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@blackfilmmakers

A Space for Aspiring Filmmakers and Movie Enthusiasts
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Anonymous asked:

Hello! I was wondering if it was Okay to ask for some tips on how to write a black horror antagonist respectfully? I’m a horror author and I realized that my horror villains are not very diverse, but I’m afraid of falling into stereotypes.

Things to consider when making a Black Horror Antagonist:

-Who is the protagonist in relation to this Black antagonist? Is it a White kid? A group of people with fairer skin compared to the Black antagonist? If you aim to make diverse stories, you can't just make the antagonists poc and call it a day. Society already use the narrative that Black ppl are out to terrorize White neighborhoods with malicious intent, to justify killing us. Birth of a Nation glorified the Klan so well(cinema-wise) it literally brought back the Klan. We also have this ongoing rise of anti-Haitian crimes(AntiBlackness overall) because some White woman wanted to make a meme of Haitians eating cats

-If they are a magical antagonist, is the magic they used based on Black or Brown cultures that are already demonized enough? The recent rise of anti-haitian propaganda does stem from the stereotype that Haitians practice cannibalism for their "satanic" ritualsm. Which the word, "cannibal" was a slur that refers to islanders apparently. Anyways you can have your magical Black antagonist, but if they start writing in vodun symbols and wear feather headdresses, reconsider that it's just "if it's a vague Black/Brown religion it's automatically scary"

-What is their personality like? Are they cunning and creative and clever? Or are they a simple-minded beast? In The Promised Neverland we see two caretakers(they are antagonists): Isabella and Krone. Isabella is a fair-skinned woman who is presented as intelligent and cunning with her villainy. Whereas Krone's villainy depicts her as a monstrous beast. We already have enough Black antagonists that are essentially the main villain's attack dog, with very little focus on their motivations. If you wanted to write about a monster/beast that has no intelligence you could always write that instead. But if you have a Black human being, well humans can be written in so many different ways, do use that opportunity

-Consider whether or not your Black Horror antagonists are ableist narratives. Ableism is already a problem in horror stories already. But when it comes to Black neurodivergent/disabled people, you have to be extra careful with that. Sonya Massey's disability (and aave) made those cops murder her because at the end of the day, she's a Black woman they didn't bother to hear out, and needed an excuse to shoot her. What you write as a "scary" trait for your Black antagonist, could support ableist narratives that disabilities/neurodivergency are inherently dangerous

-Colorism can be an issue here as well. Even if you do have a Black protagonist, are they someone who is lighter than the villain? Dark=/=Inherently Bad, and Light=/=Inherently Good

-Horror is all about exploring a fear (societal or individual). So this is when you have to ask yourself, what do you fear? What do you think your readers' fears are when they read about this Black villain character? You can't control your readers' perception, sure, but fiction doesn't exist in a vacuum. It can challenge societal expectations or support them. So with all the points I listed down above and whatever points I didn't say, this could all attribute to the "horrors" or the "thing you need to fear" in the story. Do your readers find the Black antagonist scary because they are a well written antagonist with proper motivations? Or are they conditioned to see Black people as scary?

-In terms of how these characters speak or their motivations, that I have to advise getting several Black beta readers(that aren't just your friends) to have review your work. If your character is a disabled Black person, get a disabled Black reader. If they are Jamaican character, get a Jamaican reader. Hell, ask these readers if they even find your Black villain intimidating or compelling.

All in all, if you write about a Black character you really need to write them as you do for your White characters. The problem I think most nonblack writers have with this advice though is that they read that as "write Black characters as White(the default)". That won't work. You always have to consider a Black character's Blackness and how that interacts with the world you created

@/writingwithcolor and @/creatingblackcharacters would probably have more input

TLDR: Make the final girl a darkskinned Black woman

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Anonymous asked:

its an animated horror short in the works about a girl traveling to nigeria for her grandfather's funeral rite and ending up suspecting she's being followed by a real masquerade

from what I've seen of it so far, it's pretty cool

Oh, this looks very interesting, I would love to see the completed short

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In my experience, horror fans are by and large lovely people with a very healthy relationship to their genre of choice, but sometimes they fuck up and say something that in their ears sounds very affirmative of the movie of discussion and to everyone else sounds like the most sinister shit.

I mean the line that I think of first is “A kid dies in this movie.”

Which I suspect to horror fans is shorthand for “The director of this movie subverts horror tropes (wherein kids are usually immune to the monster/slasher/source of terror) to make something that is deliberately shocking. Seeing a child character die in this story is not a happy thing or a good thing, but for a horror story emphasizes that nobody is immune to the source of the terror, which makes the horror more serious and scarier.”

And to everybody else just sounds like “Oh this movie’s great! A kid dies in it!”

[ID: tags that read "op do you care to elaborate" /end ID]

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"There were people that deserved to be in those traps though!"

I know there were some truly evil guys in these movies but the point is if you let this one dude, with the worst combination of a god and victim complex, feel like the authority on who gets to live and who gets to be tortured to death?

Yeah you're essentially supporting stuff like the prison system, because "well there are some bad people in this world"

One victim was a janitor that just smoked a lot, Jigsaw is just an asshole he shouldn't have this authority to begin with he's the villain!

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reblogged

critics truly have no idea how to rate horror movies like some of the best horror movies out there have the worst ratings ever

sorry but you couldn’t pry these “bad horror films” from my cold dead body

every single one of these movies are elite and i highly recommend any horror fan to watch all of them

to prove my point even further - the new Dracula film, The Last Voyage of the Demeter, does an excellent job of taking a brief chapter from Bram Stokers Dracula and expanding it into a full movie while also respecting the original work

not only does it have a black male lead (Corey Hawkins) who is both a compelling and well rounded character who you truly root for

But also

the movie wasn’t afraid to make Dracula absolutely terrifying like in the novel (it seems like they even took inspiration from older films like nosferatu)

overall the film played a great homage to the original Bram Stoker novel while also modernizing the horror of Dracula and vampires

and of course…..like any good horror film…it was panned by ✨critics✨

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people who don’t watch horror movies are SO confident that they know everything there is to know about the genre. like it’s okay to not know things. it’s okay if you don’t like friday the 13th or whatever. i promise you don’t need to make an ass out of yourself on the internet about it

horror is an incredibly diverse genre, because there is potential horror in everything. it’s in nature, it’s in architecture and technology, it’s in human relationships, it’s in folklore, the past, the future, the mundane. there are horror movies from all over the world. it is straight up anti-intellectual to pretend that the handful of B slashers you’ve vaguely heard about comprise the totality of what horror has to offer. If you’re just not interested in horror, or if you dislike certain subgenres of horror, then that’s fine, you’re not obligated to like anything at all. but smugly announcing that you don’t like horror because you dislike a handful of VERY specific non-universal tropes is just as stupid as saying that you hate comedy because you don’t like adam sandler movies.

this is what I mean by anti-intellectualism btw

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In my experience, horror fans are by and large lovely people with a very healthy relationship to their genre of choice, but sometimes they fuck up and say something that in their ears sounds very affirmative of the movie of discussion and to everyone else sounds like the most sinister shit.

I mean the line that I think of first is “A kid dies in this movie.”

Which I suspect to horror fans is shorthand for “The director of this movie subverts horror tropes (wherein kids are usually immune to the monster/slasher/source of terror) to make something that is deliberately shocking. Seeing a child character die in this story is not a happy thing or a good thing, but for a horror story emphasizes that nobody is immune to the source of the terror, which makes the horror more serious and scarier.”

And to everybody else just sounds like “Oh this movie’s great! A kid dies in it!”

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