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#weaving – @artsyfartsybitterknitter on Tumblr
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The Purly Gates

@artsyfartsybitterknitter / artsyfartsybitterknitter.tumblr.com

Welcome to the bitter knitter.  A blog about my love of knitting,tea and bitter coffees. What did you expect?  Find my handmade stuff  somewearintyme.start.page
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no-pants-dan

Took a weaving class last weekend and learned about shadow weave! It's a color-and-weave technique that creates patterns without using long floats. This is four colors: the warp is what you see in the fringe (lemongrass and like cobalt blue) and the weft is a burnt red and dark seaweed teal.

The shine from the tencel fiber and the shadow weave structure have an iridescent effect that I absolutely love. And the fabric feels lustrous but sturdy because it's mostly plain weave! I will say I did not love working with tencel, but I'm curious about other very shiny fibers now.

Here is my color sampling and some progress photos:

Now I have this 76in scarf made of a fiber that won't keep me warm. I'll absolutely never wear something like this. I'm thinking about cutting it and sewing it into drawstring bags. Maybe add some beaded fringe? Idk, I'll take other people's ideas.

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“​​My name is Corey Alston. I’m a fifth generation Sweetgrass Basket Weaver. I currently run the family business in the Charleston City Market. Sweetgrass Basket Weaving has been a major part of the Gullah Geechee Culture dating back to days of Enslavement. This coastal art form has been recognized as South Carolina State Handcraft and has been known to be kept alive the longest along Sweetgrass Basket Makers HWY of South Carolina. This skill is one of the rare arts of our country that is founded nowhere else in America. Gullah Sweetgrass Baskets are a national treasure.
“​​Being chosen as one of the artisans of Mt. Pleasant does not only bring awareness to my skill set and my culture as a Gullah Geechee representative, but in collaboration with Acres of Ancestry raises awareness of the unjustifiable treatment that Black and minority farmers have endured. The more that this topic is brought to the forefront, the more that our nation’s leaders will see that treating white farmers one way and then treating Black farmers another way will not be accepted. I applaud Acres of Ancestry for working tirelessly on making sure that everyone understands what our elder farmers are going through.
“​​These two Sweetgrass Baskets are called ‘Poppa’ and ‘Big Momma.’ It took six months to complete ‘Big Momma’ and four months to complete ‘Poppa.’ They both measure 36 inches tall.”
​​—Corey Alston, fifth generation basket weaver and cultural preservationist from Mount Pleasant, SC, Artisan Statement
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tiuhtaviuhta

Harju, 2023

Woven from undyed wool from heritage sheep breeds (Kainuu grey & Finnsheep) and coffee dyed Finnsheep wool using clasped weft- technique

The question I’ve gotten most about this blanket is that is it an art piece or a usable blanket. I reject the notion that it can’t be both. I inherited some handspun wool late last year - the warmer grey yarn and coffee dyed portions of the blanket - and wanted to do something special with it to pay a homage to the crafter who spun the yarn (and other very beautiful things like it)

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tiuhtaviuhta

Waste not, want not - yesterday I wove this little fabric with leftover materials from one project into leftover warp from another project. I think I will make a pencil case from it. Now I only have one unfinished warp left - woe is me, that warp is two hour drive away from me. I guess I'll have to pick up knitting again.

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