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attack and dethrone the maker

@butchofthewilds / butchofthewilds.tumblr.com

Getting into Dragon Age 15 years late. she/he/they. Hoping not to have to ride the disk horse (or halla I suppose?). I don't mind spoilers. Not a fan of Bioware. PCs: Nimue Surana (pronouns complicated because his egg cracks over the course of the game) (elf mage (blood mage and arcane warrior) and Morrigan kisser), Robin Hawke (he/him) (human mage (blood mage and spirit healer) and Anders kisser), Mi'vhenan Lavellan (she/they) (elf mage (knight-enchanter) and Solas kisser)
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sapphim

I genuinely don't understand how people can hate solas when he literally set himself on fire and then tried to play it off like he didn't. like. he's a disaster.

  • Vivienne: I'm sure you know exactly what you're doing, Solas, but a word of advice?
  • Solas: Oh, I look forward to this. Go ahead, Enchanter.
  • Vivienne: You set your coattails on fire with that last spell.
  • Solas: Perhaps what you perceived was merely a figment of the Fade.
  • Vivienne: (Laughter) I would not claim your familiarity with the Fade, but I recognize fire when I see it, darling.
  • Solas: It did go out eventually. It was not worth mentioning.
  • Vivienne: Not for you, perhaps.

shout out to that time the dread wolf literally set himself on fire and a very special shoutout to vivienne for making absolutely sure he knew she noticed <3

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reblogged

Boinking Fade Spirits: A Very Important Meta

Continuing in the vein of fantasizing out loud about what I want to see in Dragon Age: Dreadwolf, I think it would be great if the game would allow players to romance and/or sleep with a Fade spirit. Below I’ll elaborate on what we know about Fade spirit sexuality, both as a review and as a way to demonstrate that a Fade spirit romance would be consistent with prior lore.

Cole/Compassion 

We know it’s possible for a Fade spirit to fall in (romantic/sexual) love because that is one potential outcome of Cole/Compassion’s character arc in Dragon Age: Inquisition.  If the player’s influence leads Cole to become more human during Subjected to His Will (his companion quest), he eventually pursues a romance with the minstrel/bard Maryden in the Trespasser DLC, set two years after the end of the main story. We’re introduced to the relationship during a heartwarming scene during the companion catch-up conversations, transcribed below:

  • Maryden: Oh, Cole, good day! I didn’t see you there.
  • Cole: But I saw you, as lovely as your songs.
  • (Cole gives her a kiss on the cheek)
  • Inquisitor: (“I’m happy for you”) I’m pleased for both of you.
  • Maryden: The world has ample pain, Inquisitor. The kindness found in Cole is rare indeed.
  • Cole: Her songs bring happiness to those who hear… and I can make her happy in return.

It’s implied that the attraction has turned physical during a banter in Trespasser (emphasis mine):

  • Cole: Some of the stones here are pretty. I should get one for Maryden.  
  • Dorian: You’ve got a lady friend? Really?      
  • Iron Bull: You and the bard, huh?
  • Cole: I am human now.
  • Iron Bull: Good for you, kid! Let me know if you need any tips.
  • Dorian: No, no, that’s fine. You’re a real boy now. Would’ve lost gold on it being a girl, but that’s probably just me.
  • Cole: She’s kind, and her voice helps people. And her bodice smells good.  Wait, I shouldn’t have said that. Forget! Oh, that doesn’t work anymore. Forget?

Granted, by this time Cole isn’t a “pure” or “true” Fade spirit (for lack of a better term), given that the romance only begins if Cole has turned more human over time (otherwise, spirit-Cole likes Maryden as a person and helps her out but has no romantic interest in her; in fact, he even facilitates a romance between Maryden and another human, Krem, during Trespasser). It is, however, evidence that Fade spirits can come to develop romantic feelings for humans (or rather mortals), at least under certain circumstances.  

But what about sex with Fade spirits?

