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bibliosexual

@bibliosexxual / bibliosexxual.tumblr.com

Incurable fanfic writer, confirmed bibliophile, et cetera. Mostly Teen Wolf and Schitt's Creek!
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Please read this man’s description of his dachshund and its most annoying habit

“I have a ridiculous dog named Walnut. He is as domesticated as a beast can be: a purebred longhaired miniature dachshund with fur so thick it feels rich and creamy, like pudding. His tail is a huge spreading golden fan, a clutch of sunbeams. He looks less like a dog than like a tropical fish. People see him and gasp. Sometimes I tell Walnut right out loud that he is my precious little teddy bear pudding cup sweet boy snuggle-stinker.

In my daily life, Walnut is omnipresent. He shadows me all over the house. When I sit, he gallops up into my lap. When I go to bed, he stretches out his long warm body against my body or he tucks himself under my chin like a soft violin. Walnut is so relentlessly present that sometimes, paradoxically, he disappears. If I am stressed or tired, I can go a whole day without noticing him. I will pet him idly; I will yell at him absent-mindedly for barking at the mailman; I will nuzzle him with my foot. But I will not really see him. He will ask for my attention, but I will have no attention to give. Humans are notorious for this: for our ability to become blind to our surroundings — even a fluffy little jewel of a mammal like Walnut.

When I come home from a trip, Walnut gets very excited. He prances and hops and barks and sniffs me at the door. And the consciousnesses of all the wild creatures I’ve seen — the puffins, rhinos, manatees, ferrets, the weird hairy wet horses — come to life for me inside of my domestic dog. He is, suddenly, one of these unfamiliar animals. I can pet him with my full attention, with a full union of our two attentions. He is new to me and I am new to him. We are new again together.

Even when he is horrible. The most annoying thing Walnut does, even worse than barking at the mailman, is the ritual of his “evening drink.” Every night, when I am settled in bed, when I am on the brink of sleep, Walnut will suddenly get very thirsty. If I go to bed at 10:30, Walnut will get thirsty at 11. If I go to bed at midnight, he’ll wake me up at 1. I’ve found that the only way I cannot be mad about this is to treat this ritual as its own special kind of voyage — to try to experience it as if for the first time. If I am open to it, my upstairs hallway contains an astonishing amount of life.

The evening drink goes something like this: First, Walnut will stand on the edge of the bed, in a muscular, stout little stance, and he will wave his big ridiculous fan tail in my face, creating enough of a breeze that I can’t ignore it. I will roll over and try to go back to sleep, but he won’t let me: He’ll stamp his hairy front paws and wag harder, then add expressive noises from his snout — half-whine, half-breath, hardly audible except to me. And so I give up. I sit up and pivot and plant my feet on the floor — I am hardly even awake yet — and I make a little basket of my arms, like a running back preparing to take a handoff, and Walnut pops his body right into that pocket, entrusting the long length of his vulnerable spine (a hazard of the dachshund breed) to the stretch of my right arm, and then he hangs his furry front legs over my left. From this point on we function as a unit, a fusion of man and dog. As I lift my weight from the bed Walnut does a little hop, just to help me with gravity, and we set off down the narrow hall. We are Odysseus on the wine-dark sea. (Walnut is Odysseus; I am the ship.)

All of evolution, all of the births and deaths since caveman times, since wolf times, that produced my ancestors and his — all the firelight and sneak attacks and tenderly offered scraps of meat, the cages and houses, the secret stretchy coils of German DNA — it has all come, finally, to this: a fully grown exhausted human man, a tiny panting goofy harmless dog, walking down the hall together. Even in the dark, Walnut will tilt his snout up at me, throw me a deep happy look from his big black eyes — I can feel this happening even when I can’t see it — and he will snuffle the air until I say nice words to him (OK you fuzzy stinker, let’s go get your evening drink), and then, always, I will lower my face and he will lick my nose, and his breath is so bad, his fetid snout-wind, it smells like a scoop of the primordial soup. It is not good in any way. And yet I love it.

