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@centralunit / centralunit.tumblr.com

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musicforyourplants

Butoh Dance - Ushio Amagatsu and the Sankai Juku Group. A series of photographs taken on location in Scotland, 1982 by German photographer Alexandra Paszkowska.

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unsubconscious

Musical accumulation and sitting at Parco Sempione, Milan, Italy, by Armand Pierre Fernandez, 1973

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Reopening: a Landscape manifesto

video development and production: Dada Film Studio

Aiapp coordinator: Rossella Ongaretto

produced by Aiapp Lams (Lazio, Abruzzo Molise e Sardinia)

in collaboration with: Francesco Cecchetti, Enrica Del Vecchio, Denise Fralley, Barbara Invernizzi, Virna Mastrangelo, Paolo Picchi, Emanuele Von Normann

with thanks to AIAPP members: Mario Allodi, Andrea Cassone, Giulia de Angelis, Marco Minari and Maria Cristina Tullio

#AIAPP #AIAPP_LAMS #IFLAWORLD #IFLAEUROPE #LANDSCAPE

#unicef#covid 19#landscape#Youtube
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Gli uccelli urlano, piano e poi forte. Lenti si alternano. Volano. si spostano. Senza sequenzialità. Non costruiscono traiettorie. Non costruiscono. Disegnano il cielo senza sporcare. Si alzano si abbassano. Veloci. Urlano. Piano poi forte.

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Un nuovo manifesto per il paesaggio - Il Giornale dell'Architettura - Partnership
Le sezioni AIAPP di Lombardia e LAMS-Lazio, Abruzzo, Molise e Sardegna hanno elaborato una strategia in 11 punti in cui il paesaggio diventa
Il Giornale dell'Architettura - Partnership

Un nuovo manifesto per il paesaggio

Le sezioni AIAPP di Lombardia e LAMS-Lazio, Abruzzo, Molise e Sardegna hanno elaborato una strategia in 11 punti in cui il paesaggio diventa chiave di volta per ripartire dopo l’emergenza sanitaria

* testi di

AIAPP (Sezione Lombardia): Mario Allodi, Andrea Marziani e Barbara Perini.

AIAPP / LAMS (Sezione Lazio, Abruzzo, Molise e Sardegna): Rossella Ongaretto, Emanuele Von Normann, Barbara Invernizzi, Enrica Del Vecchio, Virna Mastrangelo, Paolo Picchi.

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mirokurcik
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keepingitneutral

Agg Hab, Clarendon, TX, United States,

The Agg Hab, or Aggregate Habitat, is a prototypal eco-dwelling formed by casting papier-mâché strips into sculpted holes in the ground. Measuring over twenty feet long, eight feet wide, and four-and-a-half feet tall, and constructed using nearly 200 liters of glue and 270 pounds of paper, the house stands unofficially as one the world’s largest, self-supporting, papier-mâché structures. The process of construction started with the digging of two mirrored, convexo-concave holes, each four-and-a-half feet deep. These holes were then cast with multiple layers of an organic, papier-mâché mixture consisting of various recycled papers and non-toxic glues. 

Next, the casts were removed from their respective holes and flipped over to form duplicate, bulbous, paper shells, measuring four millimeters thick and spanning over twenty feet. 

Finally, the shells were each moved on top of the adjacent formwork, letting the inverted form of one hole become a paraboloid cap to the other that encloses the structure. Thus, a four-and-a-half-foot hole becomes a nine-foot interior space.

i/thee / Roundhouse Platform

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