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reblogged

Okay. One. One more unhinged rant. For the day at least

One of the most common criticisms of Solavellan I see is Solas sees Lavellan as a "not like other girls" type. While I sort of understand how someone could get this idea given Solas' reputation in the fandom, this interpretation entirely relies on fanon

That fanon is not built on nothing though, because Solas himself entertains this at one point during the romance. In the second scene, during the kiss on the balcony, he asks both a romanced (and unromanced!) Inquisitor if the existence of the anchor has changed them in how they act. Solas is still at this point convincing himself that all the people in this world are fake and he is doing them all a favor in his ultimate plan, but when the Inquisitor confirms that no, they weren't any different before the anchor. Solas has to come to terms with that, and it is the first step into him going: Shit, I think this world has merit

The entire point of BOTH Solas' romance and friendship path is that the Inquisitor is not special and if Solas faces that it means he's dooming a world full of people just as rich as them to death to restore an already dead world, and that thought scares him so badly he runs

In the grove scene, where Solas leaves Lavellan, you can find people saying he does that because he realized just how in love he was with Lavellan and he panicked and ran. He's good at that. But what I don't see discussed as often is the broader why to that response

Patrick Weekes confirmed that Solas didn't bring Lavellan into the grove to tell them about the Vallaslin. He was going to tell them he was the Dread Wolf and what his plan was, but at the final moment he chickens out, and tells them about the Vallaslin instead (Solas' greatest modern flaw is not pride, it is cowardice, but that is an unhinged rant for another day)

And then after it hit him what he was about to do, how he was going to give it up all for them, and again here comes that pesky "Lavellan is not special" realization he's been struggling with. Because if he could give it up for Lavellan, if they were worth it, then that means there could be a thousand, a million more like them in the world. A million more that are worth it, and what could be worse for him than that?

My final piece of evidence is this: Cole says this straight up in a post-breakup banter with Solas

Conclusion: Solas is a deeply flawed person, often insufferable and I will always roast him but he is well written and occasionally the misunderstanding of his character by the fandom irritates me :)

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chadsuke

[ID: A screenshot of dialogue from Cole. He says, "He hurts, an old pain from before, when everything sang the same. You're real, and it means everyone could be real. It changes everything, but it can't." End ID.]

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i can 100% understand loving solas for the complex character he is but i just cannot understand i CANNOT understand people seeing him go "hmmmm... dwarves are just severed limbs imitating life without a purpose... hmmm... qunari are savage barbarians... hmmmm... the modern elf might as well be stupid uneducated tranquils... and that's why i justify genociding them!!"

and be like

"omg you guys what if solas is right??? food for thought teehee."

think about what you are sayiinnngggggg.

Solas' real fatal flaw is that he is blind to his own bias and lack of information.

He is so buried in the worldview of the ancient elves and it is coloured heavily by his love for Mythal. Mythal's vallaslin originated from the past same as each of the others, which implies that she too had slaves (the practice of keeping them being something Solas abhors) but was 'benevolent and kind' to them and also 'wise enough' to lead them to a better path. The altercation at the Well is proof of Mythal's association with careful thought and information - the Well itself stores memories passed through generations. Many of her myths show her as a masterful judge of situations, able to see both sides of a conflict and determine a path with least bloodshed.

It is Mythal's wisdom (and the loss thereof leading to his own haste and the downfall of the elves) that likely influences Solas' attachment to knowledge, but it also blinds him to nuance. He respects wise leadership greatly, and faults those who act on false information (the wardens.) But what he fails to understand is that he doesn't actually understand or have all the answers about the world in its present state, at least not to the level where he can claim his wisdom leads him to the best possible path forward (if such a thing can actually exist.)

Solas knows one kind of world and exactly how it worked before the Veil destroyed it. The dwarves existed before the fall of Elvhenan, but that society's persistence through the Veil and subsequent destruction to some other catastrophe (the Blight) millenia later does not make him stop and recall that All Empires Eventually Fall. He does not take the time to understand qunari culture and existence. Nor to understand who the elves are now in the fullness of their circumstances, cultural shifts and new and layered practices. Because it is not Familiar it is not Correct. He does not understand how anyone can live Like That, and experience both sorrow and joy. Some of this is of course because of the large timeskip between his world ending and him waking up in the Thedosian present (this world feels like a dream) but instead of actually doing what makes people wise - that is, collecting both information AND experience on the ground, he assumes he already knows enough, knows BETTER, and that if everyone else did too, then of course they would choose his path/agree with him.

