Paysage avec peupliers, temps gris, Eragny (1899) - Camille Pissarro
Soleil couchant, Pontoise (1879) - Camille Pissarro
La table de Pierre au crépuscule (1917) - Henri Le Sidaner
Bords du Loing (1892) - Alfred Sisley
Sisley depicts the boatyard at Matrat, downstream from the town of Moret, its focal point being the small house seen across the river. This part of the Loing landscape served as Sisley’s subject in a number of oils. Whilst in most other paintings of the boatyard Sisley depicted workers going about their daily activities, often with the characteristic architecture of Moret with its church and arched bridge visible in the background, in the present work the artist focused on the serenity of nature. Although the boatyard was only a short distance from the town, its busy everyday life is not discernible in this composition.
Un jardin à Sorrente (1881) - Pierre-Auguste Renoir
Un jardin à Sorrente shows Renoir absorbing the particular climate of the region. Using the distinctive parallel brushstrokes that he developed in the works of this period, Renoir evokes the soft light and tonal harmonies of the Mediterranean landscape, focusing less on rendering precise detail, than on capturing the atmosphere of the place. In the present work Renoir combines the timelessness of the subject with the soft handling and expressive colouring that were the hallmarks of his Impressionist painting.
Paris, La place du théâtre du châtelet (ca. 1900) - Maximilien Luce
Femme en chemise blanc (1909) - Pierre-Auguste Renoir
Femme au corsage rouge (1893) - Pierre-Auguste Renoir
Portrait de Jean Renoir (ca. 1900) - Pierre-Auguste Renoir