Some late researches among the Chapter accounts have shown me that the carving of the stalls was not, as was very usually reported, the work of Dutch artists, but was executed by a native of this city or district named Austin. The timber was procured from an oak copse in the vicinity, the property of the Dean and Chapter, known as Holywood. Upon a recent visit to the parish within whose boundaries it is situated, I learned from the aged and truly respectable incumbent that traditions still lingered amongst the inhabitants of the great size and age of the oaks employed to furnish the materials of the stately structure which has been, however imperfectly, described in the above lines. Of one in particular, which stood near the centre of the grove, it is remembered that it was known as the Hanging Oak. The propriety of that title is confirmed by the fact that a quantity of human bones was found in the soil about its roots, and that at certain times of the year it was the custom for those who wished to secure a successful issue to their affairs, whether of love or the ordinary business of life, to suspend from its boughs small images or puppets rudely fashioned of straw, twigs, or the like rustic materials.'
from THE STALLS OF BARCHESTER CATHEDRAL by M.R. James
A carving from Salisbury Cathedral stalls (Salisbury is generally thought to be the model for Barchester in English Literature)
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