I think this is made most obvious in his scene with a romanced Lavellan where he tells of her the markings original meanings and in her shocked moment before she can process things offers to remove them. But Solas... its been 5000 years??? If not more?????? Symbols change! People in Thedas don't live forever anymore! Their lives are short, and the meanings assigned to things WILL change naturally over time. Language, for example, progress in Thedas: Dorian can no more read ancient Tevene than the elven inquisitors can read ancient elven. This is not an indictment of the knowledge held by those in the present, it is merely the nature of the progression of time.

It's unfortunate that the best analogue for Solas in the game is in fact Corypheus. As Dorian says, "the Imperium he remembers doesn't exist anymore" and it is the same for the rest of Thedas. The Veil may have accelerated the shift, but realistically, Arlathan took another 1000 years to fall to the humans. The elves might have lost power in some other way even if all he'd done was kill the Evanuris and freed everyone else. But, because he believes he has knowledge above all others, and that his knowledge is more complete than anyone else, he cannot possibly entertain the idea that he is wrong. His name being 'Pride' suits him well.

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dalishious

Hi! Hope you don't mind my asking but I've been browsing your Sera tag and you mention her internalised racism doesn't mesh, do you have any suggestions for how to fix that? Admittedly I never could like Sera no matter how much I tried but that's probably because the game never really gives you the opportunity to be supportive. Her dislike of elves seemed to stem from both poor treatment and a desire to fit in with humans? So she copied them? Is that not accurate irl?

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dalishious

I'm curious. You love the Dalish and Sera as well? In what way do you reconcile that, given Sera's... issues with the Dalish? I certainly don't think it's impossible, as my tastes run in the same direction, but I'm interested in how you do it.

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1. Sera is a neurodivergent lesbian elf and an awesome character. She is on my wall of lesbian heroes right next to Rey from Star Wars. 

2. Sera’s issues with the Dalish are in fact, more about her displacing her issues with herself. You get this from her romance with a Dalish inquisitor, but everyone eventually hears it in Trespasser. She does not like the Dalish because she is actually very insecure about not being a “elfy.” And her previous encounters with the Dalish have all been negative, summed up to them saying she is a flat-ear, and not a true elf. Sera, who was raised by a human to hate herself, is now being told by someone of her own kind the same thing.(Going to repeat something I said in a previous ask here:) Her dialogue when the Inquisitor breaks up with her over the Temple of Mythal is super key. “I’m. Not. Elfy. So say you’re kidding, and we can go back to our weird enough normal. Please, [nickname.]” She practically begs this of the Inquisitor. If you question her, she responds with, “Yes, you can explain it, and no, I won’t get it,” with a broken voice. But then she realizes this, and adds, “But I don’t care. Some things don’t fit.” And what follows? “Just say you’d rather look ahead. That’s all.” And just watch how completely heartbroken she is when you end it. The “You’d get it if you were smarter. if you understood what it meant to be elven.”

Sera feels stupid. Sera feels left out of her culture. Sera feels she’s not worth anything because she’s stupid and left out of her culture. And so as her personality goes, she decides to say, fuck it, and treat her feelings like a joke. The same as everything else. 

And most importantly, she grows. This is a feeling she shows signs of slowly overcoming, particularly when in a romance with a Lavellan. And in Trespasser when your quizzy notes all this, she doesn’t deny it. Further, when asked how she feels about the revelation of the Evanuris: “They’re not even demons, just big magey nobs punching down. And yes, the shits who used them to make me feel broken can still eat it. But… Always waiting for that fight is way too much work. It’s like, doing half the hurt for them. Maybe we’re old now, but I’m tired of it.”

