“Collect” by Woshibai
UP IN HEAVEN (NOT ONLY HERE), 2017 2 color silkscreen print 11 x 14″ Edition of 10
Hyper-Realistic Resin Sculptures of Dangling Korean Noodles
Artist Seung Yul Oh recreates common Korean noodle dishes, but with a spectacular twist. Using synthetic resin, a pair of chopsticks float 12-feet-high, with dangling noodles flowing all the way down into the bowl.
Niv Bavarsky - Tiger
Henri Matisse working on The Dance - 1910
Artandcetera @ Open Engagement 2015
Place and Revolution In Conversation: Rick Lowe and Lisa Lee
Above is the poster taped-up above Rick Lowe’s desk in his office at Project Row Houses (PRH), an arts and cultural community located in a historically significant and culturally charged neighborhood in Houston, Texas. Founded in 1993, PRH renovated twenty-two shotgun-style houses, houses which supposedly had African and Haitian influences that were popularized in New Orleans in the early 1800s.
Spring, 1914 - Richard E. Miller
by Clare Elsaesser
Valleys Burning With Color Painted By Erin Hanson In Signature Open Impressionism Style Artist Erin Hanson struck by the force of nature, paints incredible natural landscapes inspired by adventurous hikes through the Red Rock Canyon. Hanson developed a unique painting style called “Open- Impressionism” which has been adopted by a pool of artists all over the globe.
My piece for Light Grey Art Lab’s Never Odd or Even show ! Visit the Light Grey shop if you’re interested in buying a print!
Kubo was amazing! Such a beautiful film!
登校 Going To School
児島虎次郎 Kojima Torajirō
1906
Light, code, fiber Interactive installation —A. SUN
Production, Consumption, and Capitalism
Jhou-Yu’s Infinity Archives @ Taipei Fine Arts Museum
The artist’s social desire and longing cannot be fulfilled solely through artistic production in the contemporary capitalist society. This highlights the reality of the constant interweaving of capital and art in life, synonymous with the relationship between the external sign and mental concept represented by the signifier and the signified in semiology respectively. When art becomes a material commodity and works of art become commodities, what exactly is art? In the world of insatiable material desire and the institutionalized art world, the appreciation of art has become increasingly consumerist and ritual-like. (x)