Fandom Etiquette

I’ve been around for a really long time in various fandoms, and no one ever writes this stuff down. I’ll start. Please add to the list. We can’t expect people to follow “rules” they don’t know exist. 

written with the help of @unbreakablejemmasimmons

Fanart

Fanfic

Fandom

Sanji supports women's rights but more importantly, he supports women's WRONGS

Jokes aside this line really highlights what I've been trying to say about Sanji for a while especially in regards to his conflict with Zoro. His idolization of women frequently borders on delusional, but I think this one thing comes from more than that. Sanji has an understanding (which possibly he couldn't even verbalize) that sometimes a woman has to lie. Sometimes she can't put all her cards on the table if she wants to get what she's after. Sometimes she has to survive at the cost of good moral standing. And rather than blaming women for not being truthful, he views it as men's responsibility to earn their trust and give them grace and attention, understanding that they don't always have the privilege of being forthright.

I can only imagine that when Nami laughed at them in Arlong Park and posed herself as a backstabber, he saw his sister laughing along with his brothers so she wouldn't be next. And when Robin quietly resigned herself to be executed on a platform, he saw his mother's tired eyes accepting she would die in the castle that had been her prison. With every woman he comes across, he's probably seeing uncomfortable restaurant dates on an enclosed boat, covered drinks and fake smiles, shoulders shifting away from persistent hands.

He might say and even believe that it's just some inherent mystery about the female sex, but he carries all this observed information with him on a deep instinctive level. He knows how it works. He knows deep in his gut that these things are not the woman's fault.

Alright, to ao3's soon to be arriving Wattpad Refugees, a basic guide to general user culture:

1.) Unlike Wattpads vote system that let's you like each chapter, the ao3 equivalent kudos only allows one per work. Everyone is generally quietly annoyed about this. To engage with each chapter, you're heavily encouraged to comment. Trust me, it makes people's day.

2.) Ao3 has no algorithm. By default it's latest updated work first. You can find things to your taste through searches, filters and tags.

3.) 'No archive warnings apply' and 'user has chosen not to use archive warnings' mean two very different things. No archives warnings means the work is free from any content that could require a warning tag (character death, graphic depictions of violence, non-con, etc). User has chosen not to use archive warnings means it could contain any of the warning content, be it hasn't been explicitly tagged. Treat it like an allergen. No archive warnings apply is allergen free. User has chosen not to use archive warnings, may contain traces or whole chunks of the allergen. If you're likely to have a bad reaction, maybe don't take the risk.

4.) Speaking of warnings, ao3 has very few restrictions on the type of work that's allowed. Whatever your personal thoughts or feelings on that are, thats how the site is. You're likely to run across some dark subject matters and a lot of people are uncomfortable with reading that. You're well within your rights not like these works and have your opinion on whether they should be allowed, but harassing the authors of such works (or any works) is more likely to come back on you than them. Ao3 operates on a strong policy of 'don't like, don't read'. Use the tagging system to your full advantage to only engage with the kind of works you want to see.

We look forward to welcoming you all and seeing the fantastic works you create. Happy writing!

Kisses Prompts that sends the readers reeling:

(5th, and 7th onee!! omfg 12th one PLSPLS somebody write and tag mee!)

When I write a cliffhanger but have no idea how to get my character out of it.

Understanding Usopp's Perspective in Water 7

I still don't understand why people can't grasp that Usopp was only 17 years old during the Water 7 arc. People love to be "objective" and claim Usopp was wrong for challenging his captain, but Luffy wasn't entirely blameless either.

Usopp was the first to notice how unprepared everyone was for the New World, but the rest of the crew seemed in denial or overconfident. How could Usopp voice his insecurities when everyone else apparently had their act together? It felt like, "Yeah, whatever Usopp, you're just a scaredy cat," when, in reality, he was becoming more attuned to the fact that one of the strongest people he knew was starting to lose to the bad guys.

Critics say, "Usopp didn't know how to take orders from his captain," but that's not true. If Luffy was starting to lose, then how prepared were they for the New World? Usopp knew his own limitations and was unsure how to help, leading him to feel like he was losing control. He likely thought, "If everyone else has their act together, then who am I?" He channeled all that into Merry.

I believe Usopp's innate ability to sense danger started to manifest here. Luffy was overestimating himself—from the incident with Kuzan to punching Charlos.