TL;DR: Sera’s issues with the Dalish are about her own insecurity. Does she cross some lines? Yeah. I’m not defending her, I’m simply explaining why I get her, and why I do not hold resentment for her because of this.

3. She has a longer list of good qualities than this. The same can be said for why I like Fenris and also mages. Why I like Leliana but not the Chantry. You can like a character without liking every single aspect of them. In fact it’s rare that a character exists where that does happen with me.

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dalishious
Anonymous asked:

Why do you say that Sera is neurodivergent? (Your posts have really made me want to romance her, by the way. I can’t pick between her and Josie right now, but I’m so in love with the idea of Lavellan and Sera rn)

  • She exhibits circumstantiality, and we’re repeatedly told that she ‘doesn’t make sense’ when she talks
  • Because she has difficulty filtering her thoughts
  • And also what she says, which yes, means she fucks up sometimes
  • She’s sensory-seeking, and collects things based on texture
  • Has meltdowns when too much stuff to handle happens (in which I will forever be angry we aren’t allowed to console her)
  • She struggles to describe how she feels
  • She frequently fidgets with objects and with her hands/feet
  • She takes a lot of things literally
  • Archery is very obviously her special thing

And because of all of this, characters and even the Inquisitor are constantly calling her crazy.

Anyway, if you’re having trouble deciding, here’s brief description of what you’re in for with each.

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dalishious

Sera likes books :)

Can we stop pretending Sera is not literate/doesn’t enjoy reading?

No matter who you romance her as is buy books to learn about the Inquisitor’s culture. (If they’re human she crosses it out and says ‘all books are human,’ and if they’re elf, she’ll cross it out and underneath write that she needs wine, indicating that it was painful for her.)

She gets books to teach her how to sew and weave when she wants to make something for the Inquisitor. 

If you approve of the Herald of Andraste title, she gets Chantry books. If you disapprove, she gets University books.

“- That book she reads. Why’s it good? Soooo long (scratched out). - Stupid book. Didn’t cry.” (Obviously cried.)

When Sera wants to know something, she goes to books. Sera likes books! :)

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Anonymous asked:

PLEASE share about the Cullen Cult Arc

sighs. this is my second time writing this post ;~; literally why does the autosave option exist if tumblr doesnt actually bother to autosave anything, i dont fucking get it.

this is going to be much briefer than the original post i wrote because im still REELING over how tumblr just ate the entire fucking post. its fucking gone. and idk if i have the energy or mental capacity rn to rewrite the whole thing. basically, this arc - which is the arc i developed for him in vee verse - is the arc i think cullen should've had in dai.

firstly, i'm not retconning anything he said or did in dao or da2. this is because those things serve a narrative purpose. cullen is a good templar - that's the entire crux of the problem. he exists in these two games as a narrative tool; he represents the views of the chantry. as such, anything you do with his character arc cannot be divorced from the reality of the mage/templar conflicts, and the glaring issues of the chantry and must, actually, address and involve those things, because cullen is a product of his surroundings. i'm not saying this to minimise or give him excuses for anything he's said or done, but that is made true for him by his very positioning in the narrative as being the chantry's voice. for most of my playthroughs, which lean pro-mage, cullen is an antagonistic force - he has to say and do horrific things, and it would be stupid for me to retcon the horrible things he did.

secondly, my main issue comes from his writing in dai - probably to no one's surprise. i am not unopposed to having a redemption arc for him in dai - this is villain-fucking the blog, sorry not sorry - but the problem is that he does not have one. to have a redemption arc, the following two things needs to happen:

  1. the realisation/acknowledgement/knowledge/whatever that he caused harm to people with his actions/inactions
  2. addressing the False Belief that he has embraced that has previously justified his harmful actions/inactions in order to accept the Truth (this is just basic character narrative construction).

and dai fails to do both of these because the writing team in inquisition is physically incapable of admitting the chantry is wrong and has done wrong and will continue to do wrong. they are physically incapable of looking at fucked up power dynamics and clear cases of oppression and going "but what if the oppressed people. wanted to be oppressed. NEEDED to be oppressed, even."

