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#reference – @brotome on Tumblr

artist + salaryman arc

@brotome / brotome.tumblr.com

max/brotome | 30+/M/OH
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nnaalluuaa
MTV Video Music Awards Posters, 1999

Britney Spears as Violetta Valéry (La Traviata, Giuseppe Verdi) Janet Jackson as Cleopatra (Giulio Cesare in Egitto G. F. Händel) Chris Rock as Rigoletto (Rigoletto, Giuseppe Verdi) Ozzy Osbourne as Pagliacci (Pagliacci, Ruggero Leoncavallo) David Bowie as Mephistopheles (Faust, J. W. Goethe) Madonna as Norma (Norma, Vincenzo Bellini)

Photography: Mark Seliger / David LaChapelle (Madonna)

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vegans making honey a bee labour issue is the funniest thing imaginable because like, you picked the one animal that has already unionised

You literally could not exploit bees if you TRIED

"Oh well if you stop the queen leaving the bees are trapped" wrong, bees can and will swarm without a queen. They will also make new queens if they don't think theirs is good enough

"Bees don't consent to their honey being taken" wrong, bees are actually more than intelligent enough to know we take the honey. They LET us take the honey if they think what we provide in return (shelter, food, protection) is a fair deal.

"Taking honey starves the bees" WRONG AGAIN! Domestic bees overproduce honey. A beekeeper NEVER takes honey the bees would need because then you piss off the bees, and if you piss off the bees you don't have any bees. They stockpile honey for the winter, but because domestic colonies do way better than wild ones they stockpile too much. That's why beekeepers can take out whole frames and then have them filled in no time. Domestic bees actively overproduce because they know humans are going to skim some off the top.

And if they didn't want humans to take it, beekeeping WOULD NOT work.

To keep bees you have to let them fly free. If they can fly free they can leave. Meaning if they don't like what you're doing, they WILL leave.

The whole idea they're basically slaves to the queen is also not true, they can just make a new queen literally whenever, and if they don't like her, they kill her.

There is no way for a beekeeper to exploit their bees. The bees are EMPLOYEES.

Employbees, if you will.

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neil-gaiman

Local beekeepers producing honey are not exploiting bees.

But the people putting billions of bees on trucks, trucking them around the country from Florida citrus or avocado groves to California almond farms, feeding the bees sugar water, and using them to fertilise the fruits and vegetables that proud omnivores and vegans will be consuming, they are definitely exploiting and murdering bees.

Here's a link that explains the kind of thing I'm talking about:

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the only bad part about going to the zoo is hearing adult men confidently tell their kids or gfs objectively incorrect information about the animals we’re looking at and having to remain silent. do u know the restraint it takes to say nothing when a grown adult man tells someone “falcons are in the same family as eagles” next to me? no babygirl. no.

fyi falcons are not closely related to other birds of prey (hawks/eagles/buzzards). falcons are actually parrots that minmaxed for a glass cannon dps build.

assault parrots, if you will

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[image description: a tweet by user @indigenousAI saying

“fun fact: as a DV survivor i cannot register to vote because doing so makes my address public. anyone who is fleeing or hiding from an abuser is automatically disenfranchised from the political process and this is a feature, not a bug”]

I don’t know of the original poster might not be aware

but!

if you’ve been a victim of domestic violence, sexual assault, or stalking, you can enroll into the address confidentiality program (free of cost!) and be registered to vote as an absentee voter and your name and address will not be made available for the public

it is super easy to get enrolled - the application takes like 5 minutes, but it has to be with someone who is certified to do it (most likely an advocate! try going to a family justice center in your area or calling the Attorney Generals office in your area!!!!)

ALSO : 

you don’t need to have any police reports or have a protection order to qualify!!! you just have to sign stating that you’ve been a victim of one of the aforementioned crimes.

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debthedemi

Reposting as Primaries and General Voting are coming up.

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isa-ah

THERE IS. a website. that takes 3D models with seams and pulls it apart to make a plushie pattern and informs you where things need to be edited or darts added for the best effect. and then it lets you scale it and print off your pattern. and I want to lose my MIND because I've lost steam halfway through so many plushie patterns in the mind numbing in betweens of unwrapping, copying all of the meshes down as pieces, transferring those, testing them, then finding obvious tweaks... like... this would eradicate 99% of my trial and error workflow for 3D models to plushies & MAYBE ILL FINALLY FINISH SCREAMTAIL...

so this website let's you:

  • import a model
  • create seams in browser
  • tells you how accurately the seams will recreate the model when sewn
  • let's you designate fur direction
  • let's you import markings so the pattern shows exactly where they go on the piece
  • let's you add little measurements on the model that are also visible on the pattern
  • let's you paint the model to play with fabric colors
  • let's you name each piece so it's easy to sort the pieces later
  • let's you scale it beside a human
  • then calculates how much of each type of fabric you need, BASED ON YOUR DESIRED SEAM ALLOWANCE..
  • and finally gives you the finished pattern with the detailed names and instructions it's transcribed from your notes

this is. beyond. this is BEYOND. and as far as I can see it's free???