Luffy took the crew, his friends, for granted and didn't realize how much he needed them until after Marineford, when Jinbe gave him a reality check. He couldn't empathize with Usopp because he failed to understand the consequences of being unprepared and powerless. Luffy thought his confidence would be enough for everyone, but it just put them all in danger. There was still some "playing pirate" nonsense going on.

Luffy was also 17 and deserves grace, but apparently, Usopp is the outlier who brings the crew down? Yeah, right. The unconscious bias shows. The privilege shows.

#top ten anime betrayals...

the best trope in media is: “characters turn on the lights, see the monster, and immediately turn the lights back off”

Alright, to ao3's soon to be arriving Wattpad Refugees, a basic guide to general user culture:

1.) Unlike Wattpads vote system that let's you like each chapter, the ao3 equivalent kudos only allows one per work. Everyone is generally quietly annoyed about this. To engage with each chapter, you're heavily encouraged to comment. Trust me, it makes people's day.

2.) Ao3 has no algorithm. By default it's latest updated work first. You can find things to your taste through searches, filters and tags.

3.) 'No archive warnings apply' and 'user has chosen not to use archive warnings' mean two very different things. No archives warnings means the work is free from any content that could require a warning tag (character death, graphic depictions of violence, non-con, etc). User has chosen not to use archive warnings means it could contain any of the warning content, be it hasn't been explicitly tagged. Treat it like an allergen. No archive warnings apply is allergen free. User has chosen not to use archive warnings, may contain traces or whole chunks of the allergen. If you're likely to have a bad reaction, maybe don't take the risk.

4.) Speaking of warnings, ao3 has very few restrictions on the type of work that's allowed. Whatever your personal thoughts or feelings on that are, thats how the site is. You're likely to run across some dark subject matters and a lot of people are uncomfortable with reading that. You're well within your rights not like these works and have your opinion on whether they should be allowed, but harassing the authors of such works (or any works) is more likely to come back on you than them. Ao3 operates on a strong policy of 'don't like, don't read'. Use the tagging system to your full advantage to only engage with the kind of works you want to see.

We look forward to welcoming you all and seeing the fantastic works you create. Happy writing!

i just can't believe that oda fucking create sanji, a stereotypical ladies man who simps to an embarrassing degree for women while having his hackles comically raised around everyone he perceives as a man - and most notably butting heads with the more obvious ~manly man~ of the crew. haha, classic anime running gag, the kind that gets obnoxious at times but still makes you laugh.

AND THEN, like a billion chapters later, motherfucker steeples his fingers and goes "soooooooo... what makes a person Like That?"

and the answer is that he grew up in fucking Toxic Masculinity, The Kingdom. the answer is that he was always Different, in a way other guys instinctively perceived as weak, and that made him the target of visceral scorn and violence. the answer is that he was sensitive, sweet, caring, nurturing - feminine-coded traits which are only valued by patriarchy insofar that they're performed by women in service of men. the answer is that in a kingdom comprised almost entirely by violent men, the only ones who were ever kind to him, the only safety he ever had, were a girl and a woman.

so cooking is for women and servants, it makes you less of a man. only women will ever really value you for your passions and dreams. women are also actively hurt by the way the world works, they are unsafe unless they comply with men's violence, and you have to protect them.

(men will always know what you are, and they will hurt you if you let them.)

and even after he leaves... at baratie he is cherished and respected, but even that is an extremely masculine environment. we don't talk about our feelings, we don't let our guard down, the only love is tough love. when he tries to express his artistry and express himself through his cooking, rather than just filling orders and making money, he gets mocked.

so here is a man who will not raise a hand to a woman, because he rejects the masculinity he was raised with and refuses to become yet another man subjecting women to violence. he is desperate for women's attention and affection because it's SAFE, it's the only kind he can trust. other men are potential threats and must be treated as such. he must at all times be snarky, tough, Not Feminine, because to be perceived otherwise is to be powerless, to be hurt.

like y'all. the queer coding of it all? the overtly feminist themes? the active rejection of toxic masculinity and the way it's shown to be directly tied to imperialism? what the fuck.

I think that 2023 is a good time for many of us, and allies in particular, to practice again the dying art of minding our own fucking business when it comes to the identities and lives of other people.

