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Just a Duckling with Thoughts

@billyshakesp

She/They, Minor I'm a ghost, or a duck, or a Shakespeare named poet, whichever you so choose. I'm just a little guy with an affinity for stories.
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Welcome to my Laboratory

Please, enjoy your stay.

Hello! I'm just a nerd with a head full of thoughts. Occasionally, the thoughts are coherent!

I'll mostly blog about whatever topic I'm fixated on at the moment. I'll try to make updates on my current fixations, but these updates will be quite erratic. Thank you for your patience.

Anyone is welcome here, though keep in mind that I am queer and I am a minor. Please do not be a creep. Furthermore, hate of any flavour is prohibited.

And, lastly, I'm excited to have you here, my darling.

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reblogged

Harrowhark fully intended to go back to her body and consume Gideon's soul at the end of HtN.

I think the first time through, the ending reads otherwise, especially after what Dulcinea tells Harrow about something— potentially Gideon— controlling her body. But paying attention to some key details in that final section very clearly tells us otherwise:

I do think that she genuinely considered staying in the River as the Canaan house bubble collapsed, but instead she says no. She declares to herself that she's going to leave, as if almost to give herself the strength to do so.

She's already considered the options she has if she wants to avoid destroying Gideon's soul. None of them even slightly guarantee that she won't just end up back in her own body and destroy Gideon's soul anyway, because of the fact that a soul is naturally drawn to it's own body.

So, in spite of what Dulcinea tells her, she chooses to go back to her body because there are genuinely no other options left to her; it's either go back to her own body, or potentially go mad in the River and end up back in her body anyways. From what she knows, there is nothing else for her body to inhabit. There are no other known options but the two presented to her by Abigail.

That's why I think that if it was genuinely Harrowhark's intention to stay in the River and give her body up to Gideon, the narration at the end of HtN would've been very different.

It'd be weird if the narration didn't fully and clearly acknowledge— with all the repercussions that come with the choice— that yes, she was choosing to subject herself to the madness of the River to give Gideon's soul a chance.

So she chooses to go back, but when she leaves the Canaan house bubble, what happens next isn't something she expects. She's not buoyed up and out of the River and returned to her body.

Instead, she ends up pulled somewhere else:

She ends up pulled to the Locked Tomb. Or rather, some River dream bubble version of the Locked Tomb. There is a very obvious detail to show that this is not the real, physical tomb.

The altar is empty. Alecto's body is missing, even though we know for certain that her body should still be there.

So we know this is another dream bubble or something like one. But why doesn't Harrow awaken in her own body, if that's where she actually intended to go?

Because someone else is already in it:

Harrowhark couldn't wake up in her own body because Alecto had already taken her place.

We know this both because Gideon literally sees Alecto and knows she's come to take control of Harrow's body, but we also know this because Alecto's body is absent from the Locked Tomb bubble.

The chains being snapped and broken in the dream bubble represents the fact that Alecto's soul has escaped its prison, even though her physical body still lies in the real version of the Locked Tomb on the Ninth.

Importantly, her body is taken over by a soul much larger and much more powerful than hers, so Harrow can't necessarily force it out even if she wanted to. So with Harrow's body already occupied, Harrow's soul follows the only other link it could, which is the link that she's already established with Alecto's soul. That's how she ends up in the Tomb bubble.

But it is important to make it clear that Harrowhark's soul is still attached to her own body and she's not completely unmoored in the River. The final paragraph of the chapter hints to this:

While we don't know the specifics of the fight or how it even happened in the first place, we do know that Blood of Eden fights the Nine Houses. This is when they lose Gideon's body, and come into possession of Harrowhark's.

The side-to-side rocking like an explosion is mimicking what her body is experiencing in the physical world during the fight, and "faraway in a land she had never traveled" is meant to represent how her body is now on New Rho.

I'm convinced that what's going on between Harrow and Alecto in NtN is similar to what's happening with Palamedes and Camilla.

Harrowhark's body is still hers, and she's still there in some manner. But she's being superseded by Alecto, and for some reason unknown to even her, she's content to let it happen:

Personally, this course of events is a lot more interesting than Harrow purposely deciding to stay in the River.

In fact, the survival of Gideon's soul is only really possible because of some unpredictable quantity that no one was aware of— Alecto.

Alecto taking control of Harrow's body and giving Harrow's soul something else to inhabit in the meantime is quite literally the third option that Harrow was desperately trying to look for, and maybe that's why Harrow subconsciously decides to let Alecto stay in control and instead she goes to sleep in the Tomb!

It's just a more interesting read that more readily incorporates all the details the text provides us with. It paints a clearer picture of what's happening at the end of Harrow the Ninth, rather than just saying "Harrowhark chose to abandon her body for Gideon and remain in the river. Somehow, in the process of doing this she ends up in the Locked Tomb completely by accident."

