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Agent of Chaos

@cawareyoudoin

Caw. Adult. My art blog is @cawarart . The icon is a piece by @pauladoodles.The background image was originally posted by @zandraart .
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When Sonic's birthday party goes wrong and the Chao are scattered across time and space, the Shadow Chao and Sonic Chao step up to save the day! As this is a proper manga style, remember to read from right to left! Story: Ian Flynn Lines: Misa Shion Color: Min Ho Kim

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valeriehalla

I am so utterly fascinated by “Saki”, the 18-year-running mahjong manga in which you, the reader, become gradually, frog-boilingly aware (over the course of nearly two decades’ worth of mahjong tournaments) that none of these girls are wearing underwear and most of their boobs are slowly expanding.

I need you to understand that I have, like, an anthropological level fascination with this comic. From the perspective of someone who is also a comic artist and writer, two things delight me about it:

  1. the fact that I understand completely how an artist gets from “the fans can have a little hint of skirted asscheek” to “the pussy is completely out on center page” over the course of 18 years; and
  2. the way in which the pussy being out is treated by the characters and diegesis as being utterly unremarkable.

This happened to my friend who started progesterone.

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reblogged

since my following is hopefully not full of fucking cops I have an actually good translation of chapter 1 of the shadow manga over here. this is where all the future chapters will go too. enjoy

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earlgraytay

i don't know how you can "the curtains are just blue! ACAB lol" fucking Death Note of all pieces of media

this is a show for thirteen-year-old boys. the only writers I've seen who are less subtle about what they're going for were fucking Victorians.

@rawr-monster and @eyestumblin asked me to elaborate so here goes:

Death Note is a show with a very clear central premise: no one should have the power to kill others without consequence. Not the cops, not corporations, not the Mob, not civilians, no one.

Even outside of the 2000s-era criticisms of the Japanese justice system, even if you're looking at it in a vacuum, Death Note makes it incredibly obvious what it's trying to say. It starts this off by making it very clear, right out of the gate, that the audience identification character really, really should not have this power.

For Death Note's original target audience, Light is everything you're supposed to be. He's smart, diligent, good-looking, athletic, popular but not too popular. He's The Perfect Middle-Class Japanese Teenage Boy. If you're the kind of edgy, smart Japanese teenage boy who would want to watch an anime supernatural crime drama in the mid-00s? Light is built for you to imprint on like a baby duckling.

...And then the show goes out of its way to point out, in the first proper story arc, that Light is the villain of this piece. From the introduction of L to the end of the Raye Penber/Naomi Misora arc, the show makes it very, very clear that Light is a hypocrite with a massive ego. Sure, he says that he's only killing criminals to make a better world. Sure, maybe he panicked and killed fake-L in self-defense. Sure, maybe the life of Reye Penber and any law enforcement chasing Kira were worth the clear drop in the crime rate. Maybe.

But then Light kills one of the very few unambiguously Good members of the Death Note cast, does so in a smug and cruel way, and the entire scene is framed as tragic in a way that none of the criminal deaths really were. The whole world goes quiet. And Naomi Misora stumbles off to commit suicide. By the end of that arc, even if you'd otherwise be sympathetic to Light- even if you're still rooting for him to get away with it- it's a lot harder to justify what he's doing. He's not just breaking a few eggs to make an omelet- at this point, he's actively happy to kill anyone who gets in his way.

So. Okay. The Perfect Japanese Teenage Boy (TM) can't be trusted with the power to kill indiscriminately. Maybe the problem is just that Light, as a person, is an asshole with impure motives, and if you gave the Death Note to someone who's a better person, you'd be better off. Maybe you could find someone who's motivated by love, and they'd do a better job with that power.

Everyone, say hello to Misa Amane, who is utterly driven by love and devotion, and probably one of the crazier/more evil characters on the show! She'd do anything, no matter how terrible, just because Light told her to do it. She is utterly without remorse, utterly without fear, and utterly driven by a darkly Romantic fanaticism.

Light gets to dodge what's coming to him twice because of Misa and love- once because Misa's love for Light lets him start the Yotsuba arc, and once because Rem's love for Misa becomes a diabola ex machina. In the world of Death Note, love is not a pure enough motive to let you kill indiscriminately - in fact, it makes you worse.

Okay, well, (our hypothetical edgy teenage viewer might say), cLEARLY the problem is that everyone here is too emotional, and you need to be able to detach from the situation to use the power of life and death. Of course you'd kill indiscriminately if you've got feeeeelings about it, but someone who is driven by Logic and Reason? Surely they'd never do anything wrong.

...And then L gets his hands on the Death Note, and immediately starts trying to figure out how to use it to prove that some of the rules in the Death Note are fake and Light is guilty. L's plan is to have a criminal on death row write in the Death Note and wait the 13 days to see if he dies. It's simple. Logical. Effective. It's also extremely reminiscent of the stuff Kira's been doing this entire time, and the implication is that, had L lived longer and used the Note more, he might become No Different.

