Though their initial mutations were the result of long term nuclear war, it's actually an intense culture of propaganda and strictly enforced conformity policies that have kept the Daleks in their current state. Every Dalek undergoes surgery just after birth; not to mitigate the effects of irradiation, but to rid them of whatever is legally considered "imperfections to the Dalek form" (usually throwbacks to a humanoid body plan, such as teeth and hands) and physically ready them for their casing. Additional surgeries must occur throughout a Dalek's life to prevent them from becoming "rooted" - a painful, often fatal scenario in which the Dalek overgrows their own shell and cannot be safely removed. Not only does their homogeneity serve to reinforce their fervent belief in genetic superiority, but the resulting chronic health issues prevent insurrection; a Dalek's fear of losing access to regular healthcare colors much of their judgement, and most attempts at dissent end as soon as their painkillers run dry.
“Dead Clade Walking” - a term for animals that are alive but from a functionally extinct species.
concept art 4 a horror comic about the dinosaurs that survived the initial meteor impact and are now living in a sort of last of us/annihilation-esque world
Ohhhh @themeeplord this looks like something you’d be interested in
Aw heck yeah!! Postapocalyptic dinosaurs!!
I guess this is what would happen if a werewolf bit a skeleton.
Some monster designs!
loputyn
Though their initial mutations were the result of long term nuclear war, it's actually an intense culture of propaganda and strictly enforced conformity policies that have kept the Daleks in their current state. Every Dalek undergoes surgery just after birth; not to mitigate the effects of irradiation, but to rid them of whatever is legally considered "imperfections to the Dalek form" (usually throwbacks to a humanoid body plan, such as teeth and hands) and physically ready them for their casing. Additional surgeries must occur throughout a Dalek's life to prevent them from becoming "rooted" - a painful, often fatal scenario in which the Dalek overgrows their own shell and cannot be safely removed. Not only does their homogeneity serve to reinforce their fervent belief in genetic superiority, but the resulting chronic health issues prevent insurrection; a Dalek's fear of losing access to regular healthcare colors much of their judgement, and most attempts at dissent end as soon as their painkillers run dry.
We drifted here, in the lack-of-light, passing no-time. But we would feel it from so far away... your noisy, boiling universe. We want to travel there, to play your vicious games and win.
Wild Blue Yonder
grit your teeth, atta boy, cut your fingers, atta
Zombie vermin
[ID: illustrations of a large variety of insects, arachnids, and other bugs with different mushrooms growing out of them. many of the mushrooms fit their host’s size, shape, or color, and some are even incorporated into the host’s natural shape-for example, mushrooms replacing wings. the bugs are placed close together to fill in the space.]
welcome toooooo were-demodog-steve au. he has fun. might write a comic
we gladly feast on those who would subdue us
No.4
Teach your hands to slice though skin. Peel your heart like a pomegranate.
So over on patreon Trevor asked for my take on the Addams Family and I grew up LOVING the Addams family movies so here we are. Instead of doing a straight up style interpretation, I decided to do a full on design challenge, using the characters as bases to make a black southern gothic Addams au. I actually drew the kids first, using the character bases of Wednesday and Pugsley to create some delightful kiddos I’m calling Sunday and Blanche. I of course then redesigned Gomez and Morticia into Carlisle and Mortesha.
The Addams have a very specific high aristocratic goth aesthetic (they’ve got a butler and nobody really works among other things) so in this re-imagining I wanted to go with vibes that run a little more middle class/upper middle class. I thought it would be interesting to think about what would be considered weird and off-putting in an entirely different culture, and how being a big ol’ goth is way less controversial than it used to be.
I tried to keep this short (HAHAHAHAHAHA) so I didn’t spin off into an essay about villain coded families, black people in the horror genre, and normalcy as it pertains to social survival, but just…bits of that are in these designs and lore. Keep that in mind.
Also I made the kids twins because they’ve flip flopped in age so much in different media and also twins run in my family (i’m the daughter of one). And let’s face it, I’m pulling a lot of their southern gothic traits from living as a southern goth so *shrug*.
10 thousand pounds of lore incoming loooooooooool.
Oh i LOVE this