which leaves his character arc - whether you want to consider it redemptive or not - confusing. he's trying to shake a lyrium addiction? sure, okay. but why is he addicted to lyrium? why is being addicted to regular ol' lyrium bad? it's not blue lyrium that killed meredith, it's not blue lyrium that corypheus and samson are using.

you get confusing things like cullen's entire character arc being centered around lyrium addiction... but no one seems to give a shit if the inquisitor takes lyrium and becomes a templar, except cullen. you get confusing things like cullen's entire character arc being centered around recovering from lyrium addiction and the templar route in dai and you get to the scene where all the templars get their lyrium draughts. the ceremony and chanting and celebration around getting the lyrium, when barris takes his draught, which is frankly revolting. but it highlights the inconsistency - lyrium, this scene tells us, is good. because the templars are good, and they use it for good. yet cullen's entire arc is about overcoming his lyrium addiction, but don't worry!!!! templars are still good and lyrium is still good. its fucking INCOHERENT!!!!!!

he is addicted to lyrium because that is how the chantry maintains absolute control over its templars. it is a mind-altering substance that causes paranoia, which the chantry specifically takes advantage of and feeds with their all mages are inherently dangerous rhetoric, which is a false rhetoric, as i've pointed out before. but instead of acknowledging any of that, dai's writing goes "lyrium is Bad because [mumble mumble] and its So Important that he doesn't take it so that [mumble mumble]".

because the story is physically incapable of uttering anything even vaguely critical of the chantry.

so, this covers my main issue with his writing in dai. i would ideally try to fix it - without retconning anything he did in dao or in da2. this is what the cullen cult recovery arc is referring to.

i'm not going to go into it in too much detail but the templar order - inclusive of the seekers - fits a lot of the parameters of a cult. specifically, the BITE model, but also this checklist, and a whole bunch of other parameters i found when researching into cults for this specific reason. (which. makes sense. seeing how the orlesian chantry is was also technically a religious cult that becomes the main religion of the lands by actively slaughtering all the other sects)

but what's particularly interesting about it specifically is that, in-world, no one else seems to think it's a cult. for all of cullen's views, he is not the extreme end in da2 - alrik is. meredith is. what's particularly disturbing to me about cullen's point of view is that because he's a product of his environment, because he's a narrative tool representing the chantry's views, cullen's opinions and actions are actually a normality test. people in thedas don't find cullen's views repulsive because most average joes in thedas agree with him. i think it's easy to forget cullen isn't the outlier in-universe - we are.

but, canonically speaking, this is what happens: cullen, like most good antagonists getting a redemption set up, misses his chance to Embrace Change at the end of da2. he sides with meredith too late for it to matter or make a difference - mages (who you learn on the templar route, he's not exactly eager to kill) who he's supposed to protect are already dead. but what happens in kirkwall shakes him to his core and he looks to leave the order entirely - a good step.

the problem is that he leaves the order to join the inquisition. the inquisition, which is headed by the left and right hands of the divine. the right hand of the divine is a seeker herself. the inquisition is spearheaded and justified by the divine, who he has been trained for most his adult life to be subservient to. the divine who formed the inquisition to replace the templar order and hired him to essentially train and recreate the order.

worse, still. no one thinks he did anything wrong. kinloch was not his fault, it was the fault of greagoir and the older templars who were simply not vigilant enough, meredith told him. how he acted to keep order in the circle and the city after the viscount was executed is admirable, cassandra tells him. he was only following orders, leliana admits grudgingly, he stood up for what was right when meredith went too far. no one thinks he did anything wrong, because he is a good templar. because all the atrocities he committed were not committed against people - they were committed against mages, who are not people, not like you and me.

cullen hops from one cult to the next. the inquisition is the exact same thing he's always done and known, just repackaged - quite literally, considering the inquisition's symbol. but canonically, he thinks it's something different. he wants it to be different.

it's not, though.