You see someone from one of your classes in a public place with a different gender presentation/expression than they typically have? Mind your own business.

You discover that one of your coworkers is in a same gender relationship, but they aren't out at work? Not your place to share that information in the workplace.

You notice that your neighbor in a red state takes a road trip across state lines with their transgender child every 3-6 months? No you fucking didn't.

You overhear students in your classroom using a different name and different pronouns for one student than you are used to using? If you live in a state hostile to trans rights, pretend that you don't know anything about this and report nothing.

You suspect that an acquaintance of yours might be gay, but they deny it when asked directly? Leave them the fuck alone.

One of your friends refuses to publicly label their sexuality? Good for them, you aren't entitled to that information anyway.

Your sibling comes out to you as questioning, but isn't comfortable sharing that with your parents yet? Keep your fucking mouth shut.

Don't out people; coming out is a personal choice not a moral obligation. Don't demand personal information about other people's sexuality or sex lives. You aren't entitled to information about anyone's gender identity, assigned gender at birth, or transition.

Bring back privacy, allow people to have control over the information that is shared about them publicly; it might save their job, their housing, their parental rights and their child's safety, or even save lives.

Music To My Ears

Law hears a lot of things throughout the day. The chaos of his crew, the running sound of footsteps, the shouts and bickering of his crew. The slight creaking of the metal walls, or the slight hissing of the boiler. 

He’s gotten used to the noise around him.

My Strawhat Headcanins Part Five:

Sanji

Okay but Jimbei is like, an old pirate. Joining the Strawhats is basically his retirement job. He’s like “ugh man I’ve been doing all this political maneuvering for decades it’s so exhausting” and Luffy pops up like “wow lame wanna join my Funtime crew instead? I’ll let you punch whoever you want” and Jimbei’s like yeah. I do want that actually.

I'm caught perpetually teetering on the line between competent Buggy and absolutely fucked up into success Buggy, but I think I found a work around, and the reveal comes via Cross Guild - Mihawk specifically. Ergo, I thus drop little random numbers here for reading pleasure before I actually EXPLAIN it.

<><><><>

Crocodile

It was not abnormal for the clown to butt heads with the former warlord. They both had very strict and evident opinions, thought one (cough Buggy cough) was much more verbose about it. Running an expansive business with a bumbling fool of a face man was enough to instigate migraines in the most patient of men.

Crocodile was not a patient man.

One could only imagine the sheer agony of his day to day.

This came to a head, as such things tend to do, on a mundane Tuesday afternoon, barely past midday. Buggy had scuttled in, a veritable mess of a person, hair in disarray and sweaty. Crocodile had taken one look and sneered at the other in disgust. This, in turn, has set Buggy off.

The clown had apparently been out with the lower ranks, building rapport and assisting with the laborious tasks assigned to them. It was something he had done before titles had even been a passing thought to be disposed on his name, and he had made it abundantly clear that it would not stop now nor in the foreseeable future. Admittedly, Crocodile had tuned out much of it in preference for more entertaining thoughts, such as brutally mummifying a certain clown.

Thwack

Crocodile nearly dropped his cigar. He blinked, automatically turning a glowering glare at the other as he shifted his shoulders. Buggy simply huffed, pale though he was, meeting the dark scowl with one of his own.

"By the Seas, why do I even bother with you, I swear-!"

As fast as he had stumbled in, Buggy was gone. Crocodile stared after him well after the door clicked shut. He rubbed his shoulder with his remaining hand, grimacing thoughtfully. Buggy had hit him. Not hard enough to cause damage, not even enough to leave a bruise, but it stung. It had connected.

He was a Logia user, and the Clown had solidly hit him.

Thoughts racing, he tried to convince himself it must have been due to some leftover sweat from the physical activity the blue haired menace had been rambling about. Turning back to his paperwork, he firmly told himself that that was all there was to it.

He pointedly ignored the fact that Buggy's hands had been dry and dusted with dirt.

<><><><><><><>

Mihawk

Life on the island was much removed from the monotony of Kuraigana. It bustled with life here in a way both alien and vaguely familiar to the swordsman. Despite the brightness of the colors and the loudness of the cacophony, it was almost... charming.

He'd never admit that outloud, however.

