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#lucy westenra – @bunnyinatree on Tumblr
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@bunnyinatree / bunnyinatree.tumblr.com

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"For a moment or two I could see nothing, as the shadow of a cloud obscured St. Mary’s Church and all around it. Then as the cloud passed I could see the ruins of the abbey coming into view; and as the edge of a narrow band of light as sharp as a sword-cut moved along, the church and the churchyard became gradually visible. Whatever my expectation was, it was not disappointed, for there, on our favourite seat, the silver light of the moon struck a half-reclining figure, snowy white."

Mina and Lucy in the kirkyard at Whitby, August 11th.

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see-arcane

Somewhere on a cloud, a girl is waiting. She has been for months. 

As the sun sets on Earth, a familiar voice speaks up–a put-on drawl that even now makes her laugh, despite everything.

“Well, hello again. Fancy meeting you in a place like this.” He finds her hand and kisses it. The drawl thins to something warmer. Truer. “Everyone sends their love.”

She knows. She wishes she could send it back. But there will be time enough for that. For now, though, won’t he sit here a while and tell her a story? This place has many things, but is so lacking for good storytellers. He figures he can stay a spell and accommodate her. 

So they sit and he speaks and she hears how those who loved and were loved by her set out to slay a Dragon.

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animate-mush

Ophelia...

Ophelia who drowned, bedecked with flowers. And Lucy, bedecked with flowers as if for burial, who describes her experience thusly:

and then I seemed sinking into deep green water, and there was a singing in my ears, as I have heard there is to drowning men;

Ophelia, whose flowers were a warning and a judgement (unheeded), and Lucy's, whose flowers are a ward and and a protection (and will they be heeded?

Ophelia, singing: "there's rosemary, that's for remembrance. Pray you, love, remember." But Lucy's garlic, like the lotus flowers or the waters of the Lethe, will "make [her] troubles forgotten."

Ophelia, who killed herself - or did she? Did she go to the water or did the water come to her, the gravediggers argue. And Lucy, who, sleepwalking, brings herself to Dracula, under her own power, as Ophelia brings herself to the water - but not of her own volition

Ophelia, deceived by her lover (for her own good?) to her great detriment, locked out of his plans - and Lucy, who must be told nothing, not even the efforts made on her behalf

Ophelia, so dutiful to her only parent, adjusting her romantic plans to please him, devastated utterly by his death. And so dutiful also Lucy, choosing the suitor most approved by her only parent, whose life or death are likely to prove equally devastating

Ophelia, abandoned and failed utterly by the men who love her, who can only act their love by fighting over her tomb. Versus Lucy, beloved by all, whose emperillment only brings them closer to each other for love of her - but nevertheless they fail her, and nevertheless they leave her alone

Ophelia, who might have been murdered by her mother-in-law to keep a deadly secret, dying in Gertrude's care who called her daughter. And Lucy, being just as surely killed by secrecy, left her mother's care which should be the deepest, but who turns her away in her hour of need

Ophelia, guarded closely by Horatio, who leaves in haste upon receiving Hamlet's letter from overseas. Just as Mina, who guarded her so closely in Whitby, leaves Lucy in haste, receiving news of Jonathan via overseas letter

Ophelia, who, as a suicide, must not be buried in hallowed ground - but is anyway, by royal mandate. And Lucy, who made her favorite seat on a suicide's grave. If Lucy dies tonight, her very soul stolen by a creature of darkness, how will she be buried?

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[Spoilers: Very vague allusions to upcoming events.]

If you read Renfield's September 17th attack on Seward as being directed by Dracula as part of his plan to facilitate his final attack on Lucy (and I do), his sudden knowledge of Lucy and her death and his brief conflation of Lucy/Mina takes on a whole different dimension.

There's going to be a lot of hard-hitting Renfield content coming our way, and my reading of the text has long been that part of what changes for him is that he is suddenly made to confront the reality of the Count's victims. Lucy, however Renfield learned about her, is an abstraction. Mina is a flesh-and-blood human woman who sees Renfield and immediately acknowledges his humanity in turn.

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“Do you ever try to read your own face?” / “More bad dreams. I wish I could remember them.”

[ID. An illustration of Lucy Westenra in profile, looking into an oval wall mirror. Lucy wears a pale yellow tea gown with a ruffled collar, a wide olive sash and a muted yellow robe with leg-o-mutton sleeves. Her auburn hair is styled in a Gibson-Girl updo. One hand is clutched to her chest, while the other feels her throat. Lucy’s reflection mirrors her pose, except for a hand that reaches beyond the frame and delicately cradles Lucy’s chin. Lucy’s reflection is deathly pale, her hair falls in loose waves behind her, and she wears a white wedding dress with a form-fitting bodice, and a transparent veil that covers her entire form. Underneath her sheer ruffled collar, two tiny punctures on her neck drip blood onto her collarbone. End ID.]

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