(I think it's significant that in The Movie, L uses the Death Note exactly once, with himself as the victim, and he turns down the Death Note when it's offered to him. TheMovie!L is an unambiguously heroic character, and therefore, he will not kill without consequences.)

The power to kill without any consequence to yourself corrupts you. It makes you want to use it to solve more and more of your problems. It turns you into a fucking monster, one name at a time. And nothing can stop that process except refusing to use that power. Love cannot shield you. Rationality cannot shield you. Justice cannot shield you.

And every other character who gets the Death Note reinforces that theme. The Yotsuba Group? Big corporations should not get to kill without consequences. Mello? Criminals/genius detectives should not get to kill without consequence. Mikami? The Perfect Japanese Adult is outright sadistic about how he uses the Death Note. And on, and on, and on.

Near outright tells Light, in their final confrontation: "You are a murderer, and this notebook is the worst weapon of mass murder in the world." Using the Death Note is not justice; it's not going to bring about a perfect new world. It's murder, full stop. Light has become a mass murderer, a monster, by killing over and over again.

Death Note has a theme: no one should be allowed to kill without consequences, because it makes you a monster. It is not subtle about that theme. It is very, very blatant, and the only way it could be more blatant is if Near stopped to deliver an Atlas-Shrugged-style monologue about it.

and so seeing people reduce that to 'haha ACAB' gets my goat, because no. No, it's not just ACAB. anyone with the power to kill indiscriminately and without consequence- whether it's a cop, a megacorp, an autistic supergenius, a mob boss, or a perfect audience-insert- would become A Bastard.

this is a show that makes it abundantly clear that there is Symbolism and it has a Point, in the way that only stuff aimed at teenagers that's trying to be Deep can do. how you get through the entirety of Death Note and walk away with "there's no point! a cop's son decides to be the worst person ever! Light is Uniquely Terrible and that's all there is to it!" is fucking beyond me.

I was just going to blithely reblog this, and then I thought of something.

There is a category unmentioned here in the 'people who use the death note' and that category is the Shinigami. Yes, Rem's mentioned in the 'things you do for love' situation, tho she's not the only one who uses the Death Note in a selfless way (even under manipulation).

Because Rem and Gelus both use the Death Note to save Misa, and they both DIE for doing so. And that's an important context here, the Shinigami, the people who are MEANT to use the Death Note, are near-immortal immoral monsters. And the one way for them to be killed? Is to use the Death Note to benefit someone else.

Not only is there no 'good' way to use a Death Note, it was never INTENDED to be used for 'good', just as a way to elongate the lifespans of actual literal monster people in another dimension.

Death Note goes out of it’s way to have characters just straight-up monologue several times about how it’s the power to kill that’s evil and that corrupts anyone who accepts it, that there’s no good way or good person to have power over life and death. They even put the Death Note in the hands of someone who refuses to use it either directly or by proxy (Light’s father) and he gets to die peacefully with the belief that his son was innocent and Ryuk straightup explains this to the audience just to make sure everyone gets it.

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What’s up with how the dunmeshi fandom just lies about this kind of stuff all the time. It is easily confirmable information that it was a monthly series, something incredibly common in the industry.

A not weekly magazine schedule is literally common !! Especially in the seinen shoujo and josei demographics, sometimes monthly, sometimes biweekly, sometimes every two months, sometimes seasonal! Please stop lying about how dunmeshi was some special unique creation that defies all standards of manga just to hype it up because it is so clear that every single one of these comparisons is centered around weekly shonen jump (and understand that SJ has many magazines under its brand that are monthly or semimonthly). Not everything is WSJ and it needs to stop being the only point of reference in conversations like this 🤧

How is the original post at almost 50k now. You guys if it was on a 2 month schedule it would not have finished publishing until 2031. Please. Please.

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yamino

Have another fake preview…

You guys are just encouraging me with these notes. 👀

I promised Twitter that if my tweet about this gets 300 retweets I’ll post another fake page. 👀

So, for anyone who remembers this old comic that started it all… I’ve made a GAME inspired by it!

🖤My free-to-play visual novel, “Phantom of the Black Rose Revue,” is now available!🖤 This nostalgic yuri game features 19 animated CGs, 13 original music tracks, and an introduction to the world, mysteries, and love interests of the Revue! 🖤

Signal boosts greatly appreciated, especially as this game is entered in the Spooktober Game Jam!

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tumblr staff will let the thousands of porn bots on here run rampant yet will take down trans comics with no actual nudity

i originally reblogged this post, but since staff took it down you can't fucking see my reblog anymore. well i liked this comic, i want it on my blog, and it does not include any fucking nudity. especially compared to all the straight up porn staff allows to go free

so here it is

untitled by Pas (paxiti), all pages from May 23, 2018 to June 22, 2023

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ultrafacts

Follow Ultrafacts for more facts

The picture in the background of the second one

Tama is boss

THE TRAINS HAVE CARTOON TAMAS ON THEM

Sad update everyone, Tama recently passed away… An estimated 3,000 people, including railway officials, attended Tama the cat’s funeral on Sunday, days after she died of heart failure aged 16. [x]

For those who haven’t read articles about it, the local shrine elevated her to a god. She’s now the Eternal Stationmaster and patron god of the station.