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This is the sacred texts, this is the holy grail.

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Undersea cable cross-sections h/t Fipi Lele

Beautiful, right? When they first started laying this stuff across the Atlantic during the late Victorian, people made this stuff into souvenir jewelry:

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Anonymous asked:

I'm tired of my ideas always being big. It's overwhelming. I like seeing others' WIPs and ideas because they're just so simple... Like, that comic about a mermaid living in the ocean in our modern time and dealing with plastic trash. So simple and my own brain is bursting with ideas. But my own WIPs... they just start huge. I'd like something smaller... but I don't know how.

Stories Always Get Too Big

Stories can get out of hand quickly when they sprout too many independent threads. There are three primary culprits that serve as sparks that create these threads:

1 - Setting 2 - Non-Protagonist Characters/Relationships 3 - Back Story

The thing to remember, though, is that no matter how interesting your setting is, no matter how compelling your other characters are, and how fascinating the back story is, those things are not your plot.

Plot is the sequence of events through which the protagonist (and potentially other main characters) attempt to resolve the story's conflict by overcoming obstacles and setbacks in pursuit of a goal.

In other words, focus on this:

the protagonist > their normal world > the event that introduces a problem they must resolve > the goal they formulate in order to resolve that problem > the events that occur as a result of their pursuit of this goal > their attempts to overcome obstacles and setbacks encountered along the way > their attempt to solve the problem once and for all > failure or success > life in a changed situation/world

Anything else doesn't need to be there unless it is critical in order for one of the above steps to make sense.

So, let's take your mermaid example... though I haven't read that comic so I'm winging it here:

the protagonist = mermaid normal world = doing mermaid stuff inciting incident = finding plastic trash in the water goal = clean up/find the culprit and teach them to do better events = cleaning up, learning about humans, tracking down culprit climax = mermaid appeals to humans to do better finale = mermaid is living in a cleaner ocean

Now, let's say your brain starts to go off on a tangent about a deep oceanic rift and an evil merman wizard who lives there... stop right there. It's a fun idea, but what does it have to do with this story? How does it relate to the trash, clean-up, finding the culprit, or appeal to humans to do better? It doesn't. Theoretically, you could make it make sense... like, maybe the merman wizard likes the trash and wants the ocean to be dirty and gross, so maybe he is opposing the mermaid's attempts to clean up and to appeal to the humans. Okay, that works, so you can keep it. But, let's say you also have this idea about these creatures that live around the hydrothermal vents, and the mermaid meets and falls in love with a scientist who's studying them. Okay, again, interesting idea, but this one is much harder to fit in with the rest of the story. Sure, you could say the scientist is studying marine pollution instead... that brings it back around to the main conflict, but still, what does this relationship add to the story? How does it help or harm the mermaid's mission? How does it help to explore the story's themes or help deliver the message? It doesn't really sound like it does, so this would be an example of a thread you can probably snip.

And the thing is, it would be okay to follow a thread like that while you're plotting or writing your first draft, just to see where it goes and see if you can make it work. Part of why we edit and revise is to snip out the threads and elements that aren't pulling their weight. But learning how to curb them as they occur to you will help save you work later on down the line. Try writing those ideas down in an ideas document, and maybe those can be worked into different stories, a sequel, or a companion story.

One final note: I am very much aware that there are some epic writers out there who let wild tangles of threads sprout as they write, and they follow them all without abandon, relevant or not. That's okay, too. These are writers for whom that works, who don't feel overwhelmed by all of those threads, who want to write something bigger and more unwieldy. Maybe in time as you get accustomed to writing smaller, tidier stories, you embrace the bigger stories your brain wants to tell. Or maybe you don't. Whatever works best for you is all that matters. :)

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

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fiti-vation
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ernasd

oh this is a life saver

So these are both “Aw Fuck I’m outta real food” meals BUT ALSO:  if you’re learning how to cook, these are great “baby steps” meals to learn how to cook basics into something enjoyable without “wasting” anything expensive.  Though I maintain that even cooking screw-ups are valuable in terms of lessons learned.

Also they’re great for when you get absorbed in something and you realize your blood sugar is dropping and you need to make something Quick.

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petermorwood

Making basic storecupboard or fridge ingredients less basic and more nutritious.

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neil-gaiman

This is wonderful.

