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Just some ramblings and hcs

@cartoonfangirl1218

Hi, just a grad student with lots of thoughts about cartoons meant for "children."  Just here to post headcanons and have fun. Feel free to ask for headcanons.
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draqua
Anonymous asked:

Thoughts on Chancellor Esteban from Elena of Avalor so far?

Oh man, Esteban is probably my favourite character in Elena of Avalor, right after Elena herself.

He’s got such a great design, voice, and general aesthetic. I love how there’s this backstory with him betraying Elena’s parents that hasn’t been revealed to Elena yet. In general, there’s a great sense of poetic tragedy to the character, more complicated than what you typically get from this ‘type’ of show; he’s both a victim of circumstance and his own worst enemy. I love how he can be written both as competent & conniving but also as an overzealous buffoon without breaking character

(As an aside, with his ‘sympathetic Starscream-ish’ personality, I’m surprised he isn’t more of a fandom dreamboat, but whatever.)

I like how there’s a little more complexity to his actions that what you might expect. Yea, he wants to rule the country in Elena’s stead, but the show never forgets that he loves Elena; she’s his cousin & family. And his motives for taking control of Avalor are based in that he legitimately feels he could run things better. Cedric in Sofia the First flat out admits his S1-3 actions were evil; couched in spite & wanting to improve things for himself. Esteban (while admittedly self motivated too) does not see himself as a villain & has layers to why he does what he does. This leads into a nice sense of logic to other aspects of his character; like how he’s close friends with one of the most powerful merchants in the city or why he looks down on Naomi.

He has interests, a life, and actions outside of wanting to run the country. He does general recreational activities with the family. He gets super invested in the Olaballtournament alongside the Grandpa.

He’s just… fantastic!

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Treat - “Okay. Okay, here’s what we’re gonna do—fuck” for Gabe and Alonso, please?

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"Okay." Gabe finally took his hands away from his face, at least a semblance of a plan finally formed in his mind. "Okay, here's what we're gonna do- fuck!"

He couldn't control himself anymore when he saw Alonso kick a hole in the floor of their carriage-prison.

"What the hell do you think you're doing?!"

"Saving us, duh!"

Alonso didn't even look at him, but continued to kick down the planks until he could get his whole foot out. Then he sent Gabe a triumphant - terrifying, in their current situation - smile and with all his strength kicked the back wheels axle.

The pole snapped, the cart skidded to one side and Gabe crashed into Alonso, knocking them both against the wall. And if he hadn't already accidentally hit him in the head, he'd definitely do it on purpose.

Alonso seemed to understand that, seeing Gabe's furious gaze and really wished his face wasn't currently smushed into his own. He did also start to question if maybe his idea wasn't so good after all.

As if in an answer to the unspoken threat, the cart jumped one more time when the wheel completely fell off and dropped on one side to the ground.

The door swung open.

Gabe and Alonso looked at it in disbelief.

Two thugs on horseback looked at them back, in similar disbelief.

"Fuck it," Gabe whispered breathlessly and jumped out of the carriage, dragging Alonso behind him.

They hit the ground and ran, Alonso stumbling and complaining, but following nonetheless.

"What are you two idiots staring at, get'em!"

Alonso turned in time to see the two thugs shake off the shock and rush their horses. His terrified scream however was cut short by another yank from Gabe, dragging him into the forest by the side of the road.

"What are you- It's- Getting lost in the jungle isn't much better than getting kidnapped, Gabe!" he shouted when he finally spat the leaves out of his mouth.

"It's better than getting trampled!"

"They wouldn't do that! We're valuable prisoners! Or at least I am." They had to slow down to push through the thicket which unfortunately gave Alonso the time to catch his breath.

The voices behind them got louder. Their pursuers must've gotten off their horses and followed them.

"Gah, they're catching up on us! Can't you go any faster?" Alonso picked up the pace and was basically breathing down Gabe's neck now. For a moment Gabe considered just letting him get recaptured.

"They wouldn't be so close, if you didn't give out our position with your babbling."

"What does it matterrr," Alonso groaned, since Gabe couldn't see him roll his eyes. "I see a path to the left, we're gonna go much faster in that direction."

They could split up. It was tempting.

"Nope." He turned around and grabbed Alonso by his collar, pulling him again behind him. Elena would probably kill him if he let him get killed.

"Will you stop doing this-!" The prince slapped his hand off. "Why does it matter?! We're walking aimlessly anyway!"

"We're not." Gabe let the next branch hit Alonso in the face. "And we're almost..."

His voice trailed off as they stumbled into a clearing. After a few meters of high grass the ground ended abruptly in a low cliff and fell into a wide river.

"This has been your genius plan?" Alonso huffed and slowly clapped his hands. "Good job general, now we don't have anywhere to run."

"We do." Gabe walked to the cliff. Alonso followed him before his hand once again could reach for his collar. "I hope you can swim?"

Alonso glanced at the river. It wasn't a raging mountain torrent, luckily, but the thought of entering an unknown body of water with no preparation (and without his swimsuit!) still filled him with dread. A chill ran down his spine. He hid it under a scoff.

"Why would I need to? The only time I go on water is in my yacht, of course I don't swim."

That's when the thugs entered the clearing.

Gabe turned to Alonso and it was finally his turn to smile triumphantly - and it filled Alonso with terror.

"Then it's time you learned!"

He tackled Alonso into the river.

If Alonso drowns now, that's on him

Thank you for the request! Can you believe this duo has actually been on my mind lately?

Happy halloween!