One thing he did not find very enjoyable was the lack of challenge here. Most who used the blade and called this archipelago home withered under his attention, paled and bowed out from an offer to spar with stuttered excuses and fear in their hearts. It was disheartening, especially given how many of the showed halfway decent promise.

It was a slowly crawling Sunday evening when he happened across a small squadron of the newer recruits in one of the sandy clearings. Many were younger than expected yet carried a look of maturity far beyond the planes of their faces. Mihawk had found himself admittedly rather intrigued when Buggy had personally offered to welcome these young adults at best, teenagers at the lower end, to the Guild.

Even now, a few weeks into their stay on the isle, Mihawk noticed a marked change - a slight build of muscle mass, a more healthy coloring, cleaner clothes and faces. They were doing well, he noted.

They were also all working studiously with blades in hand.

He watched them work for a time, hidden into the shadowed spaces of the trees near the clearing, allowing himself but a moment of observation. His gaze inevitably shifted to their katas, their grips, their footwork. He frowned, brow furrowing slightly as he considered them, the oddly familiar movements ringing an unnamed bell within his mind.

A bright laugh distracted him, and he turned a glance to Audrey, one of the younger recruits, spinning fluidly between a parry, redirection, and then a slash. Her bright red plait swirled after her, and suddenly Mihawk was standing straighter, walking into the clearing.

The jovial air was quickly hushed, eyes growing wide as many bowed their heads in deference. Audrey met his gaze head on with a reckless defiance undercut only by the sheer terror she tucked behind bravado in her summer green gaze. "Sir," she nodded once, voice impressively level despite the white knuckles grip on her blade, now held at ease yet defensive.

He nodded once in response. "My apologies to have interrupted," he announced cooly. "I found you all practicing by chance and am quite pleased by your skills. It is evident you have an acceptable level of respect for the craft."

Many faces lit up at the compliment. Audrey herself smiled brightly, showing a little gap in her smile. Somehow, it made him almost fond of such a look.

"That being said," he continued before any further reaction could be given, "the swordplay you lot have been utilizing, wherever did you learn it?"

"C-Captain Buggy, s-sir!" A blond lad responded brightly with a smile, enthusiasm not defeated by his stutter. Thómas, if Hawkeye recalled correctly. "H-He has b-bee-been teaching us-s," the other hiccupped happily.

"The..."

"Chairmen Buggy said he knew a few styles. For now, we're learning this one - he said it would be easiest on us for the time being. Once we're stronger, he'll help us find individual styles to expand on!"

"Is that so," he replied absently, mind racing. He knew this style - he'd been on the receiving end of it more than once, after all. Never once had he considered that Shanks' impeccable footwork may have been a set style. It had seemed too randomized, too shaken from the norm to have a specific sequencing. And yet...

And yet.

"The Chairmen knows this style well enough to teach it then."

"Yes sir!"

"Mm. Thank you, then. You have given me much to think on. Keep up the good work."

Leaving just as suddenly as he'd arrived, the swordsman set on a straight path to the animal tents. The clown would doubtlessly be there at this time of day. Mihawk had gotten a general idea of the man's excessive schedule in his time on the island after finding the other's Presence too soft and wisp-like to pinpoint.

Yet a other odd thing about the clown, he supposed, making his way along.

Finding the clown had been easy. Guiding him from the masses had been equally so. Convincing him to spar had been... not. If anything, it had been loud, expressive and interspersed with crying. It had taken Mihawk quite explicitly swearing formally to not kill the other outright for Buggy to even stop his pathetic yet endearing tears.

Mihawk shook the latter thought off as quickly as it came.

Buggy asked if his daggers would suffice as a weapon, citing that Mihawk had been the one to ask for a spar, after all, and thus had a decent amount of choice. Pleasantly surprised by the clown's knowledge of the code, he'd cited it would be fine, as he would not be utilizing Yoru for this regardless.

They took their positions on opposite ends of their designated battle ground, eying one another carefully. With the clown right before him, Mihawk focused his Haki, intending not to quite crush the other but to study him as thoroughly as possible, to push his limits as it were.

Buggy surprisingly opted to play it safe, not lunging forward in a reckless attack as he so often seemed to do. Taking the signal, Mihawk moved instead, intending to push the other back, to catalogue his steps. Instead, Buggy twirled, one knife sliding sinfully along his own before looping back off again, redirecting his momentum easily without incurring nor causing any damage.