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brotome

they've been inactive for a while, but @no-more-ramen is another great resource for simple meals with a great filtering system!

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53v3nfrn5
Shearing half a sheep seemed a simple way to show a season's growth of wool, but photographer Cary Wolinsky was wrong. The half-shorn sheep tended to lose their balance and topple to wool-ward. It took many tries before merino sheep number 30 “became our hero," Wolinsky said.
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Some more easy comment ideas to leave on your favorite fics:

1. LETS GOOOOOO!!! (after a particularly exciting chapter)

2. Ohmygosh yes!!! You get it!!! This is exactly how I imagine this [character, dynamic, scene, au, ect]

3. Noooooooo 🥺🥺🥺🥺 (after a particularly devastating chapter)

4. Heck Yeah!!

5. My children! You hurt them! How dare!

6. You have blessed us! May both sides of your pillow stay cool! (Or any other blessing of your choice)

7. Thank you!

8. It even [surprised, shocked, broke my heart] on the reread! Excellent work!! (Only if this a reread)

9. I wish I could leave a longer comment, this fic deserves one! Bravo!

10. 10/10 would let break my heart again

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How to Handle Critique

I’ve got to admit, I wish I was one of those beatific saints that could take critique with a grateful smile. Instead, I am constantly suppressing a horrible little gremlin at the back of my head hissing at anything from legit plot critiques to grammar corrections. I’m well aware I used that comma wrong, GOD.

Don’t get me wrong, I’m very good at suppressing that gremlin, but the little bastard is still there. He exists because even though your brain knows critique can help, it also knows you worked damn hard on the thing being critiqued, and goddamnit, isn’t that enough???

Anyway, here are some tips on getting that gremlin to shut the hell up.

It is okay to be upset. You worked really hard on this thing, and now someone’s gone and pointed out all the things that suck about it. You cannot control how you feel about one thing or another, but you can allow yourself to feel that way and let it pass through you. Let your critique partner you’re taking time to reflect on it, and go for a walk. Do something else. Let those feelings pass through you before you get back to the page.

Give yourself time. Don’t feel like you need to correct things right away (unless they are minimal grammar tweaks). Some pieces of feedback might take awhile to sink in, especially when you’ve got a whole novel to wrestle through. Set it aside, think about something else for a week or so, and get back to it when you’ve reset.

Get a second opinion and/or ducky friend. It can be very hard to tell the difference between good and bad feedback sometimes. Someone who means very well could give feedback that just doesn’t work for you, and someone who doesn’t give two shits could have spotted that fatal flaw right away. You can bring in a real third party or just make use of the old rubber duck technique, where you talk through the issue with a friend or a Naruto poster telling you to Believe it. Working it out out-loud is a really effective technique to figure out what needs fixing and what doesn’t.

Guide critique-givers toward the feedback you want. I, a person who prefers straightforward fantasy and sci-fi, cannot give the fine-tooth points on how a romance novel should work. However, I can give feedback on what works for me and what doesn’t story-wise. Giving your beta reader or critique partner a list of questions to look for will help avoid vague feedback based on how they don’t like the genre. There are many ways to do this, but consider using the following as a base to tailor your own questions:

  • Did you get a good sense of the setting? Did the worldbuilding make sense to you?
  • Was this story clear? Where there any parts that seemed confusing?
  • What characters did you like and why? What characters didn’t you like?
  • Did any parts of the story feel slow or repetitive?
  • Did the beginning draw you in? Did the middle keep you engaged? Did the ending feel satisfying?
  • If you were to write [insert plot point here], what would you do differently?

Again, all of the above questions are up for debate depending on your goal, but we are rarely taught how to give good feedback, and a guided feedback session would work better for you than a free-for-all.

Figure out what kind of advice doesn’t work for you. It is really hard to give good feedback sometimes, even with guided questions. It can also be really hard to figure out why some feedback doesn’t click with you, and that’s a matter of digging deep to figure out what you really want. You may lean toward characters who are horrible fuck-ups, but your partner prefers more steady characters who always strive to do the right thing. Your characters, therefore, may never click with this person, no matter how much they want to help you. And that’s okay! Figuring out where your critique partner is coming from can help you figure out what parts of their feedback isn’t working for you. Sometimes the only thing you can do is thank them and move on, but you might also want to guide them to focus more on the plot or the worldbuilding when looking at your work.

And last, don’t focus on grammar. It’s great if they point that out, but if you end up changing everything, trying to fix that first is a waste of your time. Grammar tweaks last, plot points first.

And, I dunno, give yourself a treat to get that horrible little mind gremlin something else to focus on. Sometimes patting those bad feelings on the head and sending them away can help way more than ignoring them.

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