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#heathcliff – @bookwormchocaholic on Tumblr
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Skillful Writer

@bookwormchocaholic / bookwormchocaholic.tumblr.com

Christian. Manic Rumbeller. Period Drama nut. Chocolate and coffee addict. Book lover. Well, that's about it.
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In light of all the recent Wuthering Heights discussion about Heathcliff's race, whether he's necessarily a man of color or might just be a dusky-skinned white man, and all the evidence that could point either way in the text, I'd like to share these comments.

When Heathcliff comes back after his three-year absence, Nelly describes his cheeks as "sallow" – a dull, sickly yellowish color.

Jane Eyre uses the exact same word to describe the complexion of Richard Mason, Bertha's brother.

I used to focus on that description of Mason as evidence that Bertha and her relatives are white Creoles (e.g. of Spanish or French descent), not part-black Creoles, and that besides ableism, the problem with Bertha's characterization is xenophobia, not racism. Charlotte Brontë called Mason's skin "sallow," not "dark."

But with the reminder that Emily Brontë used the same word to describe Heathcliff's complexion at one point, I realize it's ambiguous. On the one hand, that description might imply that Heathcliff is paler than we'd expect, and that by modern standards he might (just might) be an "ethnic white" man, not a man of color. On the other hand, the fact that an obviously POC-coded character like Heathcliff can also be described as "sallow" shows that this word doesn't necessarily mean Mason's skin is light.

Meanwhile, departing from the subject of race, rereading that scene of Heathcliff's return makes me notice its parallels with the earlier account of Hindley's return from college.

Both Heathcliff and Hindley come back after being gone for three years – the exact same amount of time – and are both greatly changed in their looks and demeanor. Both are better educated and more socially aware than they were before, both have become crueler and more ruthless, and both are ready to use the power society grants them – either through money, status, or the patriarchy – to "crush those beneath them," as Heathcliff says. And both, I now realize, are described as looking more sickly than before. Hindley more so, since Nelly describes him as thinner and paler than he used to be. But even though Heathcliff's body looks stronger and more athletic than before – which makes Nelly guess he might have been in the military – his complexion has turned sallow.

Throughout the book, sickliness is associated with over-civilization, while "robust good health" is enjoyed by simpler people attuned with the Yorkshire countryside and its culture. This is most obvious in the illnesses and premature deaths of Catherine (which happens because she betrays her true nature and becomes over-civilized), Edgar, Isabella, Linton, and Frances. But maybe it also appears in the thinness and pallor of Hindley and the sallowness of Heathcliff's face when they come home after three years of becoming more "civilized" and quickly turn to villainy.

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"A ray fell on his features; the cheeks were sallow, and half covered with black whiskers; the brows lowering, the eyes deep-set and singular. I remembered the eyes." Wuthering Heights, Chapter X.

(Yes, yes, I know there are other Heathcliffs, but these were the ones I thought were funny for this purpose, I do what I want)

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Maybe I’m the odd one out here, but I’ve never read Wuthering Heights as ending with Heathcliff trying to repent. Do I think his conscience is probably pulling at him a bit? Yes. But I don’t think he feels regret for what he’s done. I think he’s just too tired to bother anymore. He got what he wanted, but it’s a hollow victory, and he knows it. Like Cathy II tells him, no one loves him. He has no one, and no one will lament his death (besides poor Hareton, but even that’s a slap to the face because he’s Hindley’s son). He’s won, but Catherine is still dead, and all he has is his money and two living reminders of what he’s lost living in a house that is basically a tomb. I don’t think he “feels guilty” I think he just gives up and lets go so that he can get what he’s really wanted all along: reunification with Catherine upon the moors

I agree, though there's also the fact that he can't bring himself to harm Hareton anymore because he sees too much both of his own younger self and of Catherine in him. But even then, he hates that he feels this way and wishes he never had to see Hareton again.

To me, the fact that Heathcliff never regrets what he's done and never redeems himself is part of what makes the ending. The fact that Emily Brontë believably makes Heathcliff lose his will for revenge and creates pity for him, yet without giving him any belated, out-of-character guilt or repentance, makes his characterization so much richer and more subtle than some people think it is.

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wahbegan

Heathcliff goes out in the best way i've ever seen any antagonist(???) go out, though.

He wins, he gets his revenge, he totally fucks over and abuses everyone, he wins The World's Biggest Asshole award, and then he sits back and goes

"Wow....that did nothing for me. I literally don't feel any better this is bullshit."

And then he just fucking stops eating and dies. King shit

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kajaono

Finding out that Mr. Heathcliff is a person of color I wonder if past adaptations also portrayed him like that or casted a white man for his role

*has war flashbacks to 20.000 leagues under the sea-adaptations*

1938, Lawrence Olivier:

1970, Timothy Dalton:

1978, Ken Hutchinson:

1992, Ralph Fiennes:

1998, Robert Cavanah

2004, Alessio Boni (I'm being evil and including this Italian one because I find it amusing):

2009, Tom Hardy:

2011, James Howson:

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Adaptations have two types of Heathcliff:

- Brooding and slightly evil English gentleman

- Absolutely wild agent of chaos that eats mud and drinks raindrops and can’t function in society

Sometimes a Heathcliff in a movie will be a mix of both.

The actual Heathcliff from the book is neither of these things. He is a surly and rude rural landlord that can perfectly function in society on a normal day and is fairly capable of doing things that he sets his mind to do but he is also very authoritative, not really educated and capable of getting very emotional or angry when his buttons are pushed. He is a functioning human being up until the very end and is composed enough that someone like Lockwood can consider him to be a potential friend and be very surprised when he reveals that he believes in ghosts, but he is also very much devoid of politeness or refinement of any kind. He is not Sir Laurence Olivier but nor is he a crazy wild child.

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blogjaneeyre
“You said I killed you - haunt me then. The murdered do haunt their murderers. I believe - I know that ghosts have wandered the earth. Be with me always - take any form - drive me mad. Only do not leave me in this abyss, where I cannot find you! Oh, God! It is unutterable! I cannot live without my life! I cannot live without my soul!””

— Emily Brontë, excerpt from Wuthering Heights (via virgin-martyr)

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