so, the thought process behind my thoughts for him boils down to this: how does he get the language to describe exactly why this is wrong? how does he get the language to describe why it matters, why it's important, that he hurt real people? how does he get past the Lie that he believes - that he has to be a good templar, to stop anything like kinloch from happening again, since kinloch happened because they weren't vigilant enough, because they were too sympathetic to mages?

his arc shouldn't have just been about overcoming lyrium addiction. his arc should have been a story about recovering from being part of a hate group, a story about recovering from part of a cult.

there's several ways to go about it, i think. and if you want to specifically know how i'm going to do it, you guys should encourage me to write vee verse 😌

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i love u too

also yes, this is exactly it! and i think that's really where the disparity for their writing shines; bioware can easily write a redemption arc for blackwall because his Wrongs have nothing to do with the chantry, compared to cullen's, which are the direct product of everything wrong about the chantry. so they can be like blackwall HAS THINGS to make up for, in a way they can't with cullen, because they've written themselves into this corner for the entirety of dai. i've also mentioned - tho i left it untagged bc i didn't wanna deal with it - but the fact that they chose to have cullen highlight his outrage with how blackwall's men must feel to have been made to do atrocities... instead of the fact that blackwall essentially sanctioned the murder of actual children!!! which i think should be a bigger concern here!!!! it really makes me THINK about him. he HAS been conditioned to think he was just following orders but here is the first possible indication we have that he's angry about it. he's angry, indirectly, about the things he was forced to do (even tho, obvs, he had the agency to Say No, but im looking at it more from a "what does this indicate abt his state of mind" kind of thing rather than what's objective reality).

and i think someone (maybe @/crossdressingdeath??) has talked before about how it's because cullen sees himself in the men forced to do those horrific things. and obviously that post was not intended to be cullen positive but it really makes me SO MAD to see him be able to get so close to the center of his main issues and the main problems and then just MISS IT because bioware cannot commit to it to be like 'yeah blackwall forcing his men to commit atrocities IS evil JUST LIKE the way the chantry forces templars to do atrocities is also evil'. like sure, "just following orders" is not an excuse, and this would have still been a deranged take on the situation, but it would make sense for him to relate to the situation that way. but that they even chickened out of the DIRECT COMPARISON cullen himself could allude to because they Refuse to admit the chantry can do ANY wrong is just fucking aggravating!!!

It's absolutely fucking aggravating, because it solidifies the way the writers wanted us to be ok with being thrown into a pro-chantry group, despite most DA players (i dare say) play pro-mage. They didn't want there to be a choice in the end, at every turn they paint the chantry in the most positive light (to the point of having a pro-chantry mage berate and degrade her fellow mages, praising the abuse in the circles to high heavens)

It's super obvious that the Inquisition was supposed to be a holy war repackaged; a way to reign in the mages with any force necessary if a truce couldn't be reached thru the negotiations (which lets be real, they were never, because the divine, the head of the chantry-the thing holding the structures in place the mages were rebelling against in the first place, was spearheading them), and cullen was recruited to be in charge of the military because he was and still is a loyal soldier to the regime he supposedly left.

And so to me it feels like they phoned in the 'redemption' because nothing bout his actions or opinions change through the games and it's so evident that it's moot right out of the gate. This man saw the atrocities that happened in Kirkwall first hand, saw the slaughter and corruption and STILL accepted the job as commander for a holy army. It's really interesting just how badly they missed the mark with his writing, they completely failed to get anything moderately interesting out of him, recovery- redemption- it could've been a really good anti-chantry templar POV, because there really aren't any. If they want the modern day analogies, many soldiers who serve in real wars become extremely critical of the military because of the things they see, do and hear- seeing some of that in Cullen would've been much more interesting than the chantry-boy through and through they turned him into

i do wonder if he knew what he was accepting, though. his dialogue seems to suggest he was looking for something different when he joined the inquisition, not more of the same. maybe there's even a partial sense of responsibility there that pushes him to the inquisition to help "solve" a problem he kickstarted? this is conjecture and i can fully see/understand the interpretation that he accepted the job knowing exactly what it was, but i think even with his dialogue for it as is, there's some possibility for nuance in the interpretation.

i think ultimately the reason they gave up on writing a redemption for him - and i do feel like they did give up on it, it feels partially written, just left hanging most of the time - is, like i said before, because they refuse to even entertain any anti-chantry perspectives in dai. so even if they had gone with hate group recovery or cult recovery or military veteran routes for cullen, it would've ultimately been done with the utmost disrespect, the same way they treated his addiction problems, because they're pathologically incapable of saying the words THE CHANTRY IS WRONG.

