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Unruly Sun

@busy-old-fool / busy-old-fool.tumblr.com

Loves to splurge on traditional art commissions and is always looking for new artists to follow. Occasionally makes "a softer world" remixes to deal with feels. Currently obsessed with Banana Fish and The Scum Villain’s Self-Saving System.
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shunya-akira

From Kumeta-Sensei’s Blog… These are the special illustrations that will come with Bokura no Kiseki vol.14. Yeah, if you buy in Japan.

[アニメイト各] (Animate)  描き下ろしイラストカード(皆見&ユージン) –Minami and Eugene

[丸善ジュンク堂書店各店(※一部店舗除く)]  描き下ろしペーパー(春湖&グレン) –Haruko and Glenn

[喜久屋書店(※一部店舗除く)]  描き下ろしペーパー(上岡&ベロニカ) –Kamioka and Veronica….

[大垣書店/今井書店/廣文館/田村書店/中央書店コミコミスタジオ/啓林堂/文苑堂書店/ブックスタマ/朗月堂/ヒバリヤ書店/WAY書店 他(※全て一部店舗除く)]  描き下ろしペーパー(広木&バルト) –Hiroki and Bart

[紀伊國屋書店(※一部店舗除く)] Kinokuniya books store  描き下ろしペーパー(手嶋野&子供ユージン) –Teshimano and Chibi Eugene…. I’m really want this one

[福家書店(※一部店舗除く)]  描き下ろしペーパー(七浦&アシュレイ)– Nanaura and Ashley

[セブンネットショッピング 他(※全て一部店舗除く)]  描き下ろしペーパー(瀬々&ベロニカ) – Zeze and Veronica

So I you got some please share them to me!

Thanks in advance

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Xia Da Signing Event

Ok, a bit of an update to @bridges-you-cross post

Xia Da will have a signing event on February 20th, 2016 (15:00-16:30) in the Taipei International Book Fair World Trade Exhibition Hall. To get an autograph you must first buy a (pass?) from this site. Then you must bring the pass and proof of purchase to participate in the autograph session. They will also hand out limited edition autograph boards and merchandises (not sure if it’s for everyone or only for a select few). 

IF ANYONE CAN NAVIGATE THE SITE AND BUY (TWO) PASSES FOR ME, PLEASE HOLLER. 

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Anonymous asked:

OR EVEN TOBIRAMA AS THE LONGSUFFERING WAITER AND MADARA AS THE FLIRTATIOUS CUSTOMER!! madara returns time after time and tobirama only puts up with him for the big tips the first few but eventually he becomes the highlight of tobiramas shift bc he comes at the same time every day and one day hes not there and tobiramas like WHAT THE FUCK and rescues him from assassins or some shit or just brings his order to his house where hes sick and dammit im hooked on madatobi what have you done

YESSSSSSS CAN YOU IMAGINE THE TERRIBLE PICKUP LINES? Because I can. I can also fully imagine Izuna feeding him said terrible pickup lines because Madara is a walking disaster and (in one of a long list of poor life decisions) trusts his brother to help him interact with other humans. 

okay, okay, hang on:

When Touka leans around the shelf Tobirama always hides behind for her break, she’s wearing that particularly smug, taunting expression that means she’s about to take great pleasure in Tobirama’s pain. He eyes her warily, because unlike his brother he doesn’t still think of her as their nearly-angelic babysitter. He’s taken Chem with Touka. There’s no possible way she’s anything close to angelic. 

“I have sixty-seven seconds of my break left,” he informs her, in a futile attempt to head things off at the pass. 

“That’s nice,” she answers, entirely merciless as usual. If anything, her smile gets smugger. “But you’ve got people at 12. Lover-boy’s back, and he’s asking for you specifically.”

Tobirama would groan, except that he’s not about to give her the satisfaction. Instead, he breathes out very slowly through his nose and pushes to his feet. “I hate you,” he hisses as he stalks past. “And I hate him, too.”

Of course, Touka just blows him a kiss. “No, you love me,” she croons. “And I’m sure if you can get his pants off you’ll love him too.”

He has no desire to learn how she knows that. With a wordless growl of frustration, Tobirama ties his apron back on, curses his brother for ever starting a restaurant, and slams out through the kitchen’s swinging doors. The bane of his current existence is easy to spot, and Tobirama counts to ten, decides that’s nowhere near calming enough, and switches to naming human bones in order of size. 

By the time he gets to fibula, he’s mostly certain that he won’t simply throw his order pad in the man’s face. Steeling himself, he stalks over, pastes on the neutral expression that is the closest he’s getting to a friendly smile, and rattles off, “Good evening. I’ll be your waiter tonight. Can I get you anything to drink?”

Izuna - who is a bastard, and Tobirama would think so even if he hadn’t spent half of their philosophy class arguing at the top of his lungs with him - beams at him and jabs a finger into his brother’s side. 

As is to be entirely expected by this time, Madara flinches, glares, and raises his eyes to meet Tobirama’s unimpressed graze. “Excuse me, but I think you dropped something,” he says. 

This is going to be awful, Tobirama can already tell. He arches a brow.

“My jaw,” Madara finishes, and it might be slightly more convincing if he didn’t grimace as he said it.

