let’s just all cut the crap and be honest: we want a wicked movie, and we want it animated, and we want it now
@cprblogsalot thought you might like these!
@chelshiblog / chelshiblog.tumblr.com
let’s just all cut the crap and be honest: we want a wicked movie, and we want it animated, and we want it now
@cprblogsalot thought you might like these!
Winnie The Pooh visual development by Paul Felix (x)
Pokemon Trainers gotta eat too!
This has got to be one of my most challenging pieces so far! But I really like how it turned out! And a closer look at all the clutter! (and at Ethan :>)
Savrasov Alexey Kondratievich.
“Waterfall” 1868
Sailing ships by Montague Dawson (1895-1973).
Alligator house (with ducks)
Annie Mei
gift art for @ctchrysler! (also check out his spectacular works!)
some houses for Saltenpepper, this time trying to design the entrance of the big city
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Sleeping Beauty visual development by Eyvind Earle (x)
Victorian Guard by Aldo Vicente
SIGN ME THE FUCK UP
Drew some eggs and his action poses from episode 1
Here are most of the references (Too lazy to find the rest) He has grace.
My last animation exercise at Gobelins : acting, lipsynch and rendering/compositing mixing 2D and 3D !
Characters : Anita (from “101 Dalmatians”) and the other is from a Gobelins short (”Fol’amor”)
Might I ask for some tips on doing pictures like your "You gained love but not LOVE" series?
Hi!
I wasn’t sure where to start, so I’ve just done a rundown on how I do that sort of picture.
I’d say more generally: use soft brushes, keep your strokes loose and confident, and try to keep a sense of the character, mood, and situation of what you’re drawing as you do it - if you find yourself smiling as you draw a smile that’s a good sign. I hope that helps!