My final read of it is that Harrowhark really did intend to go back. But as a consequence of Alecto's interference (whose interference was possibly to keep Harrow alive), she was given another chance to save Gideon's soul.

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The Agony of the Fall

Here's a small thing I noticed: when Harrowhark reawakens in her homemade Canaan House in the River, she describes the "microcosm of eternity between forgiveness and the slow, uncomprehending agony of the fall." She is, of course, describing the period of time in which she and Gideon enjoyed a relatively stable and amicable relationship; those precious few days together at Canaan House before Cytherea the First nearly caused humanity's extinction, the sequel. Harrow "falls" in her all-consuming grief for Gideon. However, this line can also be interpreted as thus: take the few minutes under Harrow's bone shield with just Gideon, Harrow, and Camilla. In this scenario, the line is much more literal in its meaning; Gideon and Harrow exchange what are essentially wedding vows. It's perhaps the one moment where they achieve a mutual adoration and respect for each other. It's the forgiveness. Then, the fall, of course, is the literal fall which Gideon takes, straight onto an iron spike. Gideon was Harrow's end, swifter than the hammer to the oxygen-sealant machine of her childhood, etc.

So, yeah. I think both of those interpretations exist simultaneously in that one line. It's so terrible and so beautiful. These books have actually broken me. I will never recover physically, nor emotionally. Thanks for reading.

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Please, spread this for those who might need it right now

  • U.S. suicide hotline: call or text 988 (available 24 hours)
  • U.S. trans lifeline: (877) 565-8860 (when you call, you’ll speak to a trans/nonbinary peer operator. full anonymity and confidentiality)
  • Substance Abuse and Mental Health Services Administration (SAMHSA) National Helpline: 1-800-662-HELP (4357) – provides 24/7 confidential support and referrals for individuals and families facing mental health and substance use disorders, including panic attacks and anxiety.
  • LGBT National Help Center: (888) 843-4564
  • Trevor Project: Call (866) 488-7386, text START to 678-678, or chat online.

Take care of yourself and each other. Please stay safe ♡

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reblogged
And if there are no other standing orders: Live. Live. Live.

Today, I keep thinking back to this quote by @with-my-murder-flute from their essay Gideon Nav and the Motherless Child. I think everyone in the TLT fandom should read the essay, but I also think everyone who follows me (or follows the people who follow me, or follows the people who follow the people who follow me, etc.) should read this quote today.

Stay alive everyone. If they want you dead, then even the act of staying alive is fighting back.

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Guideline #1: Stay Alive

If you're in America, or you follow American politics, you may recognise the severity of our predicament. This post cannot answer questions. Instead, it is here to bring attention to all of the people whom will suffer under President Donald Trump. Guideline #1: Stay Alive, bitch.

This is a threat. To my reader, I will impress upon you this: you may not end your life through suicide. You may not end your life through a lack of regard for your own well-being. You are important; there are others struggling, including me, myself, but we help each other just by being here. To any of those who commit suicide, I will expunge your soul from the river manually, and I will reincorporate you into a meat which you will feel satisfied with. You will be comfortable and satisfied within your body. After the transplant has been achieved, a rigorous care program will commence, which will consist of the mandatory consumption of two pizzas and five chocolate chip cookies every twenty-four hours, as well as a minimum of four hours of cuddling with no less than four cats; however, this number will be limited at three thousand cats, for legal reasons. If you are allergic to cats, then I will find you a meat shell that isn't as weak and pathetic as yours.

To those who have not yet willingly evicted your soul from the thalergetic realm of the living, this section addresses you: The Locked Tomb army will rise once again. Though our numbers may be few, we wield power that the fat cats in the government could never imagine. We are the first Saints to serve our Lord and Resurrector, the bonermancer prime, long may she make us wait for Alecto the Ninth, Tamsyn Muir. We will rise. We will rise in our grief for Gideon the Ninth, and Harrow the Ninth, and Nona the Ninth. We are the vengeance of ten billion. We have come to protest the horrific treatment which people of colour, immigrants, necromancers, swordswomen, and, of course, hopeless, useless lesbians, have faced under the governance of Trump. Together, we can bring change to this broken system. We will root out the corruption in our government, and we will appoint a new leader (personally, I elect Cassiopeia the First, although I'm open to your opinion). Let this be a new dawn. Morning is now. We are the occultists of the Locked Tomb, and we will sleep no longer!

(THIS IS A JOKE: This post is obviously meant to be satirical. I do not promote suicide nor do I look down upon people with cat allergies, nor do I wish to incite a violent overthrowing of the government, unlike certain creepy, old, orange people. However, the issues I address in this post are real. If you are reading this, first of all, thank you for making it to the end of this attempt at humour. I'm honoured to have you here. If you or a close one is considering suicide, there are many resources to support you. I'm not the right person to ask about this subject, I will list some resources here which I trust: The National Suicide and Crisis Hotline (988), The National Alliance on Mental Illness (NAMI); The Trevor Project. Stay safe out there. Every day in which you wake up and are not dead is a victory. Drink water, hug a cat, etc. Thanks for reading!)

