white laundry in with your colours and hiding your drawing tablet pens. It is a Riot.
Anyway, once done, they leave the tattered ruins of your former house, go to the next house, and start again. More delicious alcohol and cheese!
It all got banned by the Welsh Non-Conformist Church of No Fun ever, because rival Mari parties would get blind drunk and then fight each other in the streets. It started to die out in the 50s, though some smaller villages kept it going - Llangynnwyd never even stopped. And in the last two decades it’s started making a resurgence in places like Brecon, Llantrisant, etc - tonnes of places in the belt between Vale and mountains, really, which makes me think it’s because the Folk Museum is in St Ffagans.
But Chepstow do a modern twist - the town is right on the border with England, so they do a festival of Welsh Mari Lwyd and English morris dancing combined in mid-January each year. Turns out, every goddamn Mari in the country comes to it, too, which is why this year I got to see 24 Mari Lwyds. I had NO IDEA. So, so many Maris…
It also used to sometimes get mixed in with other festive cheese-begging traditions like Calennig, but it is pretty much separate. As a final question: why do it? Well… we dunno. The purpose of the uppity skeletal horse beast is unknown at this point. Like I say, it may well have been a Rhiannon thing; given the way it got folded into some Christian things post-Reformation, it may have absorbed some form of fleeing-on-a-donkey-to-give-birth stuff. It’s hard to even nail down distribution patterns. But, something I find interesting about its distribution is that it was predominantly done in areas that either mined, smelted or sold minerals a lot. Make of that what you will.
And, that’s the Mari Lwyd.
Stumbling across this Twitter account is the best thing that’s happened to me all year.
#the winter mood
pineapple on pizza discourse is so ugly like no one can win.
we’re all losers as long as we live in the reality where its commonplace to put fruit on pizza
tomato a fruit
blocked
you can block me but you can’t block the truth
I found this card at the pharmacy today and it was good.
This is perfect.
This is me.
can i order these in bulk
the actual origin of klk is way better than i thought
