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STATISTICS! and COMPASSION!

@bbcwhereareyou / bbcwhereareyou.tumblr.com

Were trying to live in a society here, so like, can you not? TV is serious business.You should probably always look for the tag vomit.
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For what it's worth, I know it's A Lot right now, and I tag all of my political posts if you want to add it to your blacklist. The usual suspects are:

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"How dare NY Mag put such an important article behind a paywall 😤" That Gaiman expose cost thousands upon thousands of dollars--the reporter's time. Fact checkers. Editors. LAWYERS, so they weren't sued into oblivion. Actual journalism, not just someone with a mic and an opinion, is incredibly expensive, and it's reasonable to charge for that. Maybe some day in the communist utopia of the future that won't be true, but today, if we want this story handled with care and tact and not on a TERF podcast, it's going to cost money.

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So far (from not watching the whole thing live but watching parts and viewing coverage) we've got:

Like every fucking thing is worse and worse, and watching the clips or live coverage makes me nauseous. THIS GUY?! They want THIS GUY in charge of our military? Sure, sure, sure.

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Also, I took a minute to write to Senator Blumenthal thanking him for his questioning in the Hegseth hearing.

If you live in the US (don't have to be a citizen!) and live in a state with a Senator on the Armed Services Committee*, please think about contacting them about Pete "blackout drunk rapey misogynist who doesn't know how to manage a medium sized organization much less the DOD" Hegseth's confirmation.

Even if they're already doing the right thing, electeds often only get mail from angry people and it's good to have positive reinforcement, esp to give them cover when they need it.

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So far (from not watching the whole thing live but watching parts and viewing coverage) we've got:

Like every fucking thing is worse and worse, and watching the clips or live coverage makes me nauseous. THIS GUY?! They want THIS GUY in charge of our military? Sure, sure, sure.

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"You will have to change how you see women to do this job well, and I don't know if you are capable of that."

Fucking get him, Kirsten.

"...in ways direct, indirect, overt, and subtle, standards have been changed inside infantry training units, ranger school, infantry battalions to ensure commanders meet—"

"Give me an example. Give me one example. Please give me an example. I get that you're making generalized statements..."

The more I learn about this dude the worse he sounds. Anyway Mazie Hirono continues to be a fucking badass at her job.

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"You will have to change how you see women to do this job well, and I don't know if you are capable of that."

Fucking get him, Kirsten.

"...in ways direct, indirect, overt, and subtle, standards have been changed inside infantry training units, ranger school, infantry battalions to ensure commanders meet—"

"Give me an example. Give me one example. Please give me an example. I get that you're making generalized statements..."

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Maybe I just never paid enough attention to the timeline, but do cabinet confirmation hearings typically start before the new president is sworn in?

I know the informal stuff - background checks, meetings, etc - of course happens, but hearings on the record before he can even be formally proposed seems so weird.

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Meanness is everywhere in “Anne with an E,” as if life in the rural Maritimes wasn’t hard enough without hissing and insults. During the “Carrots” incident, when Gilbert teases Anne about her hair and Anne, hurt and embarrassed, whacks him with her slate, she doesn’t hit him over the top of his head—she smashes it in his face, with the casual violence of a Mob enforcer. Townspeople taunt her like an angry mob in a dream sequence; classmates say things like “I won’t eat next to dirty trash!”

Ugh yes, this perfectly. Also:

A realistic but warmhearted “Anne” could have been made, with these actors and these aesthetics, if its creator had had faith in Montgomery’s narrative and had more clearly seen the power of what’s already there. I would have loved to see such an “Anne”—especially now, when we need hope and realism together.
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I started watching Anne with an E in the background while working on some stuff, and I just wonder:

  1. Why do we need this when the Megan Follows/Kevin Sullivan version is perfect, no notes?
  2. Isn't the whole point of Green Gables that it's just so beautiful and quaint? Why is the whole entire production washed out? I mean look at this

I just can't take an Anne of Green Gables adaptation that uses the Tragically Hip as their theme music seriously.

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