I think Cullen would've known the broad strokes of the Inquisition's original purpose, because Cassandra had no reason to keep it from him, but that might have just been "We're going to get this mage rebellion situation under control". He could've assumed that that meant... you know, solving the problem, not just shoving everyone back in their boxes and watching them even more closely this time. Which could've fed into Trespasser's setup of the Inquisition becoming (I say, like it was a new change and not business as usual...) just as bad and corrupt as the institutions they fought against! That sense of "We were supposed to be better than what came before us" comes out of nowhere in Trespasser because the main game refuses to acknowledge it, and if Cullen's story was more about him trying to begin to work through all the things he was taught only to be blocked at every turn by the Inquisition's refusal to accept that the Templars did anything wrong beyond going a little too far or that Chantry did anything wrong at all that would really help establish that whole situation very early on! Also the dynamic Cullen could've had with mage Quiz if he wanted to do better and unlearn the awful things he internalized but being stuck in such a militantly pro-Chantry organization blocked him from really working on that would've been so much better than the "Don't worry your pretty little abomination head about whether or not I want to cut said head off for being a mage, you're one of the good ones, also I'm a good guy now shut up" we actually get.

^ yes i also lean into this interpretation as well. at the very least, he does have dialogue suggesting he acknowledges that at the VERY LEAST the circles need to change - his suggestion about the hospitals, for example, is very interesting considering kirkwall and anders' clinic, and quite revealing, even if it's not entirely practical/realistic (i.e. not all mages have talents in healing) but it's actually a concrete ACTIONABLE suggestion compared to cassandra who kind of waxes poetic about change without really saying anything.

(i disagree with him, of course, but that's not the point here.)

to me, that seems to indicate he doesn't quite grasp all of the nuance of the inquisition, which is fair, since it flies over most players' heads as well.

and yes. there's literally so little meaningful interrogation of the inquisition throughout the story, and even after the story, simply because bioware cannot admit the chantry is wrong. lmao

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reblogged

i love in hushed whispers, though i definitely think cotj is more fun as a quest, & at the same time i wish the quest were a little less... clunky? a little less one-and-done? retrospectively from trespasser, it's clear that ihw is supposed to parallel solas' own ambitions, but throughout, it also parallels corypheus' decisions to shape the world in the image he knows and is familiar with, and so i really wished those themes had been addressed a little less... clumsily i guess. idk its hard to say but the writing for ihw feels a little loose - the horror of the reality in front of you because it's Wrong and it Shouldn't Be like this, and there are hints of it, but i wish the wrongness had a more visceral impact? i suppose in a lot of ways this was related to game mechanics but hmmmmmm....

slowly starting to hear the song/singing surrounded with red lyrium as you progress through the game, the anchor not working properly/suddenly deteriorating like in trespasser bc of how damaged the veil is, your companions themselves having lyrium growing out of them (+ being "its not as bad as it could be" about it), actually having demons talk to you/try to tempt you as you fight them, reality itself being suddenly flexible (parts of the ground suddenly disappearing or a giant chasm where you have to Believe to cross it - OOOOH something similar to the gauntlet of shar???)....

my fav parts of ihw are when leliana gets furious with you for acting like this world didnt matter and its all just pretend, as if she didnt really suffer. i wish that had been capitalised more - dorian blithely going around saying dont worry we'll go back and erase everything and make none of this matter should have some more impact... more arguments w your companions abt the decision youre about to make to erase everything they know as if everything they suffered wasnt real! i've got a few more ideas but curious abt what everyone else might've wanted to see in ihw

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