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Another Interesting Letter

The letter addressed to Gideon Nav always struck me as weird. It simply says:

One flesh, one end.

I thought that this just flatly went against everything Harrow has ever worked for. She traveled to the edges to the universe, all for the life of her cavalier. I've been interpreting this incorrectly:

At the time of writing the letters, Harrow believes that her cavalier's body is lost. She knows that her cavalier's soul is inside of her. If Gideon was ever to return and fulfill the conditions of the letter, Harrow likely would have thought that under those circumstances, her soul would be evacuated from her body, and thus, dead. This means that when Harrow writes "one flesh, one end," it is her flesh she is referring to. However, Gideon is not Harrow's end, but rather Harrow Gideon's. "One flesh, one end" is a plea for Gideon to live without her.

Perhaps this was all really obvious to you when you read HtN, but I only realised this recently. In any case, thanks for reading. I only want by children to be happy :sob:

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In the Hope of a Future Forgiveness

Forgiveness has huge symbolic implications in the Locked Tomb for many of the characters, namely Gideon and Harrow and their quest against religious trauma. I could write so much about this, but that would be more suited to a literature classroom (or AO3) than to Tumblr, so, instead, I want to focus in on one particular example that I hold very dear. Disclaimer: this is one interpretation of Harrohwark's words which I have come to. If this has already been said by someone else, I do not know of it. If you don't agree with this take, please share with me.

In Harrowhark's self-adressed letter outlining the parameters for the rest of her life as a Lyctor (which, by the way, she hoped would "extend into the next myriad," but Harrowhark's lobotomy era only lasted nine months, so RIP babygirl), she signs off with:

In the hope of a future forgiveness, I have remained, Harrowhark Nonagesimus

It's clear that Harrowhark has huge conflictions with her right to exist as a human being; thus, the most obvious interpretation of this line is that she hopes to be forgiven for the crime of breaking into the Tomb, and also for the genocide her parents mandated. However, this begs the obvious question, "forgiveness from whom?"

Harrowhark Nonagesimus wrote this in her pre-lobotomy era, so we don't have to reckon with the implications of Harrow digging her cavalier out of her skull, along with a few spoons of grey matter as collateral damage. With that in mind, forgiveness from whom?

To her knowledge, her entire house is dead. She is the last person left. I'm not too confident as to pre-lobotomy Harrow's relationship with God, but she definitely holds her accountable for Gideon's death. I don't think she cares for that man much (Which is good. Fuck God).

Gideon, of course, is the one Harrow wants to forgive her, whether she admits it to herself or not. Harrow has given her life to justify her birth, to become the greatest necromancer her house has ever produced, and perhaps the greatest necromancer the Nine Houses has ever seen. She says herself that she wants to make herself a living monument for those that died so that she could live, and live powerfully. And yet, at the end of Gideon the Ninth, Harrow attempts to offer her own life to Gideon in a desperate and albeit half-baked plan to save her cavalier. The gesture of self-sacrifice is sweet and all, but it really, really hits powerfully here; when Harrow gives Gideon her life, she is essentially saying to Gideon that Gideon is the justification of Harrow's existence. One could argue that she was sacrificing herself to the Tomb, but I think that if the Tomb was what Harrow truly cared about, she wouldn't have been so eager to let herself die. Also, she probably wouldn't have been so eager to drive a hammer into her skull.

In not so many words, Gideon is Harrow's absolution. She is her forgiveness. For Gideon Nav, Harrow sees her life as "worth it," and for Gideon Nav, Harrow sees her death as "worth it." I know I'm romanticising this with my language, so I want to take a brief moment to say that Harrowhark is so, so, so fucked up by her childhood trauma. This isn't beautiful, this isn't the perfect friendship, the perfect love; it's a mistake. Nonetheless, it's Gideon that embodies the reason for her existence. Gideon is forgiveness.

When Harrow writes the letters in "the hope of a future forgiveness," it is in the hope that she will find some measure of absolution for the crimes committed by her parents. It is also in the hope that can save the first flower and the last child of her house. She "remains Harrowhark Nonagesimus" for Gideon. She lives in the immortal hope of Gideon's resurrection. I think there's so much grief and tragedy and sorrow carved into just those few words; so much more than I originally saw in them.

Thanks for reading. Drink water, eat food, and worship the ground your friends walk on and the air they breathe. If you're reading these words as the product of the deaths of a generation of children, then know that if you just live, and live for the people you love, then that's enough. <3

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I’m formally coming out as a Cytherea apologist. If I had stage 4 cancer for 10000 years and my boss was the most annoying man alive I would start killing people too. Can you even blame her

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billyshakesp

truth.