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“Many people seem to think it foolish, even superstitious, to believe that the world could still change for the better. And it is true that in winter it is sometimes so bitingly cold that one is tempted to say, ‘What do I care if there is a summer; its warmth is no help to me now.’ Yes, evil often seems to surpass good. But then, in spite of us, and without our permission, there comes at last an end to the bitter frosts. One morning the wind turns, and there is a thaw. And so I must still have hope.”

— Vincent Van Gogh

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notthegrouch
“If I am worth anything later, I am worth something now. For wheat is wheat, even if people think it is a grass in the beginning.” 

- Vincent van Gogh

“For my part I know nothing with any certainty, but the sight of the stars makes me dream.” – Vincent Van Gogh

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mythicamagic

One of my favourite things when reading fanfiction is when you click with an author's style so much that you adore the fanfiction you're reading, and once it's over you need more. So you go to their page and hope that there's more for any fandom you might know- only there isn't any. They've written for other fandoms you aren't familiar with and never would've thought about before.

But you're down so bad for their style and talent that they got you wading in like:

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sepublic

            I find it interesting that even in the epilogue, four years after Camila has had time to be more acquainted with the Boiling Isles under non-threatening circumstances, she’s still creeped out by it. And this is fine! The narrative isn’t condemning her for it. It’s not demanding that she enjoy these things like Luz does; It’s just asking for her to respect its existence, and to support Luz’s interest in it and love her too.

            In For the Future, we see Camila horrified by what she encounters in the Boiling Isles; But she also spends the whole episode pushing through it anyway for Luz’s sake, being there for her as much as she can. Because she knows these are just feelings and nothing more, and she’s choosing to be kind in spite of them.

            By contrast, in this same episode we find out Belos does feel empathy and guilt towards his brother and nephew, he wasn’t purely 100% only interested in what they could do for him; And yet, he’s still just as cruel and violent towards them. He’s still cruel and violent towards witches and demons, sometimes using the ‘tragedy’ of Caleb as a justification. Hell, he even resents the ghosts for making him feel guilty, telling them to “Shut up.”

            Isn’t that fascinating? Disgust is portrayed as a morally neutral thing. It’s not an indictator of morality, it doesn’t mean something is bad… But it doesn’t mean the person who feels it is bad, either, people don’t consider that enough. It’s just a gut reaction. Sometimes people have internalized biases they need to work through, but other times, it’s pretty harmless as long as they’re self-aware and don’t do anything bad over it; This even applies to the process of unlearning the aforementioned biases.

            Likewise, empathy and guilt don’t actually, necessarily make you a good person. The example with Belos shows how some people will actually be crueler because of empathy, because they resent people for being upset, and thus making them feel upset because they naturally empathize. Hence those who get angry at people in pain and need for “ruining their vibe,” because now they feel bad too.

            There’s a juxtaposition in how Camila seems genuinely more scared and creeped out by the isles on a visceral level than Belos, and yet Camila has the common sense to still respect and fight for its existence; Whereas Belos chooses to make a mountain out of a molehill because it’s not just hatred, it’s pride. It all boils down to his ego at the end of the day. In many ways, other characters struggle with dilemmas more difficult than Belos’, yet still do better than he ever has.

            This all plays into my thesis that TOH is arguing your feelings are secondary to your actions, and that the latter is what decides whether you’re a “good” person or not. In the end, someone who’s had a good life and was a dick for selfish reasons, only to choose to be better, is more sympathetic and morally superior than someone who suffered a million unfair grievances, and proceeded to dole out a million unfair grievances, with no sign of stopping; Especially from an IRL perspective, and I think our IRL feelings sometimes influence how we engage with media, and vice-versa.

            That’s why the finale –and the show as a whole– emphasizes choices, over inherent, instinctual feelings. A decent chunk of Camila’s arc could be summarized by the word Squick; In the sense that it’s meant to describe things that one feels personal disgust and discomfort towards, but otherwise has no moral condemnation or problem with; It’s just a Me thing, is the point of Squick. Camila is like that sex-repulsed ace who nevertheless supports kink at Pride.

            That gets me to how my ruminations were prompted by a similar observation; How some people lump sex-repulsed aces in with the oppressive Puritans who hate sex in anything, but that’s not true at all. Obviously there’s the rare Exception, but as a whole, sex-repulsed aces are on the side of other queers who ARE sexual and are demanding to let these things be normalized; It’s not for them, but they have no moral condemnation and will fight for it in solidarity anyway, especially since both are hated by the system regardless. Sound familiar?

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sepublic

O Titan, Where Art Thou is insane for reasons. One of them being how we have Dana Terrace reflect on her own Catholic background via theological ruminations about God, boiling down to: What does God think? How does God feel? Is he happy with his role? Does he want more outside of being God? And it’s all dressed under the surface of King and Steve talking about a victim of cult symbology.

It really made me look at Christianity in a way I never have, that felt thoughtful and non-edgy because sure we have Sympathy for the Devil. But what about Sympathy for God as a person who struggles with a role and is not planning everything out perfectly yet means well, whose power IS limited but tries despite that, and perhaps this is the most ideal portrayal/outcome of all? Really living up to the episode title huh?

I also love that Steve is the one who figures out, before anyone else, that the Titan is Just Some Guy, who’s made mistakes, and all of these things. A masked member of the Emperor’s Coven more accurate on what the will of the Titan is; Talk about a real prophet of the Titan, he certainly has a better relationship with a living one, that being his son. And I also also love how all of this is another example of how Dana effortlessly balances Be Gay, Do Witchcraft with her nuanced interpretation and dynamic with God and Christianity.

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