Beautiful.

Now I’m crying thanks

and a new cat was hired right?

yep! her name is Nitama (essentially ”second tama” or “tama II”) and she served under Tama as an apprentice before being appointed her deputy

she works very hard

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beasti

Everytime this crosses my dash, I reblog. It is the law.

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tooiconic

I’m crying at 11pm over train cats

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sighinastorm

Nitama, already now a mature cat (born 2010), has a protege named Yontama (fourth Tama, b. 2016).  There is no information available for either the physical befellment or tragic self-disgrace which has removed Santama from contention.

^Nitama majestic, and below with Yontama

Yontama.

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linkislost

a legacy

okay but actually what happened to santama (or sun-tama-tama, which is her name because it’s a pun on santama) was that she was basically sent to train for the position in okayama and they liked her so much they refused to send her back

“Sun-tama-tama” (a pun off of “Santama”, lit. “third Tama”) was a calico cat sent for training in Okayama. Sun-tama-tama was considered as a candidate for Tama’s successor, but the Okayama Public Relations representative who had been caring for Sun-tama-tama refused to give the cat up writing, “I will not let go of this child, she will stay in Okayama.” [25]
As of September 2018, Sun-tama-tama is working as the stationmaster in Naka-ku, Okayama and appears occasionally on Tama’s Twitter account.

Every time I see this post there’s new info and it gets better

You are only allowed to scroll pass this after you pay tribute to the great Tama Station masters.

The shrine of Tama Daimyōjin (Great gracious deity Tama), next to the Kishi station where she worked.

Nitama presenting her yearly offerings to Tama Daimyōjin on the anniversary of Tama’s Death, June 23 (The offerings are presented by the company president, as Nitama is a cat and thus can’t hold the offerings herself) (Not pictured, but also present, Yontama)

you cannot pass without reblogging guys. i’m sorry, i don’t make the rules.

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dduane

You can’t not reblog a goddess. It’s just what’s so. :)

So, fun fact- the manga Noragami has an arc where the main character, Yato (a minor kami/God that is down on his luck but trying to make it big time) goes to a council/conference for all the Gods in Japan.

And they are announcing the winner of the “up and coming god” award, and of course, Yato thinks it’s him.

But no-

ITS TAMA!

Always reblogging this.

BEST THING ON TUMBLR EVER.

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xeansicemane

Shintoism is such a neat belief structure to me - I was raised Catholic and there’s this constant sense that it’s functionally a solved system; the dogma is established and except for a new saint now and then it’s done growing.

The idea that you can elevate a new god is really nice, there’s something vital and living within that concept; that belief can and will grow with the world around it.

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vexwerewolf

Genuinely bless any religion in which “we promoted this very nice cat to the status of god” is a thing that not only can theoretically happen, but isn’t even controversial or weird when it does

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zoestorm

The manga: a college guy meets his childhood friend, who was formerly a boy but is now a woman, and has run away from home after an unspecified disagreement with her family which has left her with a significant amount of trauma; it's implied she was bullied heavily in the time since they've last seen each other.

But don't worry, she's not trans! She just got an illness which turned her into a woman!

The manga: a high school boy with an interest in make-up uses his gloomy, depressed (male) childhood friend as a model to improve his skills. This causes said friend to have an "awakening" and start dressing as a woman, and to overall be a much happier, brighter, outgoing person.

But don't worry, the friend is not trans! He's just a boy who crossdresses because his childhood friend likes him better that way!

The manga: a high school boy joins a club where the members can turn into magical girls, which in his case involves physically transforming into a girl. When in girlmode, he's much happier and enjoys his life much more, and overall prefers staying in girl mode; when the ability to transform is temporarily taken away from him, he sinks into a deep depressive episode.

But don't worry, he's not trans! He's just a boy who enjoys being a girl!

The manga: a college student loses a bet and has to crossdress for a night out on the town, and meets and hooks up with a butch girl; they fall in love and start dating. The boy always crossdressed when they meet, and starts enjoying being "treated like a girl" in the relationship and starts crossdressing even when he doesn't have to meet his girlfriend and enjoys activities such as clothes shopping and make-up and putting on nail polish.

But don't worry, he's not trans! He's just a boy who crossdresses to please his butch girlfriend!

The manga: a guy is magically turned into a girl as a result of saving his best friend, the crown prince, from an assassination attempt. The prince decides that he has to take responsibility, and asks the new girl to marry him; despite being smitten she refuses, wanting to date first. She is later offered a way to go back to being a man, but when she does turn back she's disgusted by her own appearance and depressed all the time, ultimately deciding to stay a girl.

But don't worry, she's not trans! She's just a boy who's been magically turned into a woman! And decides not to turn back when she can! Because she's not trans! Somehow!

"But we can't write trans women in manga! It's just not something that you do!"

[Image description: A one-comic panel. Gengar is glaring at a crowd of faceless characters; from the crowd, a speech balloon emerges, saying "You could if you weren't a fucking coward". End ID.]

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