Walnut and I move down the hall together, step by bipedal step, one two three four, tired man and thirsty friend, and together we pass the wildlife of the hallway — a moth, a spider on the ceiling, both of which my children will yell at me later to move outside, and of course each of these creatures could be its own voyage, its own portal to millions of years of history, but we can’t stop to study them now; we are passing my son’s room. We can hear him murmuring words to his friends in a voice that sounds disturbingly like my own voice, deep sound waves rumbling over deep mammalian cords — and now we are passing my daughter’s room, my sweet nearly grown-up girl, who was so tiny when we brought Walnut home, as a golden puppy, but now she is moving off to college. In her room she has a hamster she calls Acorn, another consciousness, another portal to millions of years, to ancient ancestors in China, nighttime scampering over deserts.

But we move on. Behind us, in the hallway, comes a sudden galumphing. It is yet another animal: our other dog, Pistachio, he is getting up to see what’s happening; he was sleeping, too, but now he is following us. Pistachio is the opposite of Walnut, a huge mutt we adopted from a shelter, a gangly scraggly garbage muppet, his body welded together out of old mops and sandpaper, with legs like stilts and an enormous block head and a tail so long that when he whips it in joy, constantly, he beats himself in the face. Pistachio unfolds himself from his sleepy curl, stands, trots, huffs and stares after us with big human eyes. Walnut ignores him, because with every step he is sniffing the dark air ahead of us, like a car probing a night road with headlights, and he knows we are approaching his water dish now, he knows I am about to bend my body in half to set his four paws simultaneously down on the floor, he knows that he will slap the cool water with his tongue for 15 seconds before I pick him up again and we journey back down the hall. And I find myself wondering, although of course it doesn’t matter, if Walnut was even thirsty, or if we are just playing out a mutual script. Or maybe, and who could blame him, he just felt like taking a trip.”

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petalpetal

HEY IF YOU ARE READING THIS DO ME A FAVOR

go into another room and pick up a random object and look at it!!

like really look at it!!!

SOMEONE designed that!!

a real life living person set time aside to design that

you will probably never know their name but you should thank them and all the other designers who make the mundane things in your life because otherwise life would be boring with out them

reminds me of this

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people will read books they Do Not Like™ and then wonder why they hate reading

"i don't like long books" read short ones. "i don't like prose" try poetry. "i don't want to pay for a book i might not even like" go to your local library.

reading is the hobby that you make it; make it something you like.

seeing this mentioned in the tags, but for the love of all that is good and holy please stop making yourself read books you don't like. you know yourself better than any curation or recommendation, if you're not enjoying it, you can put it down.

reading for leisure is supposed to be fun. you can't have fun if you're actively robbing yourself of joy while you do it!

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amariemelody

If I may add to this, as someone who's a lifelong avid reader and still guilty of stubbornly continuing reading things that don't bring me pleasure, enjoyment, or even mild interest? And I do this as someone who's also aware of the above?

I think the reason-or at least part of the reason-so many of us still do this as adults has to do with how school and even sometimes our families have raised us to relate to reading.

As much as I have always loved, loved, loved, loved to read, I don't think I'm alone in the experience of having it drilled into my head during grade school years that you read To Get A Good Job As An Adult, you read to Be Intelligent Enough To Pass Standardized Tests, you read to Be One Of The Good Kids That Stay Quiet/Out Of The Way, you read So Your Teacher Gets Praise From Other Teachers And The Admin.

You read for every reason except for your own pleasure.

I will say I think I was one of the lucky ones who was born to a mother who raised me from infancy to indulge in reading as a pleasure first and foremost.

My mother is the reason I was already reading at 2-years-old and loving it.

Nevertheless, I also spent a lot of time in grade school with my peers reading books that I Absolutely Did Not Enjoy for the above implications. Most of the books I hated were during the high school years-I read more Shakespeare than I had the patience for let alone gave a shit about; I slogged through goddamn "Huckleberry Finn" until I couldn't take it anymore and just cheated by reading the Sparknotes; and I detested "The Old Man and the Sea" to the point where I would read it if I needed help falling asleep.

Worked every time.

But because I always finished these books, did well on the assignments, and received praise from my teachers...I too internalized that Reading Has Nothing To Do With Pleasure.