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A Stream of Consciousness on Nona the Ninth

Like, I am just in awe at how well-written this book is. Nona's character is obviously brilliant; the way Muir can convincingly personify the soul of earth is unbelievable. And even more so, Nona acts as a looking-glass into the characters around her. If I may draw an analogy to a historic novel of a much different genre and style, and a novel which I don't think is comparable to Nona in any way, yet equally impactful: Nona's character is effective much like how Scout Finch is effective. The juxtaposition of a blank, innocent canvas to all of the cruelty and grief in the world presents some fascinating and heart-wrenching questions.

Still writhing over Palamedes's and Camilla's…thingy. I live in the (probably delusional) hope that they may one day see each other and work things out and just be besties without having the fate of a galaxy on their shoulders.

I could write so much about Kiriona Gaia and the "came back wrong" thing she has.

Anyway, thanks for reading. I hope this post wasn't too ramble-y. Expect more NtN nerd-ery soon, maybe, no promises. <3

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pasiphile

*narrows eyes * is this foreshadowing

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billyshakesp

I'm pretty, pretty sure this is when Gideon first learns the rapier. Would double-check, but like 95% sure.

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POC's in Harry Potter

I'm willing to bet that most people do not know who Ludo Bagman is. I did not remember who Ludo Bagman is, though I haven't consumed any Harry Potter content in a good while. Nonetheless, I am fairly confident in saying that most people who aren't dedicated Potterheads do not know who Ludo Bagman is.

To give people like myself a refresher (and I promise this is going somewhere), Ludo Bagman's first appears in Harry Potter and the Goblet of Fire, and his most significant role is in that book. The term "most significant role" is relative, since he barely moves the plot forward. He's portrayed as a bit of a shady character in this book, and he mainly serves as a decoy from the bad actors behind the scenes: Barty Crouch Sr., Jr., and Karkaroff. After Goblet of Fire, Bagman is seldom mentioned, and he never plays a significant role in the plot. If you have read up until this point, or if you have skipped ahead, you may wonder why I chose to focus on Ludo Bagman intensely, and focus specifically on why nobody should focus on Ludo Bagman so intensely.

I focus on Ludo Bagman because his name is mentioned more times in the Harry Potter series than any person of colour.

A character who is really only important for one book and whom the producers of the Harry Potter movies didn't even bother casting is mentioned more than any person of colour in JK Rowling's revolutionary, transcendental book series Harry Potter.

Hedwig, the freaking owl, has more mentions in the Harry Potter series than all but two characters of colour: Cho Chang and Dean Thomas. Chang serves as a romantic interest for roughly two books before, presumably, flying off to pine for Edward Cullen. Thomas plays quidditch, and that is the extent of his character. The point is that both of these characters are quite shallow, and JKR even writes the story in a way which the reader is supposed to feel a emotional connection for Hedwig, a literal messenger pigeon; the reader is not led to feel any such connection Chang, and they are led to give at least one-third of a shit about Dean because he is sorted into the good house as opposed to the nerdy house.

Adressing the argument that the lack of POC is because the UK does not have a large population of non-white people: first of all, who gives a shit? I'm not sure if you, my dear reader, are aware of this, but the percentage of the UK population in whom are wizards and witches (And, presumably, another title for all the enbies/otherwise gnc people. What would you like to be called? Sorcerers? Ghaster Blaster Master Casters? Just overall badasses? Please let me know.) is zero! I don't think the story would be significantly hurt by an important person of colour.

Secondly, I did the very basic, not at all difficult math. In 2000, the percentage of people living in the UK whom were white was 91.3%. This means that, given the fact that the Harry Potter series is set around the year 2000, one would expect to see 8-9 not-white characters out of the top 100 characters by times mentioned in Harry Potter. We see 5. Granted, 8 to 5 is not a huge discrepency, but it is a 37.5% decrease. I think what is more important is that none of these characters ever played significant roles in the books. These characters could be replaced with white characters and the story would not change.

Thirdly, I sympathise with JKR's plight. She would write more brown characters, but the people in the place she sets the book are just so white! If only there was some international wizarding event at some point; an event in which a number of schools gather and hold a tournament. It would be so convenient for JKR to write in POC then! Have them compete in this hypothetical tournament, have, say, maybe 3-4, and the winner would get some sort of trophy. A cup, perhaps.

In this hypothetical situation, if JKR was handed this opportunity, it would say a lot if she chose to feature schools whose student bodies were almost exclusively white, right?

This post is, admittedly, a bit dense, and it harps on points that several people have probably already made, but I do think that it is important. If I am incorrect on any facts in this post, please let me know. Thanks for reading.

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