The dark haired man blinked.

He'd... barely felt the other move.

Typically Haki would ebb and flow around a person or object with the movements of the host. Split seconds before one moved towards the left, their Haki would lean into the motion. Identifying, studying and reacting to the Haki as opposed to the physical form took years of practice and mastery, something Hawkeye excelled in. His Observation was rumored to be on the same scale as Charlotte Katakuri, after all.

And yet a clown had blind sided him.

In response, he turned, rerouting his energy into a graceful arc. This time, he saw Buggy move, body fluid as he shifted around the threat despite his Devil Fruit. Mihawk wondered absently if the Haki would cause damage before he lunged backwards as a dagger came dangerously close to his mustache. He allowed his surprise to show for a moment, gaze darting to Buggy. He'd expected a stunned look, perhaps a smug, prideful expression.

The face which met him was closed off, locked down tightly, offset even further by the garish painted smile on the other's sun kissed face. Buggy's eyes, usually a soft blue that summoned the skies to his very irises had frozen over into something iced and glacier like. Mihawk was fascinated.

Their dance continued on, far longer than the taller had anticipated. Their deadly dance was near silent, save the sharp swish of silk-sheering sharp blades through air.

Mihawk made one more movement in, managing to chip away at defenses to leave an opening for his knife to slip in silently. The blade cut through cloth and - not skin, not flesh, but something. Mihawk was suddenly frozen in place, staring at where the blade sat innocently up to the hilt in the new gap between Buggy's lower and upper ribs.

"Well, guess that call it, then," the blue haired man sighed, pulling back his hands to resheath his weapons. "That was a hell of a work out, man, you are fast as fuck. Nngh~" He stretched, a few vertebrae popping as he stepped back to spin on the ball of his foot, hair swishing. "Want to head back? Dinner ought to be ready soon. ... Mihawk?"

The dark haired man had since straightened, staring between his blade and Buggy's body, whole and hale. "... is this the reason for your oddities?"

"What?"

"You... why would you..."

Buggy, now wary, seemed to debate his next move. That was all Mihawk needed to meet the otherr man's gaze head on.

"It is nearly impossible to completely suppress one's Haki, and yet yours fits you like a second skin. It is hardened, expansive, and dense." He frowned. "It is... frankly speaking, more than merely intimidating."

Buggy rubbed his elbow. "Don't... over think it, okay? It's nothing special-"

"It is."

"It isn't, okay-?"

"It is and you do so without so much as uttering an indicator. Your Haki is so tightly bound that I could feel the moment my blade passed that barrier. You have and continue to actively do what many consider impossible." He stepped closer. Buggy stepped back. Mihawk followed. "You use an impossible technique with your Haki." Step. "You are teaching a recruit squadron swordplay in the steangest yet most effective manner I have seen in a long while." Step. "You certainly used Armament during this exchange on instinct alone." Step. Thump. Buggy stared uo, huddled back to a tree trunk. Mihawk leaned into his space. "And, perhaps strangest of all, you use a variation of Shanks' Violeta Vendetta for your bladed battles. Tell me just who or what you are, clown - because a fool or failure is not among them."

Silence reigned in the clearing.

Mihawk stared.

Buggy gulped. "He still... calls it that?"

What. "What?"

"Red hair... bastard stills calls her Violeta...?"

Mihawk nodded. Buggy laughs.

And then? Well, then Buggy explains

That one post that’s like “Why do people always write characters in fantasy and historical settings with a generic ‘vial of oil’ by the bed?” always bugs me

Like what’s not clicking

It’s sex oil for sex, clearly in this setting that’s what it’s specialized for and why it’s there

“What kind of oil? Cooking oil? Saddle oil? Lamp oil?” No clearly it’s a kind used for this purpose

Why do you want an explanation mid sex scene for the production history of this oil. Why is it weird to you that there’s not an in depth explanation of the history of this oil

Do you read contemporary fiction and say “Um excuse me what do you mean there’s a ‘tube of lube’ by the bed? What kind of lube? Is it machinery lubricant? Surgical lubricant? You didn’t explain as the sex scene happened and now I’m so confused!”

Like. Why is this something that breaks a scene for you.

kronk voice:

and yes, I went and found this post again just to reblog it because I used the sex oil line!