Fast-forward to my adulthood in my 30s aaaaaand...yeah. I've still internalized continuing to read books I don't like. Sometimes I justify it by saying "Well, I already paid for it" or "Well, I'm already halfway through it", but I understand both of those are simply sunk cost fallacy.

I also still hear my old teachers' voices telling me I'm doing all of the above things that a Good Kid Does by continuing to read with no pleasure. And if I'm able to finish the book, there's a part of me that's still that little kid waiting for that shiny sticker, candy bag, star, A+ grade, etc. for a "job well-done"...even though none off those things are coming and as an adult, I don't need them to come.

Though there's much to be said for the benefits of reading (if someone actually enjoys it) and the general failure of the U.S public education system in our peoples' analytical skills, critical thinking, and a general ability to read between the lines. Avid reading as a pastime can help with that, if you personally want it to.

Being an adult can be fun and full of things you want to do...but it's also already more than full of things you don't want to do.

And I firmly believe that, as much as possible, reading should be one of the things that you want to do.

The school assignments are over-you can enjoy yourself now.

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i just think that, most of the time, you really do need to teach people how to love you. and equally, you need to be taught how to love others. this can feel scary and hard and even like a failure, especially if you're approaching a relationship with trauma - shouldn't it be easy to love me? yeah ofc. but love is an act of translation between people across experience, geography, culture, memory. it's constant, purposeful translation. and though it can be hard, there is real joy to be found in the teaching and learning of love.

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wish there was a non rude way to be like “I understand your criticism, I don’t even necessarily disagree with it, but I am doing these things on purpose, because I like them and I want to, and therefore your opinion has no value, because you might think me painting a room entirely pink is tacky, but I did it on purpose”

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Animorphs books be like

Page 1: I am a child soldier. My every waking moment is defined by fear and paranoia. My dreams are full of unprocessed trauma. The fate of the entire world rests on me and my friends. I failed my geography test because I do not know the difference between Equator and Ecuador. Also, I'm really hazy on the difference between geography and geology. Again, the fate of the world rests on my shoulders.

Page 13: <Now THAT is a sexy monkey>

Page 26: *The dopest animal fact you've ever heard*

Page 27: Do you know about thermals? You do? Too bad, I'm going to explain them again.

Page 36: *fart joke fart joke 90's pop culture reference barf joke*

Page 40: Rachel kills someone with her bear hands. Not a typo.

Pages 3,15,16,25,26,30,33,37,40,44,46,50,55,56,57,60: TSEEEEEEEEEEEER!

Page 47: I willed my bones to melt faster. If there was a single bone in my body in the next ten seconds, everyone I ever loved of cared about would die an excruciating death.

Page 50: Funny alien thinks he's people.

Last page: *The gang goes to Burger King to avoid thinking about their war crimes*

I thought the post made it very clear what Animorphs is about. Thermals mostly.

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mickedy

Since it's pride month I'm going to say. Can we stop making fun of adults who don't have sex. Not even particularly asexuals, just general people who don't like sex personally or don't want to have it for whatever reason. It's just not great to portray people who don't have sex as weird losers or naive little kids or whatever, even as a joke

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ernmark

In writing, epithets ("the taller man"/"the blonde"/etc) are inherently dehumanizing, in that they remove a character's name and identity, and instead focus on this other quality.

Which can be an extremely effective device within narration!

  • They can work very well for characters whose names the narrator doesn't know yet (especially to differentiate between two or more). How specific the epithet is can signal to the reader how important the character is going to be later on, and whether they should dedicate bandwidth to remembering them for later ("the bearded man" is much less likely to show up again than "the man with the angel tattoo")
  • They can indicate when characters stop being as an individual and instead embody their Role, like a detective choosing to think of their lover simply as The Thief when arresting them, or a royal character being referred to as The Queen when she's acting on behalf of the state
  • They can reveal the narrator's biases by repeatedly drawing attention to a particular quality that singles them out in the narrator's mind

But these only work if the epithet used is how the narrator primarily identifies that character. Which is why it's so jarring to see a lot of common epithets in intimate moments-- because it conveys that the main character is primarily thinking of their lover/best friend/etc in terms of their height or age or hair color.

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