only a few short days to wait!! 👀 i even made art to go along with it, i'm very excited!!
YES. okay. i've actually been considering talking about this for a while, because it's so interesting to me. SOTM (straight on til morning) was a queer peter pan (... retelling?) book that i wrote in november of 2022. it was the first thing i wrote start to finish since the first flare of my chronic illness back in 2021, and had since gone through a divorce, a disownment, and had really struggled with the editing process on my debut. regrettably, it was also the first thing i sourced new beta readers on, and was the first thing a bunch of people had ever read from me (it keeps me up at night, i swear).
and the thing is, sometimes books just don't work because they don't work. i have four unfinished novels i'm squinting at because i don't think they're going to work the way i want them to, and that's just because i feel stalled out and frustrated with them. and i don't think they're
in other cases, books don't work because there are road blocks in the way. such was the case for SOTM, which had a pretty cool premise, characters i still love, and probably could have been really interesting, but fell short in several aspects.
here's what i think contributed:
- in dev edits for my debut, my prose was stripped down to bare bones. no descriptors, nothing extra. no detail. it was all dialogue, dialogue tags, and plot beats. extraordinarily depressing, but as a literal thinker, i took this and went "ah ok this is what is desirable? taking notes" and started writing new content in a similar fashion. the result was as unpleasant as you might think. feedback from betas was like: "hey what's going on here. i can't visualize anything. where are we" and they were RIGHT.
- SOTM is technically supposed to be a horror novel, but i got squeamish at the last second and couldn't figure out how to make my ending actually scary. i feel like i do pacing quite well for suspense, but when suspense leads up to something that just sort of sucks, the end result... sucks.
- it was the first thing i wrote after a long period of writing almost nothing at all. i dove right back in with no training wheels, and while i had fun, i was also mostly stressed and rushed, and you could tell.
- i was desperate to write something my then-agent would read. i'd had no luck with the first 2 books i sent her, and was trying to cater to somebody who's tastes i no longer aligned with, which was an impossible task, and as a result, there's something forced about the whole book. it's like when you bake a cake with no love.
anyway. the voices Often tell you a project isn't working. sometimes they are evil gremlins trying to sabotage you, and sometimes they're right.
DO listen to the voice when: you're finished the book, your beta readers are giving you feedback that makes you go "honestly yeah", and whenever you think about the project you feel vaguely ill
DON'T listen to the voice when: you're between 30-60% finished (that's when the kill switch activates and it's never right), one person is saying they personally didn't like something (opinions! subjective!), or when it's past 10 pm (thoughts are not peer reviewed)