Tobirama seals his teeth over the scathing retort that wants to emerge, repeats the first twenty numbers of the Fibonacci Sequence in his head, and flips his pad closed. “Right,” he says blandly. “A glass of Chianti and a dry martini.” Izuna opens his mouth, and Tobirama rolls his eyes and adds, “Shaken, not stirred.” Then he turns on his heel and heads for the kitchen, shooting a grinning Touka his sharpest glare. 

She smirks like a cat in an aviary and puts a deliberate swing in her hips as she moves towards her next table. 

When Tobirama returns with the drinks, Madara glances up, flushes slightly at the sight of him, and tries valiantly, if pathetically, “Do you drink milk? It certainly did your body good.”

It takes effort not to throw the tray at him.

“I am well aware that this is entirely your fault, Izuna,” Tobirama hisses, slamming the martini glass down in front of him. “If you don’t stop, I will make you.”

Izuna, the ass, just smirks at him. “You’ve lasted three weeks so far,” he taunts, so quietly it’s unlikely his brother can hear him. “That’s two longer than I thought you would. Ready to surrender yet?”

Tobirama grits his teeth, breathes out through his nose, and turns to place Madara’s win in front of him with deliberate care. “If,” he says sharply, “You swear on your mother’s ashes that you will never use another of those awful pickup lines, I will let you take me to dinner once.”

Madara blinks. He looks at Izuna, then at Tobirama, and splutters. “You mean they work?” he demands. 

“Not the way you seem to think they do,” Tobirama counters sourly, gives Izuna a poisonous look, and snaps, “I expect you to double my tip, Uchiha.” When Madara opens his mouth, Tobirama adds blandly, “I’ll leave my number on the bill. Do you know what you want?”

“You,” Madara blurts, then looks surprised. Then surprise shades into horror, and he flushes crimson and drops his head onto the tabletop with a pained groan. 

Tobirama feels heat creep up his cheeks, and decides that a strategic retreat is in order. He manages, “I’ll give you a few more minutes to decide,” before he makes tracks for the kitchen again.

Touka is laughing at him from the corner.

Of course she is. 

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Some Chang Ge Xing News

I have one good news and one bad news.

Good news is: Remember the comic exhibition where original artworks of Chang Ge Xing and the sword and dagger were displayed? It’s coming to Taipei. (Okay, so I guess this good new only applies to those who’ll be in Taipei during that time, but still, good new is good news.)

It’ll take place from Feb. 19 to Mar. 13 at the Taipei International Book Fair World Trade Exhibition Hall, as well as the grand opening of the Dyna Eslite Bookstore (I think that’s what it’s called). I’m not sure how this works with two locations; I guess it’ll be at one location for a period of time and then move to the next? There’s also no detail about the agenda of the exhibition yet, but Xia Da will be coming along so maybe there’ll be a signing session or giveaway of original artworks?

So that’s the good news. The bad news is, since Xia Da will be coming along with the exhibition, there will be no new Chang Ge Xing chapter for Feb. 28. Boo. But it’ll be back to normal on Mar. 14.

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So I joined a macaron-baking class this weekend, and while the results are less than stellar (the meringue is uneven, I’ve forgotten the steps to make the filling, it was too sweet, etc) and I don’t have the proper equipment (translation: I don’t have any equipment), I am so pumped to make akayona macarons. And cgx macarons. And bokuseki macarons. ALL THE MACARONS. 

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murkymuse said: I know I saw someone repost one of your commissioned fanart, and they didn’t seem to have permission at all. And that annoyed me. So I don’t think you’re being ridiculous at all.

Thank you Murky, that does make me feel better. Usually I just tumblr savior the reposter, but occasionally I do stumble upon a reblog (of that repost) when I’m browsing. :/

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Cynthia is a 22 year old artist from Indonesia. She started making art regularly in her teens, and decided to focus on it completely around the age of 20. Her motivation to create comes from the small moments in her life:

“My inspiration mainly comes from daily life, those little but meaningful things like conversations with friends or encounters with interesting strangers and places. In a sense, drawing is like my love letter to them. I adore simple and honest stories. I enjoy them most in film and comic forms, particularly those that tend to be labelled as “alternative”. I think they make such brilliant way to communicate and they posses a certain raw beauty. You can walk away with different things every time you revisit them and your view about life shifted a little bit each time as well. I wish I can achieve something like that someday. So, I guess the reason I enjoy drawing now is because I enjoy telling stories.”

Her favorite artists include Yoshitaka Amano, Sally Mann, and Taiyo Matsumoto.

Want to find more talented artists like this? Follow Cross Connect and you won’t be disappointed!

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when you’re reading fanfiction and you get so involved in the story you start imagining different scenarios in that same universe and then it’s fanfiction fanfiction

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Anonymous asked:

Honestly I feel sometimes like the problem with Song of the Long March fics is that writing in the canon can be a little bit difficult because of all the history involved... AUing it would be easier, but the characters also have a period and cultural sensibility that's tricky to translate to modern times. It's not just this, but a lot of other historical (and non-fantasy) manga I've read seems to have the same issue.

I agree. Then again, non-western historical mangas don’t tend to have an active (English?) fandom in the first place (the only exception I can think of is Rurouni Kenshin, and even then AUs tend to prevail). Which is a pity, since aside from Chang Ge Xing, I’m also thirsting for fics of Otoyomegatari and Ooku